Back in June, many photographers joined in the NANPA Nature Photography Day Bioblitz, an eleven-day citizen-science project. A bioblitz is an event created to find and identify as many species as possible in a given area over a limited period of time. All observations are uploaded to an iNaturalist project. During the NANPA event, participants made close to 10,000 observations of over 3,000 species, 97 of which were threatened species. All this data is now available to scientists and researchers. To add a little excitement, several of NANPA’s generous sponsors contributed to prize packages. North Carolina-based nature photographer Sam Ray won the drawing for a Tamron 100-400mm f/4.5-6.3 Di VC USD lens.
First, my apologies for this late blog post this month. It seems every year I get to the end of summer and freak out about all the things I didn’t finish on my to-do list or wish list before the leaves start turning gold and orange. This year was no different.
Yosemite, Yellowstone, Arches, Monument Valley. The names alone bring glorious and exciting images to mind. They’ve been published and printed for many decades. The classic shots of Half Dome, Old Faithful, Delicate Arch, and the Mittens; we’ve seen them all. Yet we continue to make pilgrimages to these scenic meccas of America in the hope of capturing the quintessential photograph of some already over exposed mountain or canyon that will distinguish our work from the pack; some fresh perspective that will set our images apart from the cliché.
Is this still possible? With all of the iconic photographs of our premier wilderness areas that have been made and circulated since the days of William Henry Jackson and Ansel Adams pioneered the craft, can we, with our hi-tech zillion megapixel cameras and the compressed schedules of our fast-lane lifestyles, persist in the creation of original interpretations of these well-known places? Clearly, the answer is still “Yes!”
An exceptional group of judges is getting set to evaluate the photos entered in NANPA’s 2022 Showcase nature photography competition. Being chosen for recognition by this panel will be a real mark of distinction, not to mention the prizes and other benefits of entering this competition. Remember, all entries are due no later than 11 p.m. EDT on Monday, September 20, 2021. So, don’t delay! Get your images ready now! Find the rules and full details on NANPA’s Showcase pages.
Each year, I look forward to colorful fall foliage. Autumn is one of my favorite times of year for landscape and nature photography. Temperatures are pleasant, mosquitos and gnats are mostly gone, and trees are a riot of color. If, that is, I time it right. That’s why, for the past few years, I’ve used the Fall Foliage Prediction Map, an interactive map showing the predicted progress of fall color across the United States. I’ve written about it before but, until now, had never looked behind the scenes to see how the map and the predictions are created. Come with me behind the curtain and meet David Angotti, the map’s creator.
I often write about the challenges of finding nature subjects in an urban environment. Of course, even the largest concrete jungles aren’t all concrete. There’s always a local park or a botanical garden somewhere nearby. Places like these are perfect locations to capture unique compositions of natural and man-made subjects.
Since this article comes out on Labor Day, it’s probably fitting that it addresses copyright issues. How cases like these are resolved determines, at least to some extent, how much of the fruit of your labors you can retain. Here are three copyright examples to keep your eye on.
It is often said that the eyes are a window to the soul. The face of any living creature is usually the first thing that catches our attention, and the eyes are where we instinctively and immediately go. The eye figures prominently when it comes to conceptions of beauty. Sight (looking at others) is also a form of communication, an instinct that we inherit at birth, similar to art and music. Sometimes, poets emphasize that eyes speak what lips can’t. So, the eyes of a subject can mean many things and it makes perfect sense that one of the first rules of wildlife photography is to make sure the eyes are sharp.
When I received a 2020 Philip Hyde Conservation Grant from the NANPA Foundation, I was both excited about using images to conserve threatened seabirds and shorebirds, and scared. How could I stay safe working with schools, and policymakers during a pandemic? Would libraries, nature festivals, and exhibits remain closed? What I wanted to do was to use images to create awareness of beach-nesting birds, and encourage people to conserve them, and protect their habitat. I’d also hoped to raise awareness of problems shorebirds face, such as human disturbance, habitat loss, predation, climate change, red tide, and plastic pollution. Through my work as a bird steward and photographer, I recognized that some of the threats beach-nesting birds face are caused by people who unknowingly disturb them, so I envisioned educating teachers, students, beachgoers, and policymakers about these threatened species. I hoped that through environmental education, we might be able to raise a generation of people who care about the wildlife around them and respect them. My plan involved youth helping to solve the human disturbance problem through art and messages to the community.
Editor’s note: Profiles of Showcase Top 24 photographers, along with their how-I-got-the-shot stories, are typically published on this blog between January and June of each year. But 2021 continues to be anything but typical, and Jeremy Burnham’s 2021 Showcase Judges’ Choice winning image was unexpectedly delayed. We’re thrilled to share his story with you today and will seize the occasion to remind readers that a profile like this on NANPA’s blog is one of the publicity benefits offered to Showcase Top 24 winners. It’s one of many reasons you might want to enter the 2022 Showcase competition. Entries are accepted through 11 p.m. on September 20, 2021. Learn all about it on the Showcase page.
This photo is special to me because it evokes emotion. My goal as a photographer is to capture pictures in such a way that the viewer will feel the same thing I feel at the time of the photo. There are some pictures that I think are great as a photographer, but they don’t resonate with others. I could tell immediately after sharing this picture that it evoked the kind of emotion in others that would help facilitate positive change. It has been used by conservationists throughout Louisiana to help clean up our stormwater collection system and bring attention to our litter and pollution problems.