FIELD TECHNIQUE: Get the white out, creatively

Story and photography by F.M. Kearney

Central Park, New York City, © F.M. Kearney

A featureless white sky is the bane of nature photography. It can take a carefully crafted photograph and reduce it to what looks like a hastily grabbed snapshot destined for the trash heap. Of course, the lighting provided by white skies is highly sought after for capturing rich-toned, evenly lit images. But, aside from a few artistic purposes, white skies themselves are something most photographers try to avoid.

Unfortunately, this is a lot easier said than done. The best way to avoid white skies is to simply exclude them from your shot. If that’s not possible, a graduated neutral density filter might help. But, what if you don’t have a “clean” horizon? Any trees or buildings that jut up into the sky are going to be unnaturally darkened by the filter, thus ruining the effect.

You could try burning the sky in, but that may not work if it’s completely overcast and devoid of any cloud detail. Any attempts to burn in details that don’t actually exist will only result in a series of ugly, dark gray “burn marks.” Continue reading

NATURE’S VIEW: Within striking distance

Story and photography by Jim Clark

For nature photographers, how exhilarating it is to capture that defining moment as a great blue heron strikes the water? Even better is photographing a full sequence of a great egret stalking its prey and then plunging its bill and neck into the water to seize the prize.

Wading birds come in all sorts of sizes and shapes, and each species use specific hunting strategies to gather a bite to eat; ornithologists have even described 35 types of feeding behaviors wading birds use (see a list in a sidebar to this article).

Understanding how each species of wading bird feeds helps the nature photographer to photograph those amazing moments. Combine this knowledge with time in the field, and the photographer will become more and more successful at recording that special “striking” moment.

A great blue heron is about to swallow its prey after tossing and catching it midair. This image was photographed on the Chincoteague National Wildlife Refuge, Virginia. ©  Jim Clark

Here are some feeding strategies of a few wading birds I photograph at Chincoteague National Wildlife Refuge in Virginia: Continue reading

Capture to print—creating eye-catching black-and-white landscapes

Text and photography by Dana Warnquist

“Is that an Ansel Adams photograph,” she asked. “No,” the gallery owner replied with a chuckle. “It’s a local photographer.” Overhearing this exchange, I could feel my face warm as I flushed with both pride and embarrassment. True story.

Winter wonderland; Firehole Canyon, Yellowstone National Park. ©Copyright Dana Warnquist

Winter wonderland; Firehole Canyon, Yellowstone National Park. © Copyright Dana Warnquist

While my art certainly cannot be compared to that of master photographer Ansel Adams, his photographs and philosophies about protecting our natural environment have inspired and motivated me to capture eye-catching black-and-white images. Not everyone can create iconic landscape images like Adams, but with a few basic steps, from capture to print; stunning black-and-white images can be produced by even the newest DSLR (digital single lens reflex) camera owners. Continue reading

NANPA Weekly Wow: June 19-25

River of Silence, Yellowstone National Park, Wyoming, USA © Rodney Lough

Each week www.nanpa.org highlights 7 images from the top 100 submissions of the 2017 NANPA Showcase competition. This week’s images are by:

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MEMBER PROFILE: Gary Hart

© Don Smith

Gary Hart is a professional nature photographer, writer and educator who has been exploring, photographing and sharing nature’s beauty for nearly 40 years. Gary is a Sony Artisan of Imagery and a frequent contributor to Outdoor Photographer magazine. His book of images, The Undiscovered Country, was featured exclusively at Barnes & Noble stores across the United States. Gary’s blog is followed by thousands of readers, and his always sold-out photo workshops often fill a year in advance. Visit Gary’s website at www.EloquentImages.com; his blog at www.EloquentNature.com; his prints at www.GaryHartPrints.com. Gary’s Yosemite workshops can be found at www.PhotographYosemite.com Continue reading

NATIONAL PARKS: Grand Teton National Park

Story and photography by Jerry Ginsberg

Grand Tetons © Jerry Ginsberg

Jackson Hole, with its sharply serrated Teton Range, is undoubtedly one of the most dramatic and striking scenes in all of North America. It is a great choice for a photo trip in at least three seasons.

Just south of iconic Yellowstone, Grand Teton National Park is too often overshadowed by its more famous neighbor. Rather than making an outing in the Tetons merely an extension of a trip to Yellowstone, we photographers should think of both as being equally worthy of our time. Continue reading

In nature photography is the preservation of the world

Text by Gordon Illg. Photography by Cathy and Gordon Illg.

.NANPA recently posted a blog, “The 6 Myths That Frustrate Aspiring Photographers” by Tom Horton that offered advice to new nature photographers. The post reiterated advice I’ve heard from established pros many times over the decades, and every point he made was valid. Following his guidelines will almost certainly help neophytes augment their craft and become more noticed. But there are other issues that were not considered, quite possibly because there’s just not enough room in a blog.

Mesa Arch frames Washer Woman Arch, Arches National Park, Utah. You can’t blame people for wanting to photograph icons like Mesa Arch. Canon EOS 40D, 28-135mm @ 30mm, f14, 1/15 sec, ISO 800, -2/3. ©Cathy & Gordon Illg

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NANPA Weekly Wow: June 12-18

Oystercatcher Feeding Time, Fort Myers Beach, FL © Ursula Dubrick

Each week www.nanpa.org highlights 7 images from the top 100 submissions of the 2017 NANPA Showcase competition. This week’s images are by:

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The life of the sea otter

Story and photography by Frank Toller

These marine mammals live mostly on the North Pacific coast and typically weigh between 31 and 99 pounds. They are able to live their entire life in the water, in part because of a massive fur coat, the densest in the animal world. They feed on invertebrates such as sea urchins, clams, crab, and abalone as well as octopus and some species of fish. The otters will use rocks to scrape their prey and open shells, making them unique among marine mammals as tool users.

The sea otter population has risen from 1,000 to 2,000 years ago to 100,000 now. © Frank Toller

The sea otter population has risen from 1,000 to 2,000 years ago to 100,000 now. © Frank Toller

They can go onshore and occasionally will do so. The otters are very friendly and while taking these pictures on Jetty Road at Moss Landing, California [55 miles south of San Jose on the coast], I observed the animals allowing children to approach within six feet. The kids and pups seemed equally curious about each other. Continue reading

NANPA Weekly Wow: June 5-11

Hot Spring Terrace at Sunset, Yellowstone NP, Wyoming, USA © Tom Horton

Hot Spring Terrace at Sunset, Yellowstone NP, Wyoming, USA © Tom Horton

Each week www.nanpa.org highlights 7 images from the top 100 submissions of the 2017 NANPA Showcase competition. This week’s images are by:

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