Outstanding Photographer of the Year Florian Schulz.
The Outstanding Photographer of the Year Award goes to an individual who has demonstrated unquestioned skill and excellence as a nature photographer through his or her past work and who has produced extraordinary recent work of significance to the industry. That would be a pretty good description of the career of Florian Schulz, the 2019 Outstanding Photographer of the Year.
Schulz is a photographer, filmmaker, speaker and teacher, specializing in wildlife and conservation photojournalism. He is a Senior Founding Fellow of the International League of Conservation Photographers and serves on the iLCS board. He’s been published in publications like National Geographic magazine and is an in-demand speaker.
“Still round the corner there may wait
A new road or a secret gate,
And though we pass them by today,
Tomorrow we may come this way
And take the hidden paths that run
Towards the Moon or to the Sun.”
– J.R.R. Tolkien The Fellowship of the Ring
When we think of outstanding sites for nature photography, most of us tend to think of places like Tanzania, the Pantanal, Costa Rica…you know, places that cost a fortune to visit. And these locations do indeed have wonderful photo opportunities, but some of the best images are captured by people who never wander far from home. Yes, there are wild things right in our neighborhoods, hiding secrets that are just begging to be photographed. Keep in mind my livelihood is dependent upon photographers traveling to distant destinations, but I feel it’s important not to lose sight of the fact that there is beauty everywhere. Even without money to travel, there are photographable worlds available to you.
Lifelong friendships have been made at NANPA Summits! Executive Director, Susan Day and 2019 Summit Program Chair, Kathy Adams Clark at a reception in Albuquerque at the 2009 Summit. Photo by Richard Day.
NANPA Summits are much more than listening to speakers, viewing world-class, jaw-droppingly-awesome photography, and drooling over your next equipment purchase or photo workshop destination. Lifelong friendships and connections have been made from talking to others during lunch, in the halls, or even waiting in restroom lines (I speak first-hand on the last one!)
The countdown to the 2019 Nature Photography Summit and Trade Show in Las Vegas, February 21-23 is on at NANPA HQ! Online registrations for the full summit, one-day passes, Super Sessions, Portfolio Reviews and other tickets close February 4; but no worries if you miss that deadline, because you can still register onsite in Las Vegas.
NANPA turns 25 this year and plans are underway for birthday specials all year long!
The following Showcase images have been selected to appear on the NANPA home page for the week beginning Monday, January 28, 2019. To view all of the top 250 photographs from NANPA’s 2019 Showcase competition, see the photo gallery on the NANPA website.
I was a participant in the 2017 NANPA High School Scholarship Program and spent a week in the Great Smoky Mountains working with some incredible mentors, broadening my interests in photography and learning from some very talented kids my age as well.
This program was a turning point for me–it showed me just how much I want to inspire the younger generation to learn more about conservation and photography. Working with and learning from 9 other students from across the country was not what I expected it to be. I had assumed we would all stick to the certain aspects of photography we were comfortable with, but instead we all motivated each other to try a little bit of everything.
During that week in the Smokies, I got to experiment with flash and night photography and use some of the cameras, lenses, and flashes that Canon sent to as loaners. I now have knowledge of the settings to use for star and night photography, something that will definitely come in handy for me in the future. We also hiked out to a waterfall and attempted slow motion waterfall photos to capture the blur of the water. Using the loaner flashes, we also found little salamanders and toads and used white backgrounds for the “Meet Your Neighbors” technique that Andrew Snyder, one of the mentors, taught us. Some of the kids were so in love with this new technique, it was all they did!
Do you know a talented young nature photographer? NANPA’s High School Scholarship Program is seeking 10 high school student photographers to attend a five-day field event where they can learn from the industry’s top shooters. Apply now for this immersive, hands-on education program to be held in the Great Smoky Mountains National Park July 1–6, 2019. Combining classroom and field-based instruction, students will have the chance to improve their nature photography skills, learn about NANPA, meet industry professionals, and gain an appreciation of the Smoky Mountains’ rich natural history. The last day to apply is January 31, 2019, so don’t wait. Apply now!
A great online course offers something bigger than technical knowledge: it offers time hanging out with YOU. It offers the chance to experience your world, to join you in the field, to see, first-hand, your unique approach to the photography process. Here, filmmaker Peter Hoffman is on assignment in California.
Story and photos by Kika Tuff
The world of online education is a new frontier for nature photographers and one that can be quite lucrative. But making money isn’t as simple as building an amazing course and setting it free on the internet. Plenty of thoughtful, well-designed courses go undiscovered every day.
So, before you invest your time and energy into building a course, I wanted to offer some ideas on how to ensure you don’t get lost in the ocean of internet content.
The following Showcase images have been selected to appear on the NANPA home page for the week beginning Monday, January 21, 2019. We recently began highlighting the best photos from NANPA’s 2019 Showcase competition. To view all of the top 250 photographs, see the photo gallery on the NANPA website.
Lou Nettelhorst will receive one of NANPA’s 2019 Fellow Awards. This award is presented to members who have made significant contributions to the professional nature photography industry over a period of at least 20 years.
Nettelhorst is a widely-published nature and fine art photographer. The awards committee noted that, “for eight years, he led the NANPA’s high school scholarship committee, in essence establishing the efficient way the committee continues to work today. Lou shares his talent through community college courses, field trips, presentations and nationwide workshops and private instruction.”
Still debating whether you should come to NANPA’s Nature Photography Summit and Trade Show, February 21-23 in Las Vegas? Here are five compelling reasons to pull out your credit card and start making reservations. And, hey, there’s still time to get pre-conference pricing . . . but only ‘till midnight, Sunday, January 20th.
White-cheeked gibbon (Nomascus leucogenys) seen through bars, dangles from the door frame of his enclosure evoking a sense of frustration, boredom, loneliness at the Cheyenne Mountain Zoo in Colorado Springs, Colorado.
Story & photo by Haley R. Pope
Most of what makes a wildlife photograph great is the photographer’s ability to get inside the head of the animal and show the world through their eyes. What are they thinking? How do they see their environment? How do they see us? What is their story? In other words, a photographer needs to create an emotional connection to the subject or elicit an emotional response in the viewer. Emotion creates a layer of dimensionality that help us suspend judgments and see honestly.
The rest of what makes a great photograph is the photographer’s ability to correctly, and technically, control the camera so as to represent the scene as one saw and felt it. How am I going to tell the story? What landscape elements should I include? Do I need a shallow or wide depth of field? Should I over or underexpose the shot? How fast should I set my shutter speed? Do I have enough lighting? Where should I physically be positioned? These questions should be in your mind as you think about how to communicate your message and how to set yourself up to create your photo.
The two questions I ask myself before and during every photo shoot is: 1) what story do I want to tell and 2) how am I going to craft my image so the story is clear to viewers?
A Day at the Zoo
I have never been a fan of zoos, but on a warm day in June I decided to go. After I arrived, it wasn’t difficult to decide what story to tell. I wanted to tell the story of what it’s like to be locked up against one’s will. I wanted us to put ourselves in the animal’s shoes, so to speak, so I needed the emotional connection to be strong and our similarities to be obvious. I wanted us to consider what role we should play in other animals’ lives and whether or not there is even a need for animal exhibits like zoos.
As I passed through each exhibit and looked at the faces and body language of the animals inside, I was overcome with emotions of loneliness, sadness, boredom, and frustration; emotions I felt emanating from the animals themselves. Emerging from the kangaroo exhibit, I crossed the paved walkway and entered the primate center. No animal that day seemed to express the story so noticeably or poignantly than the white-cheeked gibbon. I knew this is where I would find my shot.
I watched the male gibbon for several minutes without picking up my camera and took note of his environment and behavior. I noticed whether the gibbon made eye contact with me and how he moved around the space. Then I circled the enclosure while thinking about how I’d like to compose the shot. What elements will help drive home my message and how I should represent the being inside?
I decided to include the metal bars of the enclosure as a frame for my subject since that’s exactly what they are. I also wanted to include both man-made and natural elements to provide context and juxtaposition. Focusing on the gibbon’s body language would illustrate both how similar our bodies are and how misplaced his own seems in contrast to the surrounding concrete and metal.
At one point, the gibbon stood up from where he sat and walked towards the interior door. With his back to me, he dangled from the door by its hinges and swayed back in forth in the characteristic way of under-stimulated animals. This was it. I raised my camera and snapped the shot. But I felt guilty as I turned and left him, embarrassed that I could just walk away while he stayed there, hanging and swaying.
Nature photographers don’t typically strive to capture disturbing situations. We want to show how beautiful the natural world is, in its raw form, and how we are all connected. But that is only half the story. If we never represent the other side of reality, we can become passive and complacent. I wanted to capture the other side of reality during my zoo visit. Because all animals are part of nature and zoos are not filled with happy carefree animals. They are filled with captives.
Haley R. Pope is a zoologist and conservationist with a passion for photography and writing. She uses those mediums to explore wildlife conservation topics and share biological knowledge in a visual story-like format to inspire awe of our planet’s inherent beauty and encourage the responsible treatment of nature. As the president and owner of TerraLens Photography LLC, she offers freelance photography, writing, and photo archiving services to other companies.
Haley is also a trip leader for Habitat for Humanity’s Global Village program, which operates in more than 40 countries and builds houses for those in need. In the future, she’d like to lead ecological and photography focused trips. Connect with her below!