One of the greatest values that NANPA provides to its membership is advocacy work that supports and protects photographers’ rights. Many members are unaware that NANPA has a dedicated and hard-working team of volunteers speaking up for our rights.
Photographs are our lifeblood, but they are too often freely downloaded and used by people who either don’t know or don’t care that this is wrong. NANPA is part of a coalition of visual arts associations that has been lobbying the Copyright Office to modernize the copyright process for photographers. We are looking for easier ways to register copyright for our images. Wouldn’t it be great to be able to register your copyright with one click from Lightroom and other photo programs? That is what the NANPA advocacy committee is fighting for.
NANPA is also helping to lobby Congress to outlaw the stripping of image metadata by social media and internet services. We are working to establish a small claims copyright tribunal to provide our members with simple, less expensive ways to pursue small copyright claims that are often financially impractical to pursue under the current system. These are potentially huge changes. After a great deal of effort, legislation is finally moving forward. The advocacy committee is also beginning to work on initiatives to help ensure our access to public lands.
A NANPA membership is so much more than admission to a club. We are an organization that has our best interests as photographers at heart. Your support allows NANPA to support you.
Story and photography by Tom Horton
Photography, like life, is a non-stop learning experience. While we should not take ourselves too seriously, it is still good to pause and reflect on your journey now and then. Recalling all the mistakes you made, and why you made them, helps you get ready for those still ahead. Often those mistakes start out as myths – received wisdom that ends up working poorly for you. These are some of mine:
1.) The more photos I publish, the better.
We all know people who talk too much and tend to say foolish or inappropriate things, and we hope like hell that’s not us. Yes, there are times to speak, but it is wise to first listen and think, and doing that you are more likely to say something meaningful or memorable.
It is no different with your photography. You make your reputation on the images you put out there for people to see, so you want to be very, very careful that what you publish is consistent with the photographer you want to be. The great danger with publishing on the Web – web sites, album sites, social media – is that it is far too easy and tempting to publish way too much and in doing so, publish work that is not your best. Even a small amount of mediocre work in your portfolio is enough to tell people that you are not a judge or producer of great photography. Continue reading
Story and photography by Bill Tyler
When most people think of wildlife photography, birds, large mammals, and possibly reptiles come to mind. But in the grand scheme of things, these are a small fraction of the picture. Insects and other arthropods constitute the vast majority of animals, both in numbers of individuals and numbers of species. These small creatures show huge diversity in anatomy and behavior, and make fascinating subjects for nature photographers. What’s more, they’re accessible. With millions of individual arthropods in a typical acre, you don’t have to travel far to find subjects. But photographing them requires different techniques than larger subjects. Here’s how I photographed a live centipede collected from my yard.
When possible, I like to photograph arthropods in their natural environment, unconfined. But that wasn’t going to be practical with this constantly moving specimen. I needed a way to keep it confined in a small area, rather than letting it run to the nearest shelter to hide. Sometimes I’m lucky enough to have a helper who can gently stop a subject from running too far. This time I was working alone, and needed a containment device of some sort.
I had a small petri dish over which I could place a large clear photographic filter as a lid, and I put the centipede into this enclosure. Photographing through the optically flat filter gave a clear, undistorted image, and the glass dish let light in from the sides, while the filter was too heavy for the centipede to lift and escape. A ceramic plate made a white background.
Story and photography by Jerry Ginsberg
Yellowstone is not only America’s first national park, but the very first such preserve in all the world. Brought into existence with the 1872 signature of President Ulysses S. Grant, Yellowstone set the example for the worldwide park and preservation movement. It is the quintessential essence of our park system. Even after almost a century and a half, Yellowstone remains one of the crown jewels of the world.
We discussed a winter trip to Yellowstone in the October 2015 issue of eNews. In this issue, we’ll explore this vast park in warmer weather. Continue reading
A retrospective of Gary Braasch
Story and photography by Jim Clark
Today a plethora of information exists on the web about how to photograph nature. Just type your question or topic in the search box and immediately you are presented with hundreds of links that may or may not be of use. It seems as though books about nature photography techniques have gone by the wayside.
Photographing the Patterns of Nature by the late, great photo-naturalist and environmental activist Gary Braasch is surely an exception. This is one book that I continually pull from my bookshelf and read.
Published in 1990, Gary’s techniques are as relevant today as they were when he first started his career as a nature photographer in the sixties. The book is only 144 pages, and it is written in a simple, readable and relaxing style. Gary offers a treasure trove of techniques for photographing nature — techniques that will elevate the skill level and photographic vision of any nature photographer. It’s as if Gary is right beside you, helping you discover the patterns in nature.
Story and photography by Tom Haxby
It was my dream come true to have been the Artist in Residence as a photographer in the Great Smoky Mountains National Park for six weeks from September through November of 2016. I have been to the park many times and I would never have imagined having this opportunity. My background as a natural resource manager for 26 years along with my passion for photography helped to secure the chance to take photographs for an entire season in one of the most picturesque national parks. For me, it was about more than just taking photos. I wanted to take the time to gain a greater understanding of the park.
The National Park Service, the Friends of the Smokies and the Arrowmont School of Arts and Crafts sponsor the artist program in the Great Smoky Mountains National Park. Continue reading
Story and Photography by Irene Hinke-Sacilotto
A Scenic and Wildlife Photography Paradise
Badlands National Park is a terrific destination for landscape and wildlife photographers. It is the location of my June 2017 photo workshop, co-lead by Sandy Zelasko. The park is a convenient hour drive east from Rapid City on Interstate 90. North of the Pinnacles Entrance lies the town of Wall where you can find accommodations and other amenities. Near Cedar Pass, at the eastern end of the park, there are campgrounds, cabins, and a few other places to overnight. Continue reading