Anticipating the moment
Story and photography by Jim Clark
In Part I, I described the two important personal skills I recommend a nature photographer possess: knowing when to anticipate a moment and knowing when to chase a moment. In this month’s column, I will share an experience that shows how knowing when to anticipate a moment paid dividends for me.
This past spring, my last nature photography workshop of the season took place along the eastern shore of Virginia. The students and I had a great day photographing birds, coastal landscapes and historical fishing villages. It was one of those days when you feel as though, “Life doesn’t get any better than this.” Yet, as I soon found out, it can. Continue reading
FROM THE PRESIDENT:
Autumn always arrives on my doorstep like an old friend, her bags packed with rest and perhaps a little remorse for all of the moments that I had hoped to photograph over the past season, but never did.
Unlike landscape photographers, who eagerly await the seasonal changes from summer’s greens into fall’s brilliant blaze, insect photographers like me know that before long it will soon be time to close up shop for another season. The fading embers of goldenrods soon lead to the drawn-out trills of fall field crickets. Their quiet calls, like prayers of gratitude before a well-earned sleep, fill me with a sense of nostalgia for months of abundance that have flown past. Continue reading
Apply for the $1,000 Janie Moore Greene Grant from NANPA Foundation
Students of, or those accepted to, an institution of higher education specializing in the study of photography are invited to apply for this year’s $1,000 Janie Moore Greene Grant.
Applications are due October 31st.
The NANPA Foundation awards the grant annually to a student of a 2-year or 4-year college, art/design school or photography school. The scholarship awards are paid directly to the institution of higher education at which the student is, or will be, enrolled.
2015 Janie Moore Greene Grant Recipient Michelle A. Butler used the grant to help finish her Master’s of Fine Arts degree from the Academy of Art University, San Francisco.
Butler worked on a photo-documentary thesis project to raise awareness about the condition of birds in the Americas. It highlights the habitats needed for nesting, wintering and migration and calls for conservation efforts that citizens can make to help protect these essential components to the ecosystem.
Ten dollars is what the NANPA Foundation is asking each NANPA member to contribute along with his/her NANPA membership renewal. Continue reading
Story and photography by Jerry Ginsberg
Like many people, for a long time I thought that the tail end of the Florida Keys was the popular resort and tourist town of Key West. Continue reading
Susanna Euston is a fine art photographer. In addition to classical landscape images, she explores nature from a point of view that often uses techniques such as intentional camera movement (ICM) (where she moves the camera during exposure), macro or closeup, and infrared. Her goal is to evoke a sense of the energy in a scene, in a tree or flower; or perhaps its movement in the breeze; or to view its radiance up close through a veil of light. Photographing nature in unique ways, whether as an “intimate landscape” or a closeup, is her focus and delight. Susanna’s work is in galleries and exhibitions. She has been published in LensWork magazine, and she is teaching an eight-week course, “Creative Composition in Photography,” which began on September 21 and runs through November 9, at the Osher Lifelong Learning Institute at the University of North Carolina at Asheville. Continue reading