Story and photography by F.M. Kearney
I wondered if I had made a mistake.
The weather forecast called for a light shower in the morning, followed by mostly cloudy skies — perfect conditions for flower photography. The showers were light at first, but they gradually increased in intensity to the point where I was forced to seek shelter. It was beginning to look like my plans for the day were going to be a total washout, literally. After about an hour, however, the showers began to subside, and I was back in business.
I was at the New York Botanical Garden to shoot roses. At this time of year, the Peggy Rockefeller Rose Garden is at its peak with 4,000 rose plants in bloom in more than 600 varieties. I like to get there early to avoid the crowds and to survey the overall scene. On this particular day, I had plenty of time to do that because of the rain delay. It was still early when conditions improved, so I took advantage of the fact that I had the whole place to myself. Continue reading
Story and photography by Jim Clark
Okay, here’s one for you: What did the mama buffalo say to her little boy in the morning when he left to go to school? “Bison!”
I know, corny as all heck, but it’s the only joke I can remember. Besides, bison are my most favorite charismatic megafauna of all time. I can spend hours in Yellowstone’s Hayden or Lamar Valley just watching a herd of bison grazing, rutting, playing, swimming, running, wallowing or whatever; it doesn’t matter.
During a 1999 trip to Namibia, Botswana and Zimbabwe, Nate Chappell became serious about nature photography, and in 2007 he and his wife Angie decided to start a wildlife photography tour and workshop company, Trogon Photo Tours, http://www.trogontours.net/. The first tour they led was to Angie’s homeland of Ecuador. Since then, Nate has led many more bird and nature photography tours to South America as well as tours to South Africa, Namibia and Thailand and dozens of photo workshops in the United States. He has been on the staff of Nature Photographer‘s online magazine since 2007. During the course of his travels, which have included trips to all continents except Antarctica, Nate has photographed more than 1,700 species of birds. Nate’s images have regularly placed in the NANPA Showcase, Audubon’s top 100, Share the View Denver Audubon Society contest and other nature photography competitions. His images have been published in books and regularly in online publications. His stock agencies include Minden Pictures, Birdimagency and Vireo. Nate has given many photography presentations at photo clubs and Audubon Society chapters and enjoys speaking to groups of photography and nature lovers. Continue reading
Story and photography by Tim Irvin
We were deep in the Great Bear Rainforest of British Columbia, Canada (about 500 miles northwest of Seattle), the home of the white spirit bear. Before us was what we had hoped for. The bear had accepted our presence and was now perched on a rock mid-stream scanning the creek for salmon. Her white fur was wet from overnight rain and steam rose from her back in the morning sun. It was like a scene from National Geographic television – only this was live.
Our group of photographers and nature buffs was thrilled. Between snapping photos we glanced at each other – smiling widely, giving each other the thumbs up. We never could have imagined this exact scene beforehand, but the hope of being part of something like this was why we had come. Continue reading
One of the greatest values that NANPA provides to its membership is advocacy work that supports and protects photographers’ rights. Many members are unaware that NANPA has a dedicated and hard-working team of volunteers speaking up for our rights.
Photographs are our lifeblood, but they are too often freely downloaded and used by people who either don’t know or don’t care that this is wrong. NANPA is part of a coalition of visual arts associations that has been lobbying the Copyright Office to modernize the copyright process for photographers. We are looking for easier ways to register copyright for our images. Wouldn’t it be great to be able to register your copyright with one click from Lightroom and other photo programs? That is what the NANPA advocacy committee is fighting for.
NANPA is also helping to lobby Congress to outlaw the stripping of image metadata by social media and internet services. We are working to establish a small claims copyright tribunal to provide our members with simple, less expensive ways to pursue small copyright claims that are often financially impractical to pursue under the current system. These are potentially huge changes. After a great deal of effort, legislation is finally moving forward. The advocacy committee is also beginning to work on initiatives to help ensure our access to public lands.
A NANPA membership is so much more than admission to a club. We are an organization that has our best interests as photographers at heart. Your support allows NANPA to support you.
Story and photography by Tom Horton
Photography, like life, is a non-stop learning experience. While we should not take ourselves too seriously, it is still good to pause and reflect on your journey now and then. Recalling all the mistakes you made, and why you made them, helps you get ready for those still ahead. Often those mistakes start out as myths – received wisdom that ends up working poorly for you. These are some of mine:
1.) The more photos I publish, the better.
We all know people who talk too much and tend to say foolish or inappropriate things, and we hope like hell that’s not us. Yes, there are times to speak, but it is wise to first listen and think, and doing that you are more likely to say something meaningful or memorable.
It is no different with your photography. You make your reputation on the images you put out there for people to see, so you want to be very, very careful that what you publish is consistent with the photographer you want to be. The great danger with publishing on the Web – web sites, album sites, social media – is that it is far too easy and tempting to publish way too much and in doing so, publish work that is not your best. Even a small amount of mediocre work in your portfolio is enough to tell people that you are not a judge or producer of great photography. Continue reading