Don Carter is a fine-art nature and wildlife photographer from Illinois. His hope is that his images cause the viewer to wonder about his or her relationship with nature and how the land needs to be shared and the environment protected. Since his retirement from teaching in 2013, Don takes photographs full-time. “My wife and I love to camp,” says Carter. “We are on the road with our springer spaniel several months a year.” Don’s website is www.doncarterphotography.com. Read the rest of this entry »
I made my first leap into multimedia storytelling after following, with considerable interest, the work of MediaStorm, a video production company founded by Brian Storm. Their videos wove together interviews, music, ambient sounds, and still photographs into artful, dynamic stories. As I watched them, I realized that hearing the ambient sounds and interviewee’s voice created a stronger emotional connection to the story—it just seemed more real than a photo slideshow with captions. I wanted to be able to produce my own multimedia video, but I was intimidated… I had never recorded audio before or used a video editing program.
In the spring of 2009, a client asked me if I would be interested in documenting a month-long undergraduate research experience in the Siberian Arctic. I immediately jumped at the opportunity, with one requirement: the chance to produce a multimedia video.
That July, I found myself in Siberia, wading through knee-deep permafrost goo, battling legions of abnormally large mosquitoes (audio recorder in one hand, DSLR in the other). At the end of that month, my hard drive brimmed with over 20,000 images and about a hundred pages of interview transcriptions. The thought of the next step nearly overwhelmed me: how to create a coherent, compelling story from this mountain of material. I decided to enlist the experts at MediaStorm for some one-on-one training.
A month later, I knocked on the brushed-aluminum door of MediaStorm’s office in New York. Storm introduced me to my mentors for the week: Bob Sacha, an award-winning photographer-turned-multimedia-producer, and Maisie Crow, a talented up-and-coming multimedia journalist. In five short days, we needed to turn my pile of photographs and interviews into a living, breathing, multimedia story.
Sacha quickly introduced me to the MediaStorm process. First, we poured over the material, starting with the interview transcripts. The edited interviews, he explained to me, would form the backbone to the story. Once the interviews were on the timeline, Sacha showed me how to choose music and integrate ambient sound recordings I had collected in the field. Lastly, we added my photographs and credit slides—it was complete!
Looking back, those five days at MediaStorm really changed my trajectory as a photographer. From a pragmatic standpoint, my new skills opened up a whole new avenue of funding opportunities, allowing me to keep photographing the stories I love. Since 2009, I have produced dozens of multimedia stories and worked as the lead cinematographer on an hour-long documentary production. Some of the videos have simply been a series of images set to music or a voiceover. Others have been more complicated, such as a series of videos on ocean robotics that involved filming interviews in front of a green screen and incorporating historical underwater footage. An unexpected benefit to my multimedia training is that my photography skills have improved as well. Now, it’s easier for me to break down a story idea into the elements I need to illustrate with my photographs. In essence, I have evolved into a better storyteller.
At the 2015 NANPA Summit, I will be co-presenting a Breakout Session with fellow photographer and filmmaker Morgan Heim on the lessons we’ve learned producing multimedia. There you can find out our most critical multimedia storytelling tips, like: whatever you do, don’t forget the…
The 2015 NANPA Summit takes place in San Diego, California from February 19th – 22nd. To learn more about the Summit and to register for this exciting and inspirational event, please visit www.naturephotographysummit.com. Early bird registration ends on October 31st!
Chris Linder works part-time at the Woods Hole Oceanographic Institution as an Expedition Multimedia Specialist and runs a freelance photography and filmmaking business. Chris focuses on communicating the stories of scientists working in the field. In the last ten years, he has documented over 40 scientific expeditions from Antarctica to the Congo. Chris’s images have appeared in museum exhibits, books, calendars, documentary films, and magazines worldwide. He is the author of Science on Ice: Four Polar Expeditions.
Thanks to all of the 400 NANPA members who participated in the recent Member Survey. You provided valuable feedback on NANPA, it’s programs, and your needs as members.
Input from the NANPA board and committee chairs guided my creation of this survey. An overview and detailed report of the results were presented to the NANPA Board in August and shared with all NANPA committee chairs and NANPA staff. Here, we are presenting a partial summary of the results with you. Read the rest of this entry »
I’ve always enjoyed water. I grew up on a small rural stream with frogs, moss, trout, rocks and fog. Years later, copiloting over sub-Sahara Africa, I saw clearly that where there was no water, there was no life. Thus, No Water No Life ® (NWNL) became the title of my quest to combine the powers of photography, science and stakeholder information to raise awareness of the vulnerability of our fresh water resources.
The following are my daily mantras:
African proverb: “You think of water when the well is dry.”
Leonardo da Vinci: “Water is the driver of nature.”
The Dalai Lama: “The first medicine on this planet was water.” Read the rest of this entry »
My name is Drew Fulton and I am excited to introduce myself and announce a new column here on the blog that focuses on how we as nature photographers can start to make use of the video capabilities that is part of pretty much all modern DSLR and mirrorless cameras. I have spent the last few years focusing more and more on creating moving images in addition to my still photographs and I am excited to share some of my experiences and those of others here on the blog. Each month, this column will bring you articles about how to incorporate filmmaking into your own photography and specifically how that can be used to promote conservation. I will be writing a couple of article and curating guest posts by other individuals.
Flip Nicklin is one of the featured keynote speakers at the 2015 NANPA Summit taking place in San Diego, California from February 19th – 22nd. Flip will also lead of one of the Pre-Summit Boot Camp sessions. To learn more about the Summit and to register for this exciting and inspirational event, please visit www.naturephotographysummit.com. Early bird registration ends on October 31st!
Forty feet below me she hovers quietly. She’s 45 feet long and 80,000 pounds, and her bulk hides her 15-foot-long calf. The calf makes his way out from under her chin to take a few breaths at the surface. On his way back to his mother, the young humpback spots me near the research boat and gives me a good look. After 35 years of photographing cetaceans professionally, situations like this still bring a smile to my face.
The lives of whales aren’t always serene, though. Only a few days after I spot the mother with her calf, our research team finds a dozen male humpbacks fighting over a female. The battle is brutal; many of the whales have open bloody scrapes on the tops of their bodies. Despite whales’ occasional reputation as “gentle giants,” I would never use the word “gentle” to describe these violent, occasionally fatal encounters in the winter breeding grounds off the coast of Hawaii. Read the rest of this entry »
Part II: What is a sense of place?
In Part I, we acknowledged that nature photographers of every skill level can achieve a sense of place in their photography. While a sense of place does not happen in every image, it is something nature photographers can strive to achieve in every image.
What do we mean by capturing a sense of place?
A sense of place expresses the essential character and spirit of a location—what makes it special or unique, such as its cultural or natural identity. It is a moment in time captured in an image where the viewer can sense being there. A sense of place may ignite a memory or spark an interest from the viewer who perceives the sights, sounds and/or aromas of the moment. A sense of place tugs at the heartstrings, enticing the viewer to want to be there. Read the rest of this entry »
As cold weather approaches in northern climes, a nature photographer’s thoughts often turn to warm destinations for a winter photo trip.
Everglades National Park stays warm year-round. It includes 1.5 million acres on the southernmost tip of the Florida peninsula. Established just after World War II, Everglades protects the last remnant of a precious primal wetland from the land-hungry development and agriculture that has gobbled up the rest of South Florida.
The major characteristics here are dictated by the primordial flooding and resulting overflow of Lake Okeechobee every summer. All of this water makes its way southwest as the venerable and slow-moving “River of Grass.” More a shallow sheet of water than a conventional river, the life-giving liquid has created vast areas of sedges, tropical grasses and countless raised hammocks. Tiny islands of loose land pop up from the swampy river and support small trees that take advantage of the increased drainage provided by their slightly increased elevation.
This fertile land is home to a variety of wild creatures. First among them are many species of birds: herons, egrets, ibises, hawks, anhingas, cormorants, coots, moorhens, gallinules, pelicans and the occasional osprey and roseate spoonbill. Many of these birds can be found and photographed nearly anywhere in the park.
In the relatively dry months of winter, water levels are low, and many birds congregate in and around the ponds along the roads. Check Mrazek and Eco ponds, Florida Bay and Snake Bight for spoonbills and the western islands and sandbars off Chokoluskee for white pelicans.
After the birds come the famous reptiles. While most folks are familiar with the alligators that populate this area, less well-known are the crocodiles. Both are near the limits of their ranges here, and the two comingle in the brackish waters—a unique combination of salt and fresh waters. A word of warning: While appearing slow and somewhat sluggish, these carnivores are capable of moving very quickly, so keep your distance!
Gators often hang out in the sloughs along the Anhinga Trail in the Royal Palm area, Nine Mile Lake, and along the tram roadway in Shark Valley. Crocodiles are seen infrequently. Your best bet is the waterways in the Flamingo area.
The fabled Florida panther with its severely dwindling numbers may or may not be present in the park. The likelihood of seeing one in the wild is virtually non-existent.
At any time of year, the best photography is available during the low-light hours of early morning and early evening. Winter is the dry season, so true storm light will likely be hard to come by. Still, these subtropical skies can be dramatic at any time. Some of the best spots for sunrise and early morning light are West Lake, Nine Mile Lake, Florida Bay and right along the road to Flamingo, the southernmost headquarters of the park. For late afternoon light, I favor Paurotis Pond and Eco Pond.
During your time in the Everglades, try taking the tram ride through Shark Valley and a boat tour from the visitor center in Everglades City. Explore Big Cypress National Preserve and less well-known (but worthwhile) Biscayne National Park, only a few minutes east of Homestead.
The close-by section of US highway 1 through Florida City and Homestead offers a good choice of lodgings and restaurants. Rent any regular passenger car in Ft. Lauderdale or Miami Airport if arriving by air. Don’t forget to pack sunscreen and insect repellent.
Note: There has been a recent infestation of deadly Burmese pythons in the Everglades, so exercise extreme care.
Jerry Ginsberg is a widely published freelance photographer and co-founder of Master Image Workshops. He has photographed all 59 U.S. national parks as well as most of the parks of South America using medium-format cameras. More of Jerry’s work can be seen at www.JerryGinsberg.com. Email – firstname.lastname@example.org.
News from NANPA Members John Martin and Bill Gozansky:
John Martin, chairman of Images for Conservation Fund (ICF), announces the release of the new ICF Photo Guide to Nature & Travel Photography app for the iPad and Android tablets. The Photo Guide app illustrates professional photographic techniques for nature and travel photography. It is an intuitive, user-friendly field guide with rich photographic content, technical image data, and descriptive field notes designed to help users discover new photographic techniques and composition ideas. The app also has a “My Gallery” feature that allows the user to upload their images and personalized field notes to create their own interactive photography journal within the app. Read the rest of this entry »
Call for Submissions for Lightning Talks – Deadline Extended to November 17th!
To All NANPA Members -
We are excited to announce a call for submissions for NANPA Lightning Talks, a new live program to take place at the 2015 NANPA Summit in San Diego, California.
NANPA Lightning Talks is a series of short (6 minute) presentations by members on Friday evening (February 20th).
This is an opportunity to share your work, projects and big ideas in front of the entire summit, including publishers, editors, stock agency representatives and your fellow photographers.
A team of judges will help select eight presenters from the applicant pool with the goal of representing diversity in subject matter, experience level, and age.
We hope this will be an exciting opportunity for our members to share stories and for the audience to enjoy an hour packed with stunning imagery and inspiring ideas.
This is an open call for applications to all current NANPA members. We invite you to submit your idea (instructions below) by November 17th. We will notify selected presenters by December 5th.
- Quality of Images Submitted
- Uniqueness of Subject Matter, Idea, or Topic (could be a new approach to an older topic)
- Applicant’s speaking experience
Topics should fall under themes such as:
- Life changing idea or meaning found through photography
- Stories of wildlife or place
- Environmental Issues
- Innovative approaches to photography and the worlds they reveal
- Innovations or innovative ways to seeing with photography
What to submit?
Please send the following information to email@example.com:
- 10 sample images illustrating your idea – should be images you would plan to use in the presentation (low resolution jpegs less than 1 MB each)
- Proposed title of presentation
- 200 word pitch that focuses on what you plan to talk about in your presentation
- 200 word bio that includes relevant speaking experience
- Supporting links which may include past presentations, publications or other relevant material you think we should consider (5 max.)
And, please remember to register for the NANPA Summit soon (www.naturephogoraphysummit.com) – Early Bird Registration ends October 31st!
Lightning Talks Team
Morgan Heim and Gabby Salazar