by Jim Clark
Of all the genres of nature photography, my most challenging one is wildlife photography.
Challenge one: the primary subject is mobile and doesn’t tend to stay in place very long unless sleeping, resting or nesting. Challenge two: the primary subject is more wary than a landscape, flower or inanimate abstract subject. Challenge three: The primary subject has eyes. It may very well be watching your every move.
The first inclination of many aspiring nature photographers is to remain standing to photograph a critter that is much smaller than they are. While I, too, will stand to photograph a smaller animal the first time I encounter it, I then make an effort to change my perspective and get lower. Read the rest of this entry »
by F.M. Kearney
I often look at autumn as nature’s version of information overload. With fall colors exploding all over the place, it’s sometimes hard to know exactly where to point the camera. Trying to capture everything in one frame often results in not capturing anything at its best advantage.
I’ve learned to use a variety of simple techniques to help make sense out of this visual potpourri. One way is to extract a subject out of its environment in order to help it stand out. A zoom lens is usually the best lens of choice to perform a “visual extraction.” Read the rest of this entry »
by F.M. Kearney
The weather forecast called for clouds in the morning, followed by sunny skies in the afternoon. I had spent the morning shooting a series of tulip photos in the New York Botanical Garden. I was using a double exposure, soft-focus technique giving them a certain romantic quality that was further enhanced by the subdued light. But I had to work fast. The cloud cover was getting thinner by the minute—soon to let forth the full, harsh light of the sun.
Of all the days for the weather report to be completely accurate! Read the rest of this entry »