Autumn morning along Blackwater River, Tucker County, West Virginia. © Jim Clark
We are all overbooked these days. Our lives are commandeered by everything we deem uncompromisingly critical. Add those electronic devices that have become as indispensable as an appendage, and we are saturated with an excess of things to keep us too preoccupied to even take a breath.
Remember a time when you hiked into a meadow, laid down and watched the clouds float across the blue sky? Did hawks and vultures glide into your view, and did you wonder what it would be like to fly? Watching, admiring, thinking and developing—that is slowing down at its essence. Read the rest of this entry »
Beaver adult and yearling at Dry Fork River, June 2010. © Carson Clark
In 2007 my wife suggested that our son and I do a book together. I had already published a few, and although Carson was only eight years old, he had already won national and international awards for his nature photography. What better co-author, photographer and partner could I have asked for? It was a perfect combination.
So, during the winter of 2008, Carson and I decided to do a children’s book about a family of beavers at a local nature preserve. To give Carson the full experience of a nature writer and photographer, I had him do a bit of homework. The more he understood nature, the better he would become at photographing it. Read the rest of this entry »
Male seaside sparrow—Fishing Bay Wildlife Management Area, Maryland. © Jim Clark
One facet of nature photography that has always fascinated me is the natural history of what I’m photographing. Maybe it comes from my love for nature or maybe just because I’m a curious guy. I’d like to think it is in my DNA. Regardless of its origin or catalyst, the natural world has always been a critical component of my fabric of life.
So on occasion I will offer tidbits of natural history of select creatures I have photographed. Some may be high-profile, charismatic megafauna, but more often than not, I will offer insights on lesser known but equally fascinating creatures and landscapes. To start off, here’s a little natural history about one of my favorite marsh critters: the seaside sparrow. Read the rest of this entry »
It’s the little things that help in our photography
Summer Scene – Monroe County, West Virginia. © Jim Clark
In Part I, I suggested a few items to consider packing before venturing into nature to take photographs. This article continues that focus with a few more helpful doodads. Read the rest of this entry »
Sunrise at Black Duck Pool, Chincoteague National Wildlife Refuge, Virginia. © Jim Clark
It’s that time of the year when nature photographers are either embarking on a summer season filled with photo adventures, or they are making the final preparations to do so. They have their tripods, lenses and cameras all cleaned, inspected and primed, ready to go into action. Watch out nature, here we come!
Often, we forget to bring along the little things—the whatchyamacallits and thingamajigs—that can save us from those minor and major inconveniences we encounter in the field. During my workshops, I have a show-and-tell session to disclose to my students some of the lesser known items I keep in my camera bag or vest—very handy and inexpensive stuff that can make a difference in having a good photo shoot or a bad one.
Here are just a few items you might consider adding to your photographic toolbox: Read the rest of this entry »
I tend to get stuck in my ways for photographing landscapes: sharp and focused. But I’ve started experimenting with another technique that I refer to as ambient light painting.
Ambient light painting may not be what you think. It is not using artificial light sources at night to paint light on a tree, old barn or other subject. Instead, ambient light painting uses both natural light and slow camera movements to create abstract compositions. The results can be something resembling a Monet painting.
When I discovered how much my students embraced this technique, I decided to include it in my workshop resources to help them develop their own vision of nature. Turns out, ambient light painting is fun for them, and that fits right in with my goal to get folks to love nature through their photography.
Autumn Forest, Canaan Valley National Wildlife Refuge, West Virginia. © Jim Clark
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