Garden Highlights © F. M. Kearney
Flowers are usually best photographed on overcast days. The cloud cover acts as a giant softbox, evening out the light by eliminating dark shadows. Sometimes, this flat, contrast-free lighting is exactly what I’m looking for. Other times, when I’m in the mood to spice things up a bit, I seek out the harshest, most direct lighting I can find. I don’t necessarily want this type of light on my subject but, rather, behind it to create a nice backlight.
Roses are in season now, providing many creative photo opportunities. One sunny morning, I came across a row of white shrub roses in the New York Botanical Garden. After surveying them under standard frontal lighting, I thought: “Nothing to see here. Move on.” But when I walked around to the other side, I was absolutely amazed to see just how much more dramatic the roses looked backlit. No longer static and boring, they came to life against the sparkling highlights that danced in the background.
However, backlight isn’t the easiest kind of light to work with. Unless you’re going for a complete silhouette, additional lighting and techniques are needed to properly expose your subject. Read the rest of this entry »
June 15, Nature Photography Day:
A Weekend for You!
Great Smoky Mountains National Park. Photo by Eric Bowles.
Here’s a weekend that’s hard to beat!
Sunday, June 15th, is Father’s Day. And it’s Nature Photography Day, celebrating nine years of discovery.
How to enjoy? Time and your imagination can be the best gifts for your Dad. Take your family to a gallery or museum exhibit of nature photographs. Or start a gallery at home—by displaying your images of plants, animals, and natural scenes.
Invite your Dad to experiment with photographs. Pick something in nature that you’ve never photographed before. Then capture that scene on Nature Photography Day.
Chances are you’ll find lots of ways to be creative—especially close to your home. The beach, a trail, or a garden might be just the right spot to photograph. Make it so memorable that you will want to bring your camera to the same place same time, every June 15th.
Remember to look for the Nature Photography Day Member Event on NANPA’s website—and our page on Facebook! Take images on June 15 and upload one for the event section.
For details, click here.
There’s more! Spread the news at your local library. Ask librarians to display the sign from our web page.
You can make a difference on Nature Photography Day—and bring value to your world!
Mark Your Calendars: NANPA Nature Photography Summit in California, February 19-22, 2015. Speakers and registration details will be coming soon, so watch your emails for more information.
PART TWO: Exploring with an open mind
Story and photographs by Jim Clark©
When you have seen one ant, one bird, one tree, you have not seen them all.
—Edward O. Wilson
Harvard professor emeritus Edward O. Wilson is one of my conservation heroes, and this is one of my favorite quotes. All nature photographers can probably relate to it. There is nature to be seen everywhere and all kinds of wildlife behavior to record.
The little mountain lake in West Virginia that I introduced you to in the May 2014 issue of NANPA eNews taught me a few lessons that reinforce the meaning of that quote. Read the rest of this entry »
A Metallic Green Bee (Augochloropsis metallica) visits a Black-eyed Susan.
Since Niall Benvie and I first developed Meet Your Neighbours in 2009 I’ve seen my fair share of amazing, beautiful and sometimes bizarre creatures. From the beginning, I’ve worked almost exclusively in the land that surrounds my home near the Southern Appalachians in upstate South Carolina, USA. Rather naïvely, I suspected that after a short period of time I would begin to run out of subjects to photograph but nothing could be further from the truth. Seldom does a day go by that I don’t see a creature or plant that I’ve never seen before in the wild, anywhere! As Piotr Naskrecki points out in his fantastic book The Smaller Majority, “Over 99% of life on Earth is smaller than your finger.” It’s little wonder then that the careful observer will be awarded with a lifetime of discovery.
Read the rest of this entry »
Wilson’s Phalaropes (Phalaropus tricolor) flock at South Tufa, Mono Lake, California, USA
Story and Photographs by Marie Read
Mono Lake is one of California’s most photogenic locations, a well-known destination for landscape photographers worldwide. Bizarre rocky spires called tufa towers punctuate the waters and shoreline of this desert sea, while the snow-capped Sierra Nevada forms a spectacular backdrop to the west. The well-kept secret is that Mono Lake and its surroundings are great for bird photography as well.
Mono Lake’s alkaline, highly saline water supports no fish, but it teems with brine shrimp and alkali flies, providing food for numerous breeding birds, including California Gulls, American Avocets, and Snowy Plovers. Osprey nest atop the tufa, commuting to and from freshwater lakes nearby for fish for their young. Around the lake sagebrush scrub, pinyon-juniper, and conifer-aspen woodlands support many other birds. I’d like to share some of my favorite bird photography spots. Read the rest of this entry »
Alaskan brown bear (grizzly) with a salmon at the Brooks River, Katmai National Park, Alaska.
Katmai National Park is best-known for its three prime attractions: bears, bears and more bears. Within Katmai’s borders lie several spectacular mountains, such as Mt. Douglas volcano and Four-Peak Mountain, as well as scenic creeks, rivers and lakes that are seasonally teeming with salmon. While brown bears draw the majority of visitors, salmon draw the bears. Read the rest of this entry »
Cindy Miller Hopkins is a full-time travel and wildlife photographer. Her images can be seen on the pages of hundreds of textbooks, travel brochures, calendars and other consumer products, as well as U.S. and international magazines. Her freelance, workshop and assignment career has taken her to seven continents and more than 140 countries. Cindy is a long-time member of the American Society of Picture Professionals and, currently, co-president of the NANPA Foundation Board. When she’s not traveling (which isn’t often) she lives in Colorado Springs, Colorado.
© Cindy Miller Hopkins
What is your “day” job?
I’m a full- time stock and assignment photographer specializing in travel, nature and cultural imagery. An average year for me includes over 175 days of travel with about 60 percent assignment work and 40 percent freelance. I also teach photo workshops on small expedition-style cruise ships, and I’ve led a few photo tours for the NANPA Foundation. Read the rest of this entry »
Part I: Going Beyond F/stops & Shutter Speeds
“There is no place like springtime in the marsh. I like to just sit back and let it tell me all its stories.”—Karen Hollingsworth
Karen is a fellow NANPA member and nature photographer, and I’ve often repeated her words to my workshop students to emphasize the value of savoring the experience. I have learned that an outstanding image takes more than technical skills. The more you are into the moment, the more your images stand out.
Northern Parula Warbler © Jim Clark
A few weeks ago, I drove to my childhood home in the remote coalfield region of southern West Virginia. Much has changed since I grew up there, but one constant remains: a small mountain lake that has served as my secret location to explore and photograph nature. There is nothing fancy about this lake, but it has provided me with countless hours of enjoyment. Read the rest of this entry »
Painting by Caroline Mytinger. A young girl in dance costume, sorceress named Kori Toboro, wearing a net bag. Motuan village of Hanuabada, Port Moresby, Papua New Guinea. Courtesy of Phoebe Hearst Museum of Anthropology, University of California at Berkeley.
In 1926, painter Caroline Mytinger and her friend, Margaret Warner, set out from San Francisco for a four-year adventure in the Solomon Islands and Papua New Guinea. With little more than $400, a few art supplies, and a trunk of clothing, they made their way through what was then known as the land of headhunters, with the goal of painting Melanesia’s inhabitants. Their journey was nothing short of amazing and, at times, fraught with danger. Mosquitoes engorged with blood had to be snipped off with scissors; cockroaches the size of hummingbirds chewed on their toes. They ran into male explorers who assumed they were the first to delve into the remote Fly River Territory—and who were shocked to find two very petite young women from America in this seemingly hostile environment. A storm almost washed away all of Caroline’s painting supplies, and a volcanic eruption threatened to destroy the artwork. Upon the women’s return to the United States in 1930, Caroline’s paintings were exhibited in notable museums such as the American Museum of Natural History in New York. After 1935, the paintings were crated away, not to be seen until 2004, when they were discovered at UC Berkeley’s Phoebe Hearst Museum of Anthropology by NANPA photographer Michele Westmorland. Read the rest of this entry »
I’m often amazed at just how much subconscious thought and planning goes into the creation of a “simple” photograph.
A couple of years ago I was in the Thain Family Forest of the New York Botanical Garden. Located in the center of the 250-acre garden, this forest is the last remaining tract of original forest that once covered most of New York City.
I was initially attracted to a rustic log fence at the entrance to one of the forest trails. Seeing it as the perfect foreground element to lead a viewer’s eye into the photo, I positioned my tripod in the center of the trail and leveled it to the height of the fence. This was the best perspective to show the lines converging as they disappeared around the bend in the distance. Read the rest of this entry »