Bridalveil Falls in Cuyahoga Valley National Park, Ohio
Now that our long languorous summer is beginning to wane, particularly in the northern states, it is time to start thinking about fall photography. Let’s try something a little different.
Cuyahoga Valley, wedged between the urban areas of Cleveland and Akron, Ohio, is not your typical national park. Carved out of multiple semi-urban areas, several great tracts of land are now protected within the boundary of this relatively compact 33,000 acre park. Just two of the many highlights included here are wonderfully restored stretches of the historic Ohio & Erie Canal and the Cuyahoga River, once so badly polluted by chemical waste that it regularly caught fire.
Having been cobbled together from several disparate elements, when this park was established in 2000 it was part of an effort to bring the national park experience to more people. Located within a day’s drive of perhaps 40% of the American population, Cuyahoga Valley offers a wide variety of fun and great photography. This is particularly true around early-mid October when the woods are ablaze with brilliant autumn color. Read the rest of this entry »
Story and Photo by F.M. Kearney
After the Fall, (c) F. M. Kearney
The brilliant colors of autumn have faded. Most of the leaves have already fallen; only a handful of stubborn diehards remain clinging to the trees. I used to think that come the end of October, the “show” is over until I started noticing all the little holes in these weather-beaten leaves. If the sun is placed directly behind them, a multitude of interesting sunbursts can be created.
I specifically look for low-hanging leaves with an unobstructed line of sight of the sun in the background. Exposure is best determined manually. Auto exposure will only drive you nuts as the meter bounces from one extreme to another with each subtle movement of the leaves—resulting in a series of inconsistent exposures. I simply spot-meter the area of the sky next to the sun and lock it in. Now, no matter how much the leaves want to dance around, the overall exposure will remain the same. For a more dramatic image and to better emphasize the sunbursts, I’ll sometimes slightly underexpose the sky. So as not to underexpose the leaves as well, a flash is a must. Fill-flash isn’t always strong enough in these situations, so I usually turn it off and use the flash at normal power. If necessary, I increase its output by a stop, which restores detail in the leaves as well as any lingering traces of color. Read the rest of this entry »
by F.M. Kearney
I often look at autumn as nature’s version of information overload. With fall colors exploding all over the place, it’s sometimes hard to know exactly where to point the camera. Trying to capture everything in one frame often results in not capturing anything at its best advantage.
I’ve learned to use a variety of simple techniques to help make sense out of this visual potpourri. One way is to extract a subject out of its environment in order to help it stand out. A zoom lens is usually the best lens of choice to perform a “visual extraction.” Read the rest of this entry »