Marsh Landscape, Fishing Bay Wildlife Management Area, Maryland
Or, why I never get to take an afternoon nap during my photo shoots
In the film days of yore, I always counted on an afternoon nap during my photo shoots on nice sunny days. The high contrast of a sunny afternoon proved too much for film to capture details in both the highlights and shadows. Since I didn’t want to shoot under those conditions, what else was I to do but check the inside of my eyelids?
Thanks to digital technology those napping times are over, but I can’t complain about this new digital stuff. The one advancement I love that has raised the playing field in nature photography is high dynamic range (HDR). Read the rest of this entry »
The Panamint Mountains in Death Valley are reflected in the pond at Badwater. © Bernie Friel / A Different Perspective
As I was editing a batch of images from a shoot in Death Valley National Park, I had an uncomfortable feeling that even though the content was spot-on, some images were not as pleasing as I thought they would be when I shot them. The scene was just too vast, and the eye was distracted by the image composition. Read the rest of this entry »
What the Pros Don’t Want you to Know
With the professional bird photographers hot on my trail, I’m going to reveal, right now, the top secrets of bird photography. I’m ready to sacrifice myself for the betterment of every one of you who want to photograph birds. All are welcome, but if anyone asks, I had nothing to do with this.
Jim Clark, uh, I mean Ansel Wolfe Lepp.
P.S. You never heard this from me.
Read the rest of this entry »
Sandhill crane photographed from my car!
Text and Images by JP Bruce
Do not let what you cannot do interfere with what you can do. – John Wooden
Having trouble with mobility? Can’t cover the distances you used to? Rough terrain look too imposing to try? Whether this is permanent or temporary I wrote a book to show that you don’t have to give up your photography due to this limitation. I had polio as a two year old and have needed a brace and crutches for mobility since then, so I have learned how to adapt. I want people with and without mobility limitations to see that quality photographs can be made while staying in or near a vehicle.
There are many advantages of photographing from your car. The car can transport you to many places in a short time. Many animals are used to vehicles passing on the road and will ignore them so your car makes a good blind. Your vehicle is a solid base so with the addition of a support such as a beanbag or window mount you eliminate camera movement (remember to turn off the motor!). As a bass fisherman I used my boat as a large tackle box. Now, as a photographer I use my car as a huge camera bag. I have all my equipment available without worrying about weight, so I’m ready for any photographic opportunity. Read the rest of this entry »
New York is a city known for its attractions: the Empire State Building, the Statue of Liberty, the Bronx Zoo, the Brooklyn Bridge Waterfall. Waterfall? Yes, for a brief period during the summer of 2008, there was a waterfall at the Brooklyn Bridge, thanks to the imagination of artist Olafur Eliasson.
The Brooklyn Bridge Waterfall was part of a public art project consisting of four artificial waterfalls situated along the East River and the New York Harbor. They were created by pumping river water up and over 100-foot-tall scaffoldings. The Brooklyn Bridge Waterfall was placed under the bridge’s tower. Of the four waterfalls, it was the most picturesque.
Like a typical New Yorker, I suppose, I never really paid much attention to public art installations. One in particular, installed a few years earlier in Central Park, left me more puzzled than anything else. It was known as The Gates–a winding, 23-mile-long row of saffron-colored fabric sheets strewn along the park’s pathways. Personally, I didn’t get it and I didn’t see the fascination. However, a waterfall flowing under the Brooklyn Bridge is something else. There aren’t alot of waterfalls to shoot in New York City, so even though it was artificial, I didn’t want to miss it. Read the rest of this entry »
Midway Atoll, Photographed with an iPhone
Going mobile: The future of nature photography?
By Jaymi Heimbuch
Instagram and camera phone photos have inspired a lot of debate in the photography community. Why take a low quality image? You can’t print it large, you can’t sell it for stock, and it doesn’t showcase your skill with a camera. However, none of that is actually true anymore. As the popularity of iPhoneography and mobile phone photography rises alongside the capabilities of camera phones, not only are these points moot, but arguments supporting the use of mobile devices in professional photography are gaining ground. Camera phones and the social media platforms that allow us to quickly and easily share those images provide a greater freedom in story-telling, for bringing viewers along for the ride on a shoot, for engaging in conversation with viewers, and for showing more of the photographer’s personality. And now, all of this can be done without sacrificing much in quality.
In 2012 I took a trip to Midway Atoll and Instagram was a wonderful way to share the experience as it unfolded. My iPhone gave me the freedom to take snapshots on a whim, and uploading them to Instagram let me share what was happening as it happened. It was so easy, relaxing and fun to snap a photo in the moment, edit it and share it all with a single device. Those snapshots became my own diary of the trip and a way to remember the trip in a more personal way. I wouldn’t have had this diary if I’d stayed behind my DSLRs the whole time trying to get only polished, high-quality shots. And I could share what was going on with my followers on social media and generate excitement about the upcoming photo essays I was working on with the deliberate, high quality DSLR photos I was creating. Thus, my iPhone photos and Instagram held both a personal and professional purpose. It was the first time I’d really tried this approach, and it changed the way I have approached every photography trip since. Read the rest of this entry »
Garden Highlights © F. M. Kearney
Flowers are usually best photographed on overcast days. The cloud cover acts as a giant softbox, evening out the light by eliminating dark shadows. Sometimes, this flat, contrast-free lighting is exactly what I’m looking for. Other times, when I’m in the mood to spice things up a bit, I seek out the harshest, most direct lighting I can find. I don’t necessarily want this type of light on my subject but, rather, behind it to create a nice backlight.
Roses are in season now, providing many creative photo opportunities. One sunny morning, I came across a row of white shrub roses in the New York Botanical Garden. After surveying them under standard frontal lighting, I thought: “Nothing to see here. Move on.” But when I walked around to the other side, I was absolutely amazed to see just how much more dramatic the roses looked backlit. No longer static and boring, they came to life against the sparkling highlights that danced in the background.
However, backlight isn’t the easiest kind of light to work with. Unless you’re going for a complete silhouette, additional lighting and techniques are needed to properly expose your subject. Read the rest of this entry »
Wilson’s Phalaropes (Phalaropus tricolor) flock at South Tufa, Mono Lake, California, USA
Story and Photographs by Marie Read
Mono Lake is one of California’s most photogenic locations, a well-known destination for landscape photographers worldwide. Bizarre rocky spires called tufa towers punctuate the waters and shoreline of this desert sea, while the snow-capped Sierra Nevada forms a spectacular backdrop to the west. The well-kept secret is that Mono Lake and its surroundings are great for bird photography as well.
Mono Lake’s alkaline, highly saline water supports no fish, but it teems with brine shrimp and alkali flies, providing food for numerous breeding birds, including California Gulls, American Avocets, and Snowy Plovers. Osprey nest atop the tufa, commuting to and from freshwater lakes nearby for fish for their young. Around the lake sagebrush scrub, pinyon-juniper, and conifer-aspen woodlands support many other birds. I’d like to share some of my favorite bird photography spots. Read the rest of this entry »
Part I: Going Beyond F/stops & Shutter Speeds
“There is no place like springtime in the marsh. I like to just sit back and let it tell me all its stories.”—Karen Hollingsworth
Karen is a fellow NANPA member and nature photographer, and I’ve often repeated her words to my workshop students to emphasize the value of savoring the experience. I have learned that an outstanding image takes more than technical skills. The more you are into the moment, the more your images stand out.
Northern Parula Warbler © Jim Clark
A few weeks ago, I drove to my childhood home in the remote coalfield region of southern West Virginia. Much has changed since I grew up there, but one constant remains: a small mountain lake that has served as my secret location to explore and photograph nature. There is nothing fancy about this lake, but it has provided me with countless hours of enjoyment. Read the rest of this entry »
I’m often amazed at just how much subconscious thought and planning goes into the creation of a “simple” photograph.
A couple of years ago I was in the Thain Family Forest of the New York Botanical Garden. Located in the center of the 250-acre garden, this forest is the last remaining tract of original forest that once covered most of New York City.
I was initially attracted to a rustic log fence at the entrance to one of the forest trails. Seeing it as the perfect foreground element to lead a viewer’s eye into the photo, I positioned my tripod in the center of the trail and leveled it to the height of the fence. This was the best perspective to show the lines converging as they disappeared around the bend in the distance. Read the rest of this entry »