Have you ever wanted to travel to Central America and photograph exotic wildlife, such as Howler Monkey, Three-toed Sloth, or Toucan? Join conservation photographer Jennifer Leigh Warner in the Cocobolo Nature Reserve in Panama for this incredible opportunity to photograph species rarely seen anywhere else in the world, while learning valuable techniques on how to photograph your subjects more ethically.
Photographer, naturalist and teacher Kathy Adams Clark will receive NANPA’s Mission Award at the 2019 Nature Photography Summit and Trade Show, February 21-23 in Las Vegas, NV. The NANPA Mission Award (formerly NANPA Recognition Award) goes to someone who epitomizes NANPA’s principles. The selection criteria include promoting nature photography, giving back to the photo community, raising public awareness of “nature’s beauty and wonders,” and both adhering to and promoting NANPAs values and mission statement.
Based in the Houston metropolitan area, Kathy has been a professional nature photographer since 1995. Her photos have appeared in hundreds of paces including magazines, books, calendars and in the weekly “Nature” column in the Houston Chronicle, written by her husband, Gary Clark.
She teaches photography classes, leads workshops, and volunteers as a public speaker, always bringing messages about nature into her presentations. She helped write the NANPA Mission Statement, previously served as NANPA’s president (2007-8), on the board of directors, and on both the awards as well as the summit committees. Recently we had a chance to ask her a few questions
To nature photographers and his long-time fans, Lepp needs no introduction. As the awards committee noted, he is “one of North America’s best-known contemporary outdoor and nature photographers. His passions for natural beauty, technical precision, cutting-edge technology, and environmental responsibility are revealed in his beautiful and compelling photographic images. He is also widely recognized for his unique dedication to sharing his photographic and biological knowledge with other photographers through his seminars and writing. In both realms, George Lepp is a leader in the rapidly advancing field of digital imaging.”
Story and Photographs by Haley R. Pope | TerraLens Photography, LLC
It is the largest wetland, the second largest river delta, and the best preserved in Europe, I was told. It’s an intricate pastel mosaic of winding river channels, floating reed islets, never-ending blue skies, migrant nesting birds, diminutive spotted frogs, and schools of fish, I was told. A pristine haven for wildlife lovers, birdwatchers, and fishermen and a sight to behold as the river flows through ten countries and finally joins the Black Sea. They were talking about the Danube Delta, a UNESCO world heritage site that covers parts of Romania and Ukraine.
Why NANPA is supporting a copyright small claims tribunal and why you should too
by Jane Halperin, NANPA Advocacy Committee
Let’s face it, the current U.S. copyright system does not work for the majority of photographers who operate as individuals or small business owners for a variety of reasons, including the complexity of registration. But perhaps the most significant reason is due to the inability of photographers whose work product is not low volume/ high value to enforce their ownership rights against infringers.
He posted it to Facebook, the image went viral, and then the real fun started. Fox News called. The Associated Press called. Everyone wanted to use the image in news stories, but they all wanted it for free.
As most of you already know, the United States Copyright Office, which is a part of the Library of Congress, is the official U.S. government body that maintains records of copyright registration in the U. S. and, as a service unit of the Library of Congress, provides copyright policy advice to Congress. Continue reading →
We have good news and bad news. Let’s start with the good. As part of the Creative Rights Caucus, NANPA is working with fellow visual arts groups to modernize and streamline the copyright registration process and the Copyright Office has been very receptive to doing the same, within the constraints of their current legal mandates, system constraints and budget. Continue reading →
NANPA is part of, a group of visual arts associations that have been working for years to modernize the copyright system for photographers and develop a small claims process that makes it easier and affordable to enforce copyright infringements. Jane Halperin, Chair of the NANPA Advocacy Committee, and Sean Fitzgerald attend weekly teleconference meetings with the Visual Association members and their legal counsel to discuss and work on plans to push these plans forward. Last month, we all met in Washington DC to meet with various Congresspersons, their staff, and others on Capitol Hill.
Creative Rights Caucus presentation to Congress on copyright for small creators, with slide showing NANPA logo, Washington D.C. USA.
When I presented my project on rewilding at the recent San Diego NANPA Summit, it was a Lightning Talk, so I only had six minutes to address the audience. I did not have time to explain a bit more about why I started a photo project about releasing animals back into the wild. It stems in part from spending years working on another project, which deals with less fortunate animals living in captivity. After photographing animals who had lost all freedom, I felt the need to experience animals returning to nature. But still, the project I call “Captive” is a quest I feel passionate about, especially as I have seen my photos play an integral role in the current public discourse over reforming and rethinking zoos.