Join Nate Chappell and Ken Archer for 5 great days of photography in Southern Arizona. During this workshop we will use mutli-flash and photo trap setups to capture stunning images of hummingbirds and bats. We will also help you capture super action shots of native Arizona bird species from blinds at waterholes and water drips. Nate will give presentations on photographing birds in the wild, using flash for bird photography and raw image processing. We will have sessions on the hummingbird multi-flash setup where you can photograph up to 4 species of hummingbirds, we will have 2 evening bat and owl photography sessions and many sessions photographing birds from blinds. We will also do some natural light set up hummingbird photography. You will need a minimum of a 300mm lens or 200mm lens with teleconverter. For the hummingbirds and bats you don’t need a larger lens than that, for the other birds more focal length is desirable.
Story and photographs by Jerry Ginsberg
To apply some advice that I received several years ago, one hard drive will annoy ya….two are a paranoia. The hard truth is that only three things in life are certain: death, taxes and hard drive failures. They all have finite life spans. No matter how sophisticated your drives may be, given enough use over enough time, they will fail. Not if, but when.
The landscape of the Colorado Plateau is ephemeral, a changeling, although to beings with short life spans this land seems immutable, a constant. But in canyon country stunning changes can occur in a single afternoon, altering the course of a stream, stranding a waterfall, even creating a new unheralded cascade. Thus, it has always been in Havasupai, named for the people of the blue-green water.
Havasupai, the mythic side canyon hidden well to the west of the South Rim summer mayhem and adjoining Grand Canyon National Park, has always been near the top of my favorite locations to photograph. I’ve been lucky to shoot this desert Shangri-la a dozen times since the late 70’s, with a progression of cameras from 4×5 to 67 Pentax to a variety of digital formats. For years I blithely assumed that the interwoven terraces of travertine below each of the three great waterfalls, Havasu, Navajo, and Mooney, would always be there to compose as one of the most artistic foregrounds imaginable. Continue reading