The world has changed a lot in the twenty-five years since NANPA was formed. Back in 1994, the first commercially-successful web browser, Netscape Navigator, was released. “Jerry’s Guide to the World Wide Web” was renamed Yahoo. Google was four years away and Facebook wouldn’t launch until 2004. If you had internet access, it was probably dial-up at 56kbps through Compuserv or AOL. Photoshop 3.0 had just come out and introduced layers. Microsoft Windows was new but your Pentium computer probably ran MS-DOS and had 4 MB RAM. Mobile phones didn’t have cameras and certainly weren’t smart.
One of the highlights of NANPA’s 2019 Nature Photography Summit & Trade Show was seeing the work of NANPA’s College Scholarship Program participants. Now that the event is over, it’s a good time to learn a little more about them and their experience at Summit. Today, we meet Nicole Landry.
Tell us a little about yourself.
I am a fourth-year undergraduate at Ryerson University in Toronto, majoring in media production. Since getting my first camera at about age nine, I’ve seldom been without one. I spent much of my early years chasing everything from butterflies to squirrels; determined to capture the perfect shot. In high school my life changed forever when I watched the documentary, Sharkwater. It opened my eyes to the plethora of environmental issues facing our planet and I was terrified – but also inspired. In that moment, I realized that media could be used as a catalyst for positive change and I knew that there was nothing else I wanted to dedicate my life to doing
This past year I directed, shot, and am now in the process of editing my first documentary, Saving Barrie’s Lake, about the loss of wetland ecosystems in southern Ontario. These experiences shaped me into who I am today – an artist, environmentalist, and self-proclaimed adventurer – and I can genuinely not wait to see what opportunities the future has in store.
Story & photos by F. M. Kearney
To celebrate the nations’ growing friendship, Japan gifted the United States with a little over 3,000 cherry blossom trees in 1912. Considered the national flower of Japan, these trees were planted in New York City and Washington, DC. Since then, thousands of other trees have been planted in several other cities – delighting millions of admirers in annual Cherry Blossom Festivals across the country.
Story and photos © Jerry Ginsberg
The enormous continent to our south has a mind boggling array of natural and cultural beauty. Here we can marvel at the wonders of the rugged Andes Mountains, wild Patagonia, towering Iguaçu Falls, the sprawling Amazon basin and several historic Spanish colonial cities spread throughout many nations.
Easily overlooked among the behemoth nations of South America is tiny Uruguay. That is precisely the point. Throughout its two century history since achieving independence from Spain, this small country has perfected the art of hiding in plain sight. Sandwiched between mighty Spanish Argentina and even mightier Portuguese Brazil, little Uruguay, smaller than Missouri, has perfected the art of staying out of the way.
The bustling capital, Montevideo, with a metro population of almost two million, boasts the majority of the country’s three and a half million total souls. This leaves plenty of room for open spaces out in the countryside.
Often overlooked as a tourist destination, today’s Uruguay is still a land of ranches and gauchos, very similar to the pampas of neighboring Argentina, authentic seventeenth century Spanish towns, crashing ocean surf and quaint seaside villages.
Your exploration of Uruguay might well include these highlights:
This modern capital is a really appealing city with some charming architecture. Don’t miss the soft sand beach on the Rio de la Plata, the very imposing Capitol building and the lovely old (vieja) town.
Uruguayans do love their wines. The country is liberally sprinkled with numerous picturesque vineyards and wineries. Many offer tours and tastings. This can be a fun way to spend a couple of hours on a sunny afternoon when the light is too strong for landscape photography. Keep your eyes open for signs as you drive.
Punta del Este
A great little resort town. Poised right on the corner of the Rio de la Plata and Atlantic Ocean, beaches wrap around Punta del Este. Strolling the charming streets, you’ll want to take in the lighthouse, the harbor with its little fishing fleet and sociable harbor seals and the shoreline itself.
One of many natural preserves, Laguna Rocha is a tract with a calming, laid back feel and lots of subtle beauty.
As the name of both a department (province) and its largest town, Florida is largely a rural area featuring ranches, cattle and horses. With patience you should be able to locate some gauchos (often called ‘paisanos’) working with the livestock. These colorful cowboys on their small and hardy criollo horses make great subjects.
Colonia del Sacramento
The historic 17th century colonial Spanish village portion of Colonia is one of my very favorite spots in all of South America. Reminiscent of Colonial Williamsburg, VA, these authentic buildings have been lovingly restored and maintained. Even the cobblestones that now pave the streets arrived here as ballast in the holds of Spanish galleons. Walking this compact neighborhood very early in the morning should allow you to capture the charm and romance without hordes of tourists.
Flights to Montevideo’s international airport are available from several US gateways including Miami and Dallas.
Once in country, you will find a wide variety of accommodations. The cities offer modern hotels ranging from about two to five stars with three often being quite adequate. A buffet breakfast is almost always included.
Out in the countryside staying on a ranch (estancia) is an excellent way to quickly become immersed in the ambiance of the culture. It’s an ideal choice for equestrians!
Uruguayan roads are pretty good so renting a standard passenger car will prove adequate. To reach some of the roadless seaside villages, just hop on one of the shuttle-trucks that make the short run through the sand surrounding these little hamlets.
Note: While it is possible to get along without speaking Spanish, Uruguayans probably speak less English than residents of most other South American countries. Even in Montevideo, the last ATMs that I saw had no option for English instructions. A pocket dictionary or phrase book can be very helpful.
Jerry Ginsberg is a widely published photographer whose landscape, Nature and travel images have graced the covers pages of hundreds of books, magazines and travel catalogs. He is the only person to have photographed each and every one of America’s National Parks with medium format cameras. (Newly created Indiana Dunes N.P. coming soon!) Jerry has been awarded Artist Residencies in several National Parks. This October, he will be in residence in Shenandoah National Park in VA. His works have been exhibited from coast to coast and have received numerous awards in competition. Jerry’s photographic archive spans virtually all of both North and South America.
Story & photos by Phil Riebel
A favorite hobby on my woodland property.
As a nature photographer I feel very fortunate to own forestland. I regularly visit one of our properties on the border of the Renous River in Northern New Brunswick, about 35 minutes from where I live. This is quite a wild area, dominated by forest with few people.
There are many nature photo opportunities here, including several species of mammals such as Moose, White-tailed Deer, Coyotes, Black Bear, Red Fox, Weasel, and Bobcat, just to name a few. However, because they often avoid humans, it’s a challenge to get good photos of some of these species.
My small trailcam has allowed me to capture some photos and see what is around, but the quality of the photos is not great, especially when compared to a high-resolution DSLR. That’s when I got the idea of building a DSLR camera trap based on discussions with colleagues and a bit of research.
We continue to see a growing number of high-fidelity art books, photography books, cookbooks, etc., on uncoated papers. While every job is treated with the same care, expertise, and attention to detail, we do know that certain markets/projects and customers have different needs and expectations.
In general, the term “high-fidelity” colour describes a variety of techniques used to make printed pieces look better. If you are willing to spend extra money on special papers and print techniques, we know that your needs, expectations, and requirements are more than just having colour ink on paper.
Story & photos by F. M. Kearney
If you’ve had your gear packed away since the final vestiges of colorful foliage faded from the landscape last fall, now is the time to dust off the cobwebs. Spring is finally here – bringing an abundance of subject matter. Fresh flowers are popping up everywhere and demanding attention. But, you don’t want to fall into a habit of taking the same types of pictures year after year. A change in perspective is a good way to view an old subject in a new light.
One of the highlights of NANPA’s 2019 Nature Photography Summit & Trade Show was seeing the work of NANPA’s College Scholarship Program participants. Now that the event is over, it’s a good time to learn a little more about them and their experience at Summit. Today, we meet Ashton Hooker.
Tell us a little about yourself.
I am attending the University of Wyoming as a graduate student, majoring in communication/environment and natural resource and working on my thesis, a quantitative study about Instagram’s influence on intent to travel to Yellowstone National Park. I’m extremely interested in the human dimensions of environment and natural resource issues, such as values regarding wildlife and public lands.
Story and photos © Jerry Ginsberg
A little history
Once upon a time, a lot of photographers did very well with film photography. 35mm slides, the old reliable, did a more than adequate job for us and the great majority of book and magazine publishers. We sent out a couple of vinyl pages of 20 mounted 2×2” slides and usually scored a hit.
Then came the digital revolution. And make no mistake; this has been a true technological revolution. Kodak and Nikon may initially have been on the cutting edge of the seismic shift as it pertains to photography, but such subsequent changes as smartphones, social media and cloud computing are all facets of the very same upheaval.
Around 1990, a group of very bright people created Photoshop. Overcoming a few less robust competitors, Photoshop quickly became the standard for processing digitally captured and scanned images in the new world of the digital darkroom.
Adobe’s ancillary program Bridge was born soon after. After several years and great advances in the feature sets, depth and breadth of these software tools, some streamlining seemed to fit a market niche. Enter Lightroom.
Perhaps you’ve heard about the controversy swirling around The Vessel, a massive “sculpture” in the heart of Hudson Yards, a huge real estate development in Manhattan? It’s been described as an M. C. Escher drawing come to life and instantly became a favorite Instagram background for visitors to New York. You can learn more about it in the video above.
When you snag a ticket for admission to The Vessel, as in so many things in life these days, you agree to various terms and conditions. Nobody reads them, right? Well, someone did and found that, by buying a ticket, you were agreeing to terms that essentially gave ownership of your photo to the real estate development. The original terms stated that you were giving the company “the irrevocable, unrestricted, worldwide, perpetual, royalty-free, sublicensable, and transferable right and license to use, display, reproduce, perform, modify, transmit, publish and distribute such photographs, audio recordings or video footage for any purpose whatsoever in any and all media (in either case, now known or developed later).”