NANPA Foundation Announces 2016 Recipient of the Philip Hyde Grant

Great blue heron on the Anacostia River.

Great blue heron on the Anacostia River. © Krista Schlyer

Award Highlights Use of Photography in Conservation Efforts

The NANPA Foundation is pleased to announce that Krista Schlyer of Mount Rainier, Maryland is the recipient of the 2016 Philip Hyde Grant for her work using photography and visual storytelling to draw attention to one of the United States’ most denuded river ecosystems: the Anacostia River. This $2,500 peer-reviewed grant is awarded annually by the NANPA Foundation to a nature photographer who is actively pursuing completion of an environmental project. Continue reading

Funding for Conservation

Story by John Nuhn, NANPA Foundation President

Blazing orange Tennessee shiners and yellow striped saffron shiners densely pack in around a stoneroller on a river chub nest in a small Smoky Mountain National Park river. © David Herasimtschuk

Blazing orange Tennessee shiners and yellow striped saffron shiners densely pack in around a stoneroller on a river chub nest in a small Smoky Mountain National Park river. © David Herasimtschuk

Philip Hyde Grant Offers Funding for Conservation Photography Projects

Imagine receiving $2,500 to assist your current conservation photography project! The NANPA Foundation’s Philip Hyde Grant could do just that. Continue reading

Grant Supports Environmental Projects with Impact

Grant Supports Environmental Projects with Impact

Philip Hyde Environmental Grant applications accepted through October 30, 2015

Hellbenders © David Herasimtschuk, 2014 grant recipient.

Hellbenders © David Herasimtschuk, 2014 grant recipient.

What difference do your photographs make?

Applications are now available for NANPA’s Philip Hyde Environmental grant, a $2,500 award given annually to an individual NANPA member actively pursuing completion of a peer-reviewed environmental project featuring natural photography as a medium of communication, nature appreciation and environmental protection. Application deadline is October 30, 2015 at midnight PDT.

Past recipients include Paul Colangelo (2010), whose efforts to bring the remote and largely unseen Sacred Headwaters of British Columbia to the attention of lawmakers and citizens outside of the Tahltan First Nation played a key role in vacating Shell Oil Company from a million acres slated for methane development; Amy Gulick (2008), whose award-winning book Salmon in the Trees, traveling exhibits, lectures and YouTube videos tell a hopeful story of Alaska’s Tongass rain forest, a rare ecosystem where salmon grow trees and support an abundance of bears and bald eagles; and C.C. Lockwood (2008), whose photographs showcase disappearing swamplands that threatened the culture and economy of Louisiana, as featured in the PBS documentary Atchafalaya Houseboat.

As applicants for the Philip Hyde Environmental Grant, these photographers successfully demonstrated the ways in which their still photographs would make a difference to specific decision-makers wrestling with a timely issue. Additionally, at the time of application, these projects were already well underway, with established collaborations, realistic schedules and practical budgets. These factors made for compelling applications that fared well in scoring.

For complete guidelines, link to the online application and additional tips for applicants, please visit http://nanpafoundation.org/philip-hyde-environmental-grant/.

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WE’RE ALL IN THIS TOGETHER, by Cathy and Gordon Illg

The plant is communicating with the flies, calling them to pollinate its blossoms. © Gordon and Cathy Illg

The plant is communicating with the flies, calling them to pollinate its blossoms. © Gordon and Cathy Illg

There’s always something new under the sun. There are always surprises waiting for us in the most unlikely places. Recent studies are showing plants may be far more than the yard decorations and colorful picture elements we’ve taken them for. These beings that we’ve always considered to be merely ground cover are capable of movement, communication–yes, they can talk to their neighbors–and even arithmetic–some species need to know the hours of darkness and calculate if they have enough starch to survive the night. Charles Darwin recognized intelligent, purposeful movement in plants, and he even wrote a book on it. The scientific community ignored his findings for more than 120 years. Continue reading

The Captive Project by Gaston Lacombe

Captive - Sea Turtle © Gaston Lacombe

Captive – Sea Turtle © Gaston Lacombe

When I presented my project on rewilding at the recent San Diego NANPA Summit, it was a Lightning Talk, so I only had six minutes to address the audience. I did not have time to explain a bit more about why I started a photo project about releasing animals back into the wild. It stems in part from spending years working on another project, which deals with less fortunate animals living in captivity. After photographing animals who had lost all freedom, I felt the need to experience animals returning to nature. But still, the project I call “Captive” is a quest I feel passionate about, especially as I have seen my photos play an integral role in the current public discourse over reforming and rethinking zoos.

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Lost in the Longleaf by Todd Amacker

Longleaf pine forest in Blackwater River State Forest, Florida by Todd Amacker

Longleaf pine forest in Blackwater River State Forest, Florida by Todd Amacker

 

Images and text by Todd Amacker 

One of North America’s most biodiverse forests, the longleaf pine forest of the Southeast, is missing from 97% of its historic range. As a proud Southerner, I’ve spent a great deal of time ambling through pine forests in the Florida panhandle. Recently, I’ve made an effort to use my photography and my words to portray exactly what has disappeared along with the forests themselves.

There are a lot of treasures in longleaf pine forests that make them special, both aesthetically and scientifically. It all starts with the longleaf pine tree itself, Pinus palustris. It’s resistant to fire, and that’s important when frequent fires sweep through the understory and flames lap at the trees’ exteriors. Layers of specially evolved, crusty bark protect its delicate innards. It is actually unhindered fire that gives life to the longleaf ecosystem and contributes to its aesthetic beauty. Because of the fire, the undergrowth is burned away and you can see between trees. (This is quite refreshing for forest enthusiasts, as most forests hamper your ability to enjoy the view.)  Continue reading

A Photographer’s Pompeii by Chad Anderson

Pine Rocklands

Pine Rocklands

Text and Images By Chad Anderson

Vast stretches of azure blue waters thinly vail a dark secret. It’s been happening ever since the melting of the Wisconsin glacier some 12,000 years ago, but now occurs at a hastened pace and with a new cause. Meanwhile, Margaritaville plays, tourists stroll, and wading birds perch on mangrove shores as the slow pace of everyday life in the Florida Keys continues. Scientists, government entities, and even the public are coming to a grim reality. Change is here. It’s not abstract, distant, or easily pushed aside but prevalent, pervasive, and imminent—and the evidence is everywhere. The vast stretches of post card blue waters are a result of recently submerged lands. Even the upland forests here can hardly conceal their ancient marine past. Just millimeters below the leaf litter lies weathered coral reef. One of the oldest permanent tidal monitoring stations in the United States is located in Key West, Florida. Without hyperbole, it states the bare truth. Nearly nine inches of sea level rise has occurred since 1913. That may not sound like much, but for perspective, the average elevation is less than four feet. This effect is amplified by the fact that the slope of the shoreline is near flat, imperceptible to the human eye in most cases. For this reason, a couple inches of rise can translate to hundreds of feet of land lost. In just a few decades the changes to the ecosystems have been staggering, rapidly shifting as the mangroves march inwards. Ancient buttonwoods stand like tombstones of a once proud forest. At times, mangroves, the most halophytic of all flora, can’t keep up the pace. Continue reading

My First Experience in Multimedia Storytelling by Chris Linder

I made my first leap into multimedia storytelling after following, with considerable interest, the work of MediaStorm, a video production company founded by Brian Storm.  Their videos wove together interviews, music, ambient sounds, and still photographs into artful, dynamic stories.  As I watched them, I realized that hearing the ambient sounds and interviewee’s voice created a stronger emotional connection to the story—it just seemed more real than a photo slideshow with captions.  I wanted to be able to produce my own multimedia video, but I was intimidated…  I had never recorded audio before or used a video editing program.

In the spring of 2009, a client asked me if I would be interested in documenting a month-long undergraduate research experience in the Siberian Arctic.  I immediately jumped at the opportunity, with one requirement: the chance to produce a multimedia video.

Watch the full edit of Chris’s first multimedia video produced at MediaStorm: http://www.chrislinder.com/multimedia_polaris.html

Watch the full edit of Chris’s first multimedia video produced at MediaStorm: http://www.chrislinder.com/multimedia_polaris.html

That July, I found myself in Siberia, wading through knee-deep permafrost goo, battling legions of abnormally large mosquitoes (audio recorder in one hand, DSLR in the other).  At the end of that month, my hard drive brimmed with over 20,000 images and about a hundred pages of interview transcriptions. The thought of the next step nearly overwhelmed me: how to create a coherent, compelling story from this mountain of material.  I decided to enlist the experts at MediaStorm for some one-on-one training.

A month later, I knocked on the brushed-aluminum door of MediaStorm’s office in New York.  Storm introduced me to my mentors for the week: Bob Sacha, an award-winning photographer-turned-multimedia-producer, and Maisie Crow, a talented up-and-coming multimedia journalist. In five short days, we needed to turn my pile of photographs and interviews into a living, breathing, multimedia story.

Sacha quickly introduced me to the MediaStorm process.  First, we poured over the material, starting with the interview transcripts.  The edited interviews, he explained to me, would form the backbone to the story.  Once the interviews were on the timeline, Sacha showed me how to choose music and integrate ambient sound recordings I had collected in the field.  Lastly, we added my photographs and credit slides—it was complete!

Looking back, those five days at MediaStorm really changed my trajectory as a photographer.  From a pragmatic standpoint, my new skills opened up a whole new avenue of funding opportunities, allowing me to keep photographing the stories I love.  Since 2009, I have produced dozens of multimedia stories and worked as the lead cinematographer on an hour-long documentary production.  Some of the videos have simply been a series of images set to music or a voiceover. Others have been more complicated, such as a series of videos on ocean robotics that involved filming interviews in front of a green screen and incorporating historical underwater footage.  An unexpected benefit to my multimedia training is that my photography skills have improved as well.  Now, it’s easier for me to break down a story idea into the elements I need to illustrate with my photographs.  In essence, I have evolved into a better storyteller.

Linder also produced this multimedia video about water quality research in the Congo: http://www.chrislinder.com/multimedia_globalrivers_congo.html

Linder also produced this multimedia video about water quality research in the Congo: http://www.chrislinder.com/multimedia_globalrivers_congo.html

 

At the 2015 NANPA Summit, I will be co-presenting a Breakout Session with fellow photographer and filmmaker Morgan Heim on the lessons we’ve learned producing multimedia.  There you can find out our most critical multimedia storytelling tips, like: whatever you do, don’t forget the…

To see more of our work, visit our websites: www.chrislinder.com and www.morganheim.com.

The 2015 NANPA Summit takes place in San Diego, California from February 19th – 22nd. To learn more about the Summit and to register for this exciting and inspirational event, please visit www.naturephotographysummit.com. Early bird registration ends on October 31st! 


Chris Linder works part-time at the Woods Hole Oceanographic Institution as an Expedition Multimedia Specialist and runs a freelance photography and filmmaking business.  Chris focuses on communicating the stories of scientists working in the field.  In the last ten years, he has documented over 40 scientific expeditions from Antarctica to the Congo.  Chris’s images have appeared in museum exhibits, books, calendars, documentary films, and magazines worldwide.  He is the author of Science on Ice: Four Polar Expeditions.