Crowds of tourists and photographers start to gather by Delicate Arch hours before sunset.
Story & photo by Frank Gallagher
Where do you draw the line between access and preservation? At what point does introducing a larger number of visitors to the wonders of nature start to endanger that very nature? It’s a tough call and one that land owners, government agencies and photographers are facing every day.
Barney Koszalka is a nature photographer based in Chapel Hill, NC, and Jackson, WY. Originally trained as a scientist, he’s been photographing across Europe, South Africa, Tanzania, Botswana, Namibia and Australia as well as throughout the western US. His work has been featured by the Sierra Club, recognized with numerous Explorer designations by Flickr, Member Choice awards in both Landscape and Plant Life by the Carolina Nature Photographers Association (CNPA), and named as a finalist in the 2018 Comedy Wildlife Awards competition. Koszalka is also a contributor to CNPA’s Camera in The Wild quarterly magazine and his studio art photography has appeared in a variety of advertising venues and craft books.
Small waterfall in a creek in Olympic National Park.
Story & photos by John Pedersen
Sometimes we just have to make lemonade from lemons. We don’t control the weather, the sun or clouds, or even the subjects we like to shoot. There are those occasional days when we show up on location and the variables beyond our control just don’t seem to want to cooperate. So, what do we do? Turn around and go home and wait for better conditions? No! We stay, adjust our expectations and dig into our bag of photographic skills to make the best of the situation, making the best lemonade we can from the lemons that are given to us.
Arabella Dane is an accredited photography judge, a member of two camera clubs in New England, 2 Photography Society of America study groups ,as well as a serving as an emeritus Garden Club of America photography judge and instructor. She is the founder of the GCA Photography Study Group, and is the coordinator for the photography initiatives of the National Garden Clubs, working with Charlie Burke, PSA past president, to develop online photography programs and competitions for the NGC membership (250,000 members).
She regularly competes in photography competitions and takes courses in photography. She shares with her husband Nat a love for nature, gardening, conservation, fishing, bird shooting, traveling, and photography. Arabella is an avid horticulture student – working most recently on the correlations between our native plants and their pollinators. Her online www.plantipedia.com web site includes more than 150,000 plants and 25,000 plant photographs as well as photos of many of our native butterflies and is a favorite resource for plant huggers.
This is my last blog as NANPA president, the end of a year of maundering over the past, present and future of nature photography. It turns out my fear that the organization would suffer under my leadership, or lack thereof, was unfounded, just as many of my fears are. Not only is NANPA doing well, but its membership has reached a new high point. It’s tempting for me to take credit for our success, but the truth is I’m riding on the coattails of an incredible herd/school/pride/pod of talented and hard-working staff and volunteers. Without them I would have been president of nothing, and I’m extremely grateful for my addiction to nature photography if for no other reason than it introduced me to these wonderful people who have guided and supported me.
Laura M. Eppig is a mostly self taught Nature Photographer who learned on slide film in the late ’80’s. She was invited to join a Camera Club in order to learn Bird Photography and was mentored by 3 of the founding members. While Laura shoots the majority of her images close to home, she has been known to travel far afield in search of certain elusive subjects, specifically Owls.
Laura finds that she can combine most of her interests through photography. Hiking and bird watching are two of her passions that nature photography encompasses. Macro photography is one of her special interests, especially shooting insects and spiders. Library Exhibits, as well as other types of displays, and Photography Classes keep her busy in addition to photographing whenever possible.
Riley was an undergraduate student majoring in digital media and photography at Eastern Mennonite University when he applied for the 2019 NANPA College Scholarship Program. “I had an interest in creating videos all through elementary, middle, and high school and knew quickly that I wanted to pursue a career that involved using a camera,” he says. But the first time he picked up a DSLR camera wasn’t until college, during which he went to Guatemala and Colombia. “This challenged me in what I could do with my photography. I found an immense amount of enjoyment experimenting and finding creative ways of telling the story I wanted to tell.”
Cynthia is a passionate photographer with a deep love and appreciation for all things nature. She enjoys the solitude that nature photography requires but delights in sharing her photos and encouraging others to recognize the beauty that surrounds them and the peace that it brings. She frequently visits national wildlife refuges, state parks in Texas and surrounding states and the gulf coast to capture unique images of nature. Some of these photos have been published in Birds & Blooms and Country magazines and a pocket field guide by the Cornell Lab of Ornithology.
Shirley Nuhn, the Godmother of Nature Photography Day.
On June 15th, photographers the world over will mark Nature Photography Day with photo walks, camera club outings, photography exhibitions, competitions and a host of other activities. This will bring attention to the enjoyment of nature photography and its role in conservation and protecting our natural world.
But how did that occasion start? Whose idea was it? And what’s this about a godmother?
Bob Schamerhorn was propelled into nature photography as a result of the digital age. In 2006, a once-in-a-lifetime encounter with a Peregrine Falcon on a beach in Cabo San Lucas sparked the transition from a point-and-shoot to a semi-pro camera. Within two years he began presenting programs at bird clubs, wildlife festivals and Audubon groups. He now keeps a full speaker schedule and displays at thirty art shows a year. Occasional publishing opportunities for book and magazine covers, plus photography contests have provided recognition and, in 2015, nature photography became a full time vocation.