Autumn in Romania with Daniel J. And Tanya Cox

Romania—it’s a land of intricately painted monasteries and the home of Dracula. It’s Belle Époque buildings and the Arc de Triumph in Bucharest. It’s pastoral countryside, Balkan cuisine, and the Carpathian Mountains. The brilliant fall foliage is the perfect backdrop for a wealth of castles, fortified churches, and centuries-old houses. Go back in time to the little villages in the countryside where horse and buggies are still a way of life.

Join us as we explore the many facets of Romania on this autumn excursion. We’ll follow Dracula’s trail and explore Romania’s history, culture, and scenic beauty.

Great Smoky Mountains Fall with Tom Mace

Come join us on a breathtaking journey as we explore the Great Smoky Mountains as Mother Nature colors the landscape for truly remarkable photo opportunities. This 3 ½ day 4 night trip will give you opportunities to not only capture the essence of fall, but a great chance to photograph wildlife in fall back drops. We have scouted the area and know where our clients can achieve the best success in photographing wildlife and surreal landscapes. Some of the best Fall colors in the world occur every year in the Appalachian Mountain Range; photographers can spend a lifetime and never capture it all. We will also take you on a drive that will afford opportunities for mountain views, waterfalls, and much more. This is such a popular trip, we scheduled 3 of them in a row. Tripod Travelers provides all ground transportation, meals, hotel, and most importantly coaching on different photography techniques to ensure you go home a better nature photographer with memories to last a lifetime. Not only are your group leaders experts in photographing and navigating these magnificent landmarks; they pride themselves on maintaining and respecting the natural environment of all parks they visit.

This is an all inclusive workshop. All workshops, ground transportation, hotel, meals, fees, and the little things are included in this price.

Great Smoky Mountains Fall with Tom Mace

Come join us on a breathtaking journey as we explore the Great Smoky Mountains as Mother Nature colors the landscape for truly remarkable photo opportunities. This 3 ½ day 4 night trip will give you opportunities to not only capture the essence of fall, but a great chance to photograph wildlife in fall back drops. We have scouted the area and know where our clients can achieve the best success in photographing wildlife and surreal landscapes. Some of the best Fall colors in the world occur every year in the Appalachian Mountain Range; photographers can spend a lifetime and never capture it all. We will also take you on a drive that will afford opportunities for mountain views, waterfalls, and much more. This is such a popular trip, we scheduled 3 of them in a row. Tripod Travelers provides all ground transportation, meals, hotel, and most importantly coaching on different photography techniques to ensure you go home a better nature photographer with memories to last a lifetime. Not only are your group leaders experts in photographing and navigating these magnificent landmarks; they pride themselves on maintaining and respecting the natural environment of all parks they visit.

This is an all inclusive workshop. All workshops, ground transportation, hotel, meals, fees, and the little things are included in this price.

Yellowstone and Grand Teton Fall with John Slonina

Best of Yellowstone and Grand Tetons

These world famous parks are some of the most exciting places in the world to photograph landscapes and wildlife. This is a must see on any nature photographers list. September is a great time to visit as the huge summer crowds and traffic jams are gone. The legendary wildlife is more abundant and in full winter coats, the rut, stunning scenic, and fall foliage. Iconic Waterfalls, geysers, mountain ranges and much more. Witness incredible natural events.

This is the peak time for Fall color.

This workshop is led by professional nature photographer John Slonina who has been leading tours there for several years.
Authorized permittee of the national park.

Small Group Size: 6 People
Transportation Provided to and from Airport. You do not have to rent a car.

All skill levels

John Slonina
Slonina Photography
Email: jtslonina@aol.com
Phone: 508-736-1167
http://www.sphotography.com

FIELD TECHNIQUE: Autumn Colors in the Digital Age, Story and photographs by F.M. Kearney

The morning started out under foggy conditions in the New York Botanical Garden. The autumn colors were at their peak, but they looked somewhat subdued as they disappeared into the mist. By mid-morning, the fog had almost completely dissipated and the sun was struggling to make an appearance. As I approached a couple of Japanese Zelkova trees, I noticed that a thick stand of bushes that used to be there had been completely cleared. This allowed me to view the trees from a totally new angle, which had previously been inaccessible. I positioned one tree directly behind another one—making the one in front appear as though it had far more branches than it actually did. From a wide-angle, ground-level perspective, I was able to include much of the colorful background. Also, the trees on the far left and right leaned inward just enough to create the perfect framing elements.

The sun wasn’t quite at full power yet, but it was strong enough to create some areas of high contrast. I did an HDR compilation of five images (+/- 2 stops, 0) to balance out the difficult light.

Regular HDR © F. M. Kearney

Regular HDR © F. M. Kearney

Continue reading

FIELD TECHNIQUES: After the Fall

Story and Photo by F.M. Kearney

The brilliant colors of autumn have faded. Most of the leaves have already fallen; only a handful of stubborn diehards remain clinging to the trees. I used to think that come the end of October, the “show” is over until I started noticing all the little holes in these weather-beaten leaves. If the sun is placed directly behind them, a multitude of interesting sunbursts can be created.

I specifically look for low-hanging leaves with an unobstructed line of sight of the sun in the background. Exposure is best determined manually. Auto exposure will only drive you nuts as the meter bounces from one extreme to another with each subtle movement of the leavesresulting in a series of inconsistent exposures. I simply spot-meter the area of the sky next to the sun and lock it in. Now, no matter how much the leaves want to dance around, the overall exposure will remain the same. For a more dramatic image and to better emphasize the sunbursts, I’ll sometimes slightly underexpose the sky. So as not to underexpose the leaves as well, a flash is a must. Fill-flash isn’t always strong enough in these situations, so I usually turn it off and use the flash at normal power. If necessary, I increase its output by a stop, which restores detail in the leaves as well as any lingering traces of color. Continue reading

FIELD TECHNIQUES: When Autumn Falls

by F.M. Kearney

FF-434I often look at autumn as nature’s version of information overload. With fall colors exploding all over the place, it’s sometimes hard to know exactly where to point the camera. Trying to capture everything in one frame often results in not capturing anything at its best advantage.

I’ve learned to use a variety of simple techniques to help make sense out of this visual potpourri. One way is to extract a subject out of its environment in order to help it stand out. A zoom lens is usually the best lens of choice to perform a “visual extraction.” Continue reading