My spring 2018 Tangier Island Photo Workshop features photography of a unique waterman community and local wildlife. Just south of the Maryland line, in the middle of the Chesapeake Bay, lays Tangier Island, VA. Covering approximately 1.2 square miles, Tangier Island is actually a series of small islands connected by narrow wooden bridges spanning marshes and tidal creeks. Tangier is a charming community of waterman and shop owners. Many inhabitants make their living, as did their ancestors for more than 400 years, by crabbing, fishing, and oystering. Each day we will rise before dawn, hoping to capture sunrise images and photos of the waterman as they man their skiffs and works boats, heading out to their offshore crab shanties to gather up their crab pots, scrapes, floats, and other gear for the day. For photos from the water, Saturday morning I chartered a boat for a trip around the island with the hopes of photographing the docks, waterman at work, and local birdlife.
During our stay, we will explore the beach, tidal creeks, and wetlands in search of wildlife. Ducks, geese, herons, rails, shorebirds, skimmers, terns, and pelicans take advantage of the rich food supply that the island and its surroundings afford. There is also a healthy population of ospreys nesting on nearby platforms and jetties. It is not uncommon to see one fly overhead with a fish in its talons..
Includes: One-on-one instruction; image critiques; two night’s accommodations at a B&B; full breakfast; boat charter trip to photograph crab shanties, waterman and ospreys from the water; and transportation around the island by golf cart.
Many years ago, I was walking through a lovely old-growth stand of northern hardwoods on a glacial moraine hillside in northeastern Connecticut, conducting a bird survey for a proposed residential subdivision. With each step, my mind slipped deeper into despair over sacrificing this beautiful woodland habitat for human housing. Continue reading →
When spring/summer rolls around, I always start to think about the songbird migration – especially my experiences with warblers on Monhegan Island, Maine. The first time I set foot on Monhegan Island, I needed a pinch to make sure I hadn’t died and gone to heaven. Walking up the hill from the ferry into the village was like going back fifty years in time: dirt roads, handmade signs, and wooden buildings. It was like a Winslow Homer painting had suddenly sprung to life before my eyes. If this wasn’t enough—flocks of colorful songbirds flitted about all over the place, perching on trees, rooftops, fences, anything that was standing upright. The only things for visitors to do on the island are paint (Monhegan supports a summer art colony, including many famous artists like Jamie Wyeth), photograph (every well-known bird photographer visits Monhegan from time to time), and watch birds—lots and lots of birds! Continue reading →
Experience has taught me to exploit compositional techniques that help my nature images take on a more compelling story-telling quality. One such technique that I employ frequently is juxtaposition. This fancy word is formed by joining the Latin root “juxta”, which translates to “next to”, to the word “position”. Compositionally speaking, this means placing the subject next to some object in order to set the stage for a compare-and-contrast scenario. In some cases it is the similarity of the subject to the secondary object, whereas in other cases it may be the difference between the two that is stressed. More often than not, what results is a more inviting look and feel to the final image. In this article, I will delve into more detail about juxtaposition and highlight some examples from my own images. Continue reading →
Black skimmers are my enigma bird. Just when I think they couldn’t possibly be around, they show up in droves. Then when I think it’s a perfect day to see some, they’re nowhere to be found. Continue reading →
Landscape photographers are exhilarated when a prominent portion of the landscape becomes illuminated with golden sunshine, especially when the sky directly behind it is a stormy dark gray. Unfortunately, these incredible displays of spectacular light are unpredictable and usually fleeting. Fifteen years ago I decided to use my Canon Speedlite to provide the blast of light I needed to light a rock ten meters across a raging river. My first flash attempts were futile since the Speedlite didn’t add any additional light to the rock. I pondered the situation for a while and finally realized I had “murdered” my Speedlite. Using ISO 100, a polarizer, stopping down the lens to f/22, and allowing the camera to set the zoom on the Speedlite’s flash head to 24mm to match the lens being used all conspired to make it impossible to light an object only ten yards away. Continue reading →
“What lens should I bring (into the field with me)? Is a question I hear many, many times a year while conducting tours, classes and workshops. While I joke about this, often saying: “well, all of them”. To an experienced photographer the question on the surface seems silly. To be truthful however it is a very valid question, on more than one front. While I usually address the issue up front in classes before we hit the field, I and other experienced photographers should be more aware that this is not as obvious as we think it is. Continue reading →
Unmanned Aerial Vehicles (UAVs), otherwise known as drones, have been in the news a lot lately, not always on a positive note. Reported sightings near airports, sport stadiums and large crowds or urban settings have caused alarm and consternation from public officials and the FAA, which has led to negative and (sometimes) alarmist coverage from news organizations. Of course, the problem lies with inexperienced and reckless users rather than with the exciting technology these UAVs offer for the gathering of unique and useful images and footage.
Using a drone in Tanzania.
As an avid landscape and wildlife photographer with a background in commercial aviation (my day job), I became intrigued with the possibilities of utilizing UAVs. They can be fitted with stabilized cameras to record images and footage not otherwise obtainable except at great expense with manned fixed-wing aircraft or rotorcraft. The rapid technological advances that enabled adaptation of this technology to small UAVs from their larger military cousins have produced capabilities that rival ground-based camera systems. The latest is the DJI Phantom 3, which allows stabilized 4K footage and 12 MP DNG files. It also provides full camera control through a controller-mounted tablet. The DJI Inspire 1 Pro is fitted with a MicroFourThirds (MFT) sensor that takes 4K video, 16 MP stills and has the unique feature of interchangeable lenses. Thus the capabilities for capturing exciting and memorable footage and images have become a reality.
I enjoy shooting early on winter mornings. Besides capturing the beautiful light that occurs just before sunrise, I’m unencumbered by the masses of casual photographers and sightseers that tend to venture forth later in the day. Sometimes, however, I find that I’m out a little too early—long before sunrise or even the magic light of the day.
In the Northeast, too early means little more than bare branches dominate the scene. What initially might seem like a bleak subject, bare branches can reveal a multitude of creative options. Also, if the moon is out, it will shine like a beacon in the darkened sky and add even more interest to the shot. Continue reading →