The Case for Bridge

Bridge Grid View is one of several user-selected layouts for viewing images. The Grid is modeled on a traditional lightbox.

Story and photos © Jerry Ginsberg

A little history

Once upon a time, a lot of photographers did very well with film photography. 35mm slides, the old reliable, did a more than adequate job for us and the great majority of book and magazine publishers. We sent out a couple of vinyl pages of 20 mounted 2×2” slides and usually scored a hit.

Then came the digital revolution. And make no mistake; this has been a true technological revolution. Kodak and Nikon may initially have been on the cutting edge of the seismic shift as it pertains to photography, but such subsequent changes as smartphones, social media and cloud computing are all facets of the very same upheaval.

Around 1990, a group of very bright people created Photoshop. Overcoming a few less robust competitors, Photoshop quickly became the standard for processing digitally captured and scanned images in the new world of the digital darkroom.

Adobe’s ancillary program Bridge was born soon after. After several years and great advances in the feature sets, depth and breadth of these software tools, some streamlining seemed to fit a market niche. Enter Lightroom.

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Cruising Along The Eastern Sierras

The highest peak in the contiguous 48 states, at 14,496 feet, serrated Mt. Whitney rises among the mountains of the Eastern Sierra.

The highest peak in the contiguous 48 states, at 14,496 feet, serrated Mt. Whitney rises among the mountains of the Eastern Sierra.

Story and photos by Jerry Ginsberg

Overview

When most of us think of the spectacular Sierra Nevada range that forms the spine of east-central California, we tend to visualize the towering gray granite peaks and domes of Yosemite National Park. For a long time, my association was no different. It took several years, but eventually, I discovered the many facets of the Sierras beyond Yosemite.

Running on a north-south axis through the Golden State, the eastern escarpment of the Sierras provides a stunning backdrop to some of the finest photography in the West.

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Photographing the Canadian Rockies

Just one of Canada’s innumerable peaks, the last light of day shows this one to its best advantage.

Just one of Canada’s innumerable peaks, the last light of day shows this one to its best advantage.

Story and Photos by Jerry Ginsberg

Overview

Our American West is sprinkled with many spectacular national parks. Even a quick glance at the map will reveal that these preserves of nature are just islands in a sea of a burgeoning population surrounded by spreading towns and cities that often press against many of the parks’ very borders.

In sharp contrast, our Canadian neighbors have a nation of almost exactly the same size as the U.S., but with only about one tenth of our population. As a result, they enjoy roughly ten times more elbow room. With the exception of relatively small pockets of people, western Canada enjoys lots of wide open spaces. As long as we bring our passports along, those fine folks will let us share their pristine parks and vast wilderness.

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A Photographer’s Journey Through Peru

Grand view of ancient Machu Picchu, last refuge of the vanished Inca civilization in the Andes Mountains, Peru.

Grand view of ancient Machu Picchu, last refuge of the vanished Inca civilization in the Andes Mountains, Peru.

Story and Photos by Jerry Ginsberg

Peru is perhaps the most fascinating country in all of South America. Considering the many wonderful sights, both natural and cultural, to be found on this vast continent, that’s saying a whole lot. You will find a great deal of diversity here. From the arid lands of its long Pacific Coastal area to the snow-capped summits of the sharply carved Andes, there is something here for everyone.

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Returning to Badlands National Park

Yellow Mounds area in Badlands National Park, SD.

Yellow Mounds area in Badlands National Park, SD.

Story and Photos by Jerry Ginsberg

In my many columns for NANPA, I have never repeated a particular location. Until now. As a result of events described below, it seems fitting to add a new insight on a familiar location.

Being a National Park Artist in Residence

Last year, I had the privilege of being chosen by Badlands National Park in South Dakota as their Artist in Residence for the fall season. Many units of the National Park Service offer these opportunities, which appear on https://www.nps.gov/subjects/arts/air.htm. In addition to National Parks, many other units (National Monuments, Scenic Trails, Historical Parks, Battlefields and more) in the system offer such opportunities. The process is very competitive with many artists across a wide spectrum of disciplines—visual, writing, performance, etc.—submitting applications. And the actual judging criteria remains unknowable.

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Great Photography Spots in Vermillion Cliffs National Monument

Fantastic lunar landscape of the Wave, in the Vermillion Cliffs National Monument, located in both Utah and Arizona.

Fantastic lunar landscape of the Wave, in the Vermillion Cliffs National Monument, located in both Utah and Arizona.

Story & Photography by Jerry Ginsberg

Exploring the Southwest

Although the four states that comprise the great Southwest (New Mexico, Arizona, Colorado and Utah) contain a combined total of thirteen national parks, this vast area has so much spectacular natural beauty that all of it could not possibly be contained within these parks.

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Arches National Park

Elegant and graceful, world-famous Delicate Arch dominates the scene in Arches National Park, Utah.

Story & Photography by Jerry Ginsberg

High on the list of the most photogenic landscapes anywhere is the Beehive State, Utah. With five spectacular national parks, each one special in its own right, Utah is simply not to be missed.

While in the past, I have written tips for a photo trip to Moab, Utah, Arches National Park is such a singularly important place for nature photography that adding an article focused specifically about it seems both necessary and worthwhile.

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Majestic Monument Valley

The Mittens, Monument Valley.

The famed Mittens, calling card of Monument Valley Tribal Park, Utah and Arizona.

Story & Photography by Jerry Ginsberg

Monument Valley Tribal Park, situated within the sprawling Navajo Nation, is not a National Park, nor is it federal land. It is a fascinating and wonderfully scenic, 30+ square mile chunk of Arizona and Utah belonging to the Navajo people.

In only a few places on Earth can we find such a concentration of fantastically-eroded sandstone formations in such a relatively small area.

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Above the Arctic Circle

One of the most stunning sights in Gates of the Arctic, the sharply serrated Arrigetch Peaks shown here in the warmth of late evening light. © Jerry Ginsberg

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