California is in the midst of a wildflower super bloom and, along with vast fields of poppies come unruly hordes of people. The small town of Lake Elsinore was overwhelmed by “Disneyland size crowds” of up to 50,000 tourists last weekend, resulting in traffic jams, accidents and unruly behavior. “#poppynightmare” as one town official put it. This kind of chaos risks placing these locations off limits to everyone, including photographers.
Story & photos by F. M. Kearney
Many methods can be employed in the quest to make photographs more engaging, or to draw more attention to the subjects within. One of the most common techniques is the use of leading lines. In the photo above, I used the lines of the log fence to draw the viewer deeper into this autumn scene in The New York Botanical Garden. It makes you feel as though you’re actually walking along the trail and heading deeper into the woods. However, technically, these aren’t really “leading lines.” They form what is more accurately referred to as a “path.” Often used interchangeably, the distinction between leading lines and paths is quite small. Generally, leading lines are like roadmaps that literally lead your eye to a specific point of interest, whereas, paths usually take you to a faraway vanishing point.
Story and photos by Jerry Ginsberg
When most of us think of the spectacular Sierra Nevada range that forms the spine of east-central California, we tend to visualize the towering gray granite peaks and domes of Yosemite National Park. For a long time, my association was no different. It took several years, but eventually, I discovered the many facets of the Sierras beyond Yosemite.
Running on a north-south axis through the Golden State, the eastern escarpment of the Sierras provides a stunning backdrop to some of the finest photography in the West.
As the old saying goes, the best camera is the one you have with you. With more and more of us carrying more and more capable smart phones, that camera you have with you is likely to be in a phone. So, how can you take advantage of the amazing capabilities of your phone, minimize its weaknesses and capture your creative vision? Easy! Join Charles Needle for NANPA’s next webinar, “Pixels in Your Pocket: Creative iPhoneography” at 6 p.m. Eastern Time on Tuesday, March 5. Check it out if you want to learn more about using your smart phone for photography. Space is limited, so register now!
NANPA members can register via the webinars page in the Members Area of NANPA.org. However, while webinars are normally available only to members, NANPA is opening up “Creative iPhoneography” to everyone, so feel free to share this link with all your friends who keep asking you how you got that shot with your phone www.nanpa.org/webinars.
Then, if you really want to hone that creative vision of yours, plan on attending the “VisionQuest Photography” webinar on Friday, March 29th at 6 PM Eastern Time. Let Shane McDermott show you ways you can capture “more of the magic and true essence of everything you saw and felt in the moment.” Explore creative ways to approach photographing the wonders of the natural world through the lenses of your soul, as well as of your camera. This will be the first of a two-part presentation and is open to NANPA members only. Register through the webinars page in the Members Area of NANPA.org.
2019 Winter in Yellowstone Photography Tour – Photograph the “Winter Wonderland” of Yellowstone National Park in the comforts of a private luxury snow coach with wildlife photographer Daniel J. Cox.
Along the snowy trails, we’ll stop to photograph the beautiful landscapes and mountain vistas surrounded by steamy geysers, along with a variety of wildlife, including the majestic elk, mammoth bison, coyotes, swans, and bald eagles. These creatures, big and small, find warmth near many of the thermal areas, creating unique and stunning imagery. We’ve had some years with great wolf viewing and hope to have similar opportunities again in 2019.
Story and photos by F. M. Kearney
Making a subject stand out is the primary goal of all photographers. There are a number of ways to accomplish this and your subject matter will usually dictate the best method. Common techniques may include special lighting, subject placement, extreme angles or contrasting colors. If you delve into the world of digital imaging, your choices will be virtually unlimited. But, if you prefer to keep your images looking as natural as possible, you may want to stick with the in-camera methods.
One of my favorite ways to highlight a subject is to place it within a natural frame. This might consist of leaves, flowers, bushes … just about anything nearby that you can find to encircle your subject. In the opening photo above, I used the snow-covered branches to frame the distant buildings in this Central Park winter scene. Besides serving as decorative foreground elements, they were a great way to cover up the dead space of a white, featureless sky.
Story and Photos by Jerry Ginsberg
Our American West is sprinkled with many spectacular national parks. Even a quick glance at the map will reveal that these preserves of nature are just islands in a sea of a burgeoning population surrounded by spreading towns and cities that often press against many of the parks’ very borders.
In sharp contrast, our Canadian neighbors have a nation of almost exactly the same size as the U.S., but with only about one tenth of our population. As a result, they enjoy roughly ten times more elbow room. With the exception of relatively small pockets of people, western Canada enjoys lots of wide open spaces. As long as we bring our passports along, those fine folks will let us share their pristine parks and vast wilderness.
Still debating whether you should come to NANPA’s Nature Photography Summit and Trade Show, February 21-23 in Las Vegas? Here are five compelling reasons to pull out your credit card and start making reservations. And, hey, there’s still time to get pre-conference pricing . . . but only ‘till midnight, Sunday, January 20th.
Story and photos by F. M. Kearney
Webster defines serendipity as “the faculty of making providential discoveries by accident.” In photography, it’s more like capturing that once in a lifetime shot that could not be recreated again in a million years. The internet is full of these types of images, usually classified as “Photos Taken at the Perfect Moment,” or “Things You Have to See to Believe.” Of course, almost anything you see on the internet should be viewed with a certain degree of skepticism, and even more so when it comes to photos and videos. The old saying, “The Camera Never Lies,” has never been less true than in the digital age in which we live. However, assuming that even if a fraction of these photos are, in fact, real, they truly are serendipitous moments caught on camera.
I recently spent several days in Atlantic City, NJ shooting ocean views. Most of my visits in the past have been day trips lasting only a few hours – just enough time to grab a quick lunch, lose all my money and head back home. On this occasion, I had the luxury of time on my side – time to see the real beauty of this town, beyond the bells and buzzers, and the glitzy flashing lights within its casinos’ walls.
One morning, I took a walk along the beach to The Steel Pier – a 1,000-foot-long amusement park built on a pier of the boardwalk. Its latest attraction is a 227-foot tall Ferris wheel, known as The Wheel, which began operating in 2017. I arrived just as the sun was rising behind it. My main objective was to get the surf in the perfect position – far enough into frame to be a dominant foreground element, but not so far in that it covered up the sun’s reflection on the wet sand. I also wanted to get the rising sun directly between the spokes of The Wheel. The sun’s position changes quite rapidly when it’s this low on the horizon. I took several shots and the photo above was the only one where the sun and the surf lined up in the perfect positions. This was the result of careful timing (and a little bit of luck). However, the serendipitous aspects were the inclusion of the seagull and the woman – things I had absolutely no control over. I saw when the seagull walked into the reflection during the shoot, but I didn’t even notice the woman in the background until I was reviewing the images back home on my computer. She had walked into one of the openings of the pier directly beneath The Wheel at precisely the right moment.
Another serendipitous moment was the inclusion of the honeybees in the daylily image below. I was all set to shoot the flowers when I suddenly found myself surrounded by a small group of bees. Like little helicopters on a mission, they methodically visited each flower in the area – hovered for a few seconds, then landed to pollinate. Since I already had my camera locked down on a tripod and focused on one particular bloom, I decided to wait and see if they would pay it a visit. Eventually, two bees flew into the shot and hovered close enough for my flash to cast a catch-light in their eyes. When they landed, they went down too deep into the flower to be seen, so I was lucky to get this photo of their approach.
Serendipitous moments in photography are unplanned and often referred to as “lucky shots.” But you can increase your luck if you’re prepared, have a little patience and are aware of specific patterns of behavior – as in the case of the honeybees. Sometimes, however, you just get a pleasant surprise. Careful planning made the image of The Wheel a good shot. Serendipity made it one-of-a-kind.
In a November 2018 post, we asked if photographers should stop sharing location information. Popular spots are being overrun with Instagrammers, seeking to duplicate iconic images. The landscape is being damaged, vegetation trampled, trash and human waste left behind and people are risking life and limb for the next epic selfie.
It’s been a topic of conversation across the nature photography community. Now, the Jackson Hole Travel and Tourism Board has entered the debate with a campaign they’re calling “Tag Responsibly. Keep Jackson Hole Wild.”
Along with a video (above), the Jackson Hole Travel and Tourism Board released posters and shareable social media graphics aimed at getting photographers of all levels to refrain from posting specific location information with their photos. This story even made the New York Times.
Anyone who’s been to Jackson Hole and tried to photograph Schwabacher Landing, Moulton Barn, or Oxbow Bend can attest to the fact that these locations are getting too much traffic. It’s easy to find the popular photo spots: there are long stretches of hard-packed bare earth, tamped down by thousands of feet and tripods. On any given sunrise, a photographer might have to deal with several photo tours and random cell-phone-toting tourists walking into their shots, parking in fields and leaving litter behind.
The new campaign urges people to “Post the photo. Trash the tag.” It’s not like Moulton Barn is hard to find, and there’s a big sign for Schwabacher Landing right on the highway but, when the very businesses that depend on tourism start getting behind a movement like this, they have the potential to change the conversation. As one of the Travel and Tourism Board posters asks, “How many likes is a patch of dead wildflowers worth?”