Each year NANPA recruits a panel of outstanding judges to evaluate Showcase entries. If you’ve entered before, or read a copy of Expressions, you’ve seen the exceptional caliber of the judges. So, it should come as no surprise that this year we have another stellar group. Some are familiar names to NANPA members, others may not be. Regardless, they constitute a highly-qualified collection of experts in nature photography, as you’ll see from their bios.Continue reading
During NANPA’s recent Nature Photography Summit and Trade Show in Las Vegas, one bunch of photographers always seemed to be especially hard at work, energized and excited. These young people were participants in the NANPA Foundation’s Summit College Scholarship Program and their week in Las Vegas was packed with learning, growing, creating, networking and having fun.
Their assignment: develop a story-telling project which would be shown during the Summit.
In 1926, painter Caroline Mytinger and her friend, Margaret Warner, set out from San Francisco for a four-year adventure in the Solomon Islands and Papua New Guinea. With little more than $400, a few art supplies, and a trunk of clothing, they made their way through what was then known as the land of headhunters, with the goal of painting Melanesia’s inhabitants. Their journey was nothing short of amazing and, at times, fraught with danger. Mosquitoes engorged with blood had to be snipped off with scissors; cockroaches the size of hummingbirds chewed on their toes. They ran into male explorers who assumed they were the first to delve into the remote Fly River Territory—and who were shocked to find two very petite young women from America in this seemingly hostile environment. A storm almost washed away all of Caroline’s painting supplies, and a volcanic eruption threatened to destroy the artwork. Upon the women’s return to the United States in 1930, Caroline’s paintings were exhibited in notable museums such as the American Museum of Natural History in New York. After 1935, the paintings were crated away, not to be seen until 2004, when they were discovered at UC Berkeley’s Phoebe Hearst Museum of Anthropology by NANPA photographer Michele Westmorland. Continue reading