admirers, students, educators and conservators of our natural world, nature photographers strive to capture the essence of both the intimate micro and extraordinary macro. We might photograph creatures on the brink of extinction or landscapes in decay, yet rarely do we include ourselves in the portrayal and definition of “nature”. The presence and influence of humanity on the environment has often been detrimental and, sometimes, it seems that the environment reciprocates with natural disasters. A comparison of resilience, though, reveals that nature has a tendency to prevail over time and will probably continue to do so. Try as we might to build and rebuild in notorious flood zones or to erect dams that reconfigure river systems for our benefit, nature does not just meekly surrender to human desires. It often seems as though adaptation, a fundamental skill for survival for all things living in the natural world, is lost on us.
The following Showcase images have been selected to appear on the NANPA home page for the week beginning Monday, August 19, 2019. To view all of the top 250 photographs from NANPA’s 2019 Showcase competition, see the photo gallery on the NANPA website. The period for entering your best shots in this year’s Showcase began August 1st and runs through September 16th. What are you waiting for? Let’s get shooting! Your best shot might be your next one.
are definitely one of the most popular subjects in nature photography. They’ve been photographed with limited depths of field to convey a soft, romantic look. They’ve been photographed with large depths of field to show the abundance of a large group. Sometimes, the sun is included for a more dynamic shot. A vast
array of special effects have been employed to produce some truly stunning imagery. Indeed, flowers have been photographed in every conceivable way imaginable. However, the one way in which I hardly ever see is from the rear. I did a Google search of “Creative Flower Photography,” and out of the 100 or so results, only 2 or 3 photos featured the backside. That’s a shame because so many great opportunities are going unrealized.
It was 4:30 a.m. on a Saturday in May—the
wind was biting cold and the sky a deep royal blue. All bundled up, I hoist my
heavy camera case into the truck and my husband and I head straight west out of
the small town of Meeker, Colorado. The sun wouldn’t rise until 5:50 a.m., so
we had plenty of time to get into position. But first, we had to find them.
The dictionary defines ephemeral as transient. e-fem-e-ral — Temporary, or passing, as changing as the rocks.
In the case of the rock formations that dot and decorate our Earth, we could also add, “in transition” for the rocks do not stay the same. Even though they may look to us mortals that they do, it is only because we are changing faster than are they. Sometimes.
Cumulus clouds over Dickenson Bay, St. John’s, Antigua, West Indies.
Story & photos by F. M. Kearney
I’m a late-comer. I didn’t make the switch to digital until 2014. As a film shooter, I relied heavily on filters. Everything from warming to ND grads to a vast array of special effect filters were permanent residents in my camera bag. Nowadays, digital imaging can replicate many of those filter effects – often much easier and with far more control. But, as good as digital technology is, it still can’t duplicate the effects of a polarizer filter. The photo above is a classic beach scene where a polarizer works most of its magic. By filtering out the glare and atmospheric haze, the true color of the sky comes forth revealing puffy, white cumulus clouds as far as the eye can see.
Please allow me to introduce myself. My name is Tom Haxby, and for the next year I will be the President of the Board of Directors of NANPA. I’ve been a member of NANPA for over 10 years and have been on the Board of Directors for the last two. I have always enjoyed photography, but several years ago, after a career of almost 30 years as a natural resource manager, it was time to leave behind the 10 x 10 cubicle, endless meetings, toxic office politics and administrative tedium. So, I dove into nature photography full time and have not regretted for one minute the photographic adventures and time spent behind my camera. Along the way, there have been a few photos that have made the Showcase top 250 and a few other award winners as well as six weeks as an Artist-in-Residence in 2016 in the Great Smoky Mountains National Park. There have been so many trips to the Smokies, that some thought that I am local to there. Not yet! I currently reside in the Traverse City area of Northern Michigan.
The Rock Creek Conservancy is partnering with the National Park Service and working with the local community to strategically restore five sites (“mini-oases”) within Rock Creek Park.
Story & photo by Frank Gallagher
When we think of conservation photography, we often have in mind images of the grand and majestic: elephants, whales and tigers; the Grand Canyon, glaciers and coral reefs. You don’t have to be a well-known photographer like Joel Sartore or Florian Schulz, or work with National Geographic or the Sierra Club to have an impact. Those are all important, to be sure, but not everything has to be charismatic megafauna, epic landscapes, famous names or mass media. There are also many opportunities for conservation photography in the small, in the local and in the mundane. Sometimes, opportunity is knocking in places you’ve come to take for granted.
Crowds of tourists and photographers start to gather by Delicate Arch hours before sunset.
Story & photo by Frank Gallagher
Where do you draw the line between access and preservation? At what point does introducing a larger number of visitors to the wonders of nature start to endanger that very nature? It’s a tough call and one that land owners, government agencies and photographers are facing every day.
Lily-flowered tulips beginning to “show their age”
Story & photos by F. M. Kearney
Timing is everything. As nature photographers, we’re constantly trying to schedule our shoots during times when our subjects will be seen at their best. For landscapes, this is generally during the “Magic Hours” of the day – the hour just before sunrise or after sunset. Flowers can benefit from the warm light at this time of day as well, but more important than that is catching them at the peak period in their blooming cycle. It’s an absolute obsession for some photographers. A field of tulips in pristine condition is truly breathtaking. The photo below is one such example.