Learn how to protect your precious photographs from catastrophe and learn how to organize, manage, keyword, rate, and quickly process large numbers of image files using Lightroom. Join professional nature photographer, Byron Jorjorian for an in-depth look at his Lightroom based digital workflow. Learn the same workflow Byron has developed to manage over 500,000 digital & film images.
Among the many topics he will cover:
Import, Backup methods & strategies in the field and office, Renaming, Automation, Keywording, Painter tool, ON1, Integrating Photoshop, Sharpening for output, Auto tone, Histogram, Presets, Spot removal, Camera profiles, Black & white, and much more!! New Special Bonus Lesson – We will wind up the seminar with Byron’s 5 minute image edit.
Follow along on your laptop using one of your own images and complete your edit in less than 5 minutes.
Excellent opportunity to photograph many beautiful warblers: colors and patterns, as a group, unmatched.
The Eastern Upper Peninsula at and just north of Lake Huron can be spectacular for northern warblers at the time of this trip. 24 species breed in the area and 3 more migrate through at this time. Scarlet Tanager, Indigo Bunting, Baltimore Oriole, Rose-breasted Grosbeak, Blue-headed vireo, and many others join them. Many of the 24 species of warblers have a breeding range extending further north. And many individuals stay around the lake shore after crossing Lake Huron to feed on the super abundant midge hatches. The midges feed the incredible population of spiders, which the warblers also love. There is so much food around for warblers that their territories are often shrunken. On a 1.5 acre lot where I live we have had 7 species of warblers breed for over 15 years! The past few years there has been a Spruce Budworm outbreak along the lake front and in areas we will visit inland. The outbreak will continue this year. Spruce Budworm specialists such as Cape May and Tennessee Warblers are abundant, and many other species such as Blackburnian, Magnolia, Canada and Black-throated Green Warblers have increased their numbers. Last year a Bay-breasted pair attempted to nest.
Here is an animation of migrating birds in the western hemisphere that clearly shows that Michigan funnels migrating birds (especially northern warblers) through the area of this workshop at the time of the workshop: mid-to-late May.
We will strive for images with excellent composition, not just a bird on a stick large in the frame with a clean background. The types of opportunities you will have on this trip can never be found at a migration hotspot such as Magee Marsh or Pt Pelee, where there can be plenty of warblers but you can only hope that a bird might be close enough and land on a unblocked perch with a decent background. At these excellent viewing locations good photographic opportunities are often days apart. But we will have many excellent opportunities most days.
At the time of this trip the aggressive experienced males, which are in their brightest plumage, provide abundant opportunity in their breeding habitat, especially because of all the migrants of the same species around.
by Ron Rosenstock
“There are no rules for Technique, only solutions. Today’s Darkrooms may soon be replaced with electronic consoles. Yet after thirty years, Steiglitz’s advice to me remains constant: ‘The only thing that matters is the finished photograph.’ “
Arnold Newman, 1965
As a teacher of photography, I often quote Arnold Newman because he is speaking about the essence of creating a meaningful photograph.
My background is in the traditional, large-format, black and white school of photography of Edward Weston in the 1920s, and later of Ansel Adams. I worked with a camera similar to that used by Weston and Adams, an 8”x10” view camera, so called so because the film was 8×10 inches. My camera, ten film holders, and tripod together weighed 40 pounds. Cumbersome equipment, but that was just the way it was if you wanted to make high quality images. Back in the 60’s and 70’s it was called fine art photography.
Many years have passed but the basic principals are the same. In the dark room we could crop the image, increase or decrease exposure, increase or decrease contrast, burn and dodge areas to lighten or darken those areas selectively. We can do all this and more now with more ease than ever before. Continue reading