Fall foliage reflecting in lake, Twin Lakes area, New York Botanical Garden, Bronx, NY. f/9.5 @ 70mm, 5-image HDR compilation.
Story & Photography by F.M. Kearney
The final curtain is about to rise. A cast of billions is in place. Throughout their entire performance, they’ve all been restricted to the same regulation green outfits. For their finale, they now have a chance to break free – a chance to dazzle onlookers with stunning new yellow, red and orange wardrobes. A few glory-hounds will attempt to upstage the others with magnificent, multi-colored garb. Sit back and relax… The Autumn Show is about to begin.
I’m sure most nature photographers look forward to this show every year. But, it can be a challenge to come up with something different than the usual “trees and leaves” photo. Try looking for compositions beyond the obvious – compositions where the subject isn’t immediately evident.
Photographers choose workshops and photo trips months, sometimes years, in advance. Whether you already have a fabulous fall photo experience lined up for this autumn or never got around to planning one, it’s not too early to start thinking about fall 2019. Next October, Hank Erdmann and Richard Day will be leading a NANPA Regional Event in Michigan’s Upper Peninsula. In this article, Hank reveals his thoughts about fall photography, why he loves autumn in the upper Midwest, and the photographic opportunities that come with the changing colors of leaves. He also includes tips that will help you find and take advantage of the fall photo possibilities in your region. Details about this NANPA Regional Event, including costs, registration and other information are posted on the NANPA website, at http://www.nanpa.org/event/nanpa-regional-workshop-up-mi/ .
One subject I always look forward to photographing during the summer months is the water lily. Native to the temperate and tropical parts of the world, there are over 50 species of these freshwater plants. However, it isn’t always easy to shoot them creatively. Unless you have access to a natural lake or pond (and are willing to get very wet), you will most likely have to shoot from the sidelines of a reflecting pool in a local park or botanical garden. A long lens will allow you to zoom in for a tight close-up, but you certainly won’t have any options to create those dramatic macro or wide-angle perspectives that are commonly used on other types of more accessible flowers.
It’s time to think about which images you’ll enter in NANPA’s 2019 Showcase Competition. The window for entries opened August 1st and closes on September 17th at 11 PM Eastern Time. There are some great prize packages and plenty of opportunities for recognition.
Aurora borealis over Turnagain Arm in Chugach National Forest, Alaska, in mid-March.
From the Editor: Award-winning landscape and nature photographer Carl Johnson has been living in Alaska for almost 20 years and is an expert on shooting auroras. On Friday, August 17th, at 2 PM EDT, he will present a NANPA Webinar, “Chasing & Photographing the Aurora Borealis.” This webinar covers the science behind the aurora, the tools available to predict and plan for it (including websites and apps that provide real-time and forecasting information), tips on when and where to photograph it, and what gear and techniques to use. For more information or to sign up, click here.
Editor’s note: On October 31 the photo gallery founded by Galen Rowell and lovingly managed by his wife Barbara Rowell called Mountain Light will close. The Rowells died 15 years ago in a plane crash near their hometown of Bishop, California, while returning from a photography workshop in Alaska. Author Gary Crabbe’s first real job was as a manager of Rowell’s 400,000-photo library for nine years. Now a successful photographer living near San Francisco, he offers five things he learned from Rowell that helped boost his career from amateur to professional.
It was 15 years ago last August that internationally renowned photographer Galen Rowell and his wife, Barbara, perished in a plane crash near their hometown in Bishop, California. They were on the very last leg of a long return voyage home after teaching a workshop in the Arctic. In a moment, we lost one of the best-known photographers who helped pioneer the genres of climbing and adventure travel photography and helped to elevate the genre of landscape photography with what he called the “dynamic landscape.” Continue reading →
Ever wonder which of our 59 national parks is really the biggest? No, it’s not mighty Yellowstone or even sprawling Death Valley. Measuring a vast 13,200,000 acres, Wrangell-St. Elias National Park, tucked into the southeast corner of Alaska, is far and away the biggest national park around, equal to six Yellowstones! It is larger than Massachusetts and New Hampshire combined, and includes two entire mountain ranges – the Wrangells and the St. Elias. Together with contiguous Kluane National Park across the border in Canada, the combined cross-border tract totals more than a whopping 25,000,000 acres and is the biggest wilderness area in the world.
While size does indeed matter, there is more to this sprawling wilderness than volume. Stunning peaks such as Sanford, Drum, Blackburn, Wrangell, St. Elias and others fill this rugged park. Continue reading →
Photography, like life, is a non-stop learning experience. While we should not take ourselves too seriously, it is still good to pause and reflect on your journey now and then. Recalling all the mistakes you made, and why you made them, helps you get ready for those still ahead. Often those mistakes start out as myths – received wisdom that ends up working poorly for you. These are some of mine:
1.) The more photos I publish, the better.
You will produce some poor work. Get used to it, but develop a critical eye and ruthlessly bury it.
We all know people who talk too much and tend to say foolish or inappropriate things, and we hope like hell that’s not us. Yes, there are times to speak, but it is wise to first listen and think, and doing that you are more likely to say something meaningful or memorable.
It is no different with your photography. You make your reputation on the images you put out there for people to see, so you want to be very, very careful that what you publish is consistent with the photographer you want to be. The great danger with publishing on the Web – web sites, album sites, social media – is that it is far too easy and tempting to publish way too much and in doing so, publish work that is not your best. Even a small amount of mediocre work in your portfolio is enough to tell people that you are not a judge or producer of great photography. Continue reading →