In my many columns for NANPA, I have never repeated a particular location. Until now. As a result of events described below, it seems fitting to add a new insight on a familiar location.
Being a National Park Artist in Residence
Last year, I had the privilege of being chosen by Badlands National Park in South Dakota as their Artist in Residence for the fall season. Many units of the National Park Service offer these opportunities, which appear on https://www.nps.gov/subjects/arts/air.htm. In addition to National Parks, many other units (National Monuments, Scenic Trails, Historical Parks, Battlefields and more) in the system offer such opportunities. The process is very competitive with many artists across a wide spectrum of disciplines—visual, writing, performance, etc.—submitting applications. And the actual judging criteria remains unknowable.
A while back, we asked a cross section of NANPA members whether Instagram and its social media cousins had changed anything about their nature photograph and, if so, how. Did it change their approach to photography, to sharing images, to marketing their business? Did it change the type of images they created or the way they processed images? We’ll continue posting the answers in a series of blogs over the next few weeks.
Dewdrops quivered under my breath as I knelt down, my face but a couple inches away. Like sapphires, emeralds, and canary diamond they glistened, reflecting the vibrant organisms beneath. Like tiny, round mirrors, or tiny magnifying glasses, each micro detail was brought to prominence. Upon closer inspection, even my face, upside down, reflected back at me in as many copies as there were dewdrops. They jiggled and jostled, yet resisted the force of my breath and persisted in perfect cupola-shapes held together by cohesion.
As mesmerizing as the water drops were, I was here to photograph what lay beneath the transparent molecules. I drew a breath and blew. The water bubbles rolled away and revealed my intended subject. Tortuous as brain tissue, crusty as a scab, yet as significant as any other organism: lichen.
The Pool frozen over at sunrise, Central Park, New York, NY (HDR compilation of 5 images).
Story & photography by F.M. Kearney
That time is quickly approaching. That time of year when many photographers will pack away their gear and patiently wait for the first colorful blooms next spring. Yet, winter isn’t completely devoid of color, as some might assume. In fact, if you carefully plan what you shoot and when you shoot, you may be surprised at the amount of color you can coax out of this often-overlooked season.
Fantastic lunar landscape of the Wave, in the Vermillion Cliffs National Monument, located in both Utah and Arizona.
Story & Photography by Jerry Ginsberg
Exploring the Southwest
Although the four states that comprise the great Southwest (New Mexico, Arizona, Colorado and Utah) contain a combined total of thirteen national parks, this vast area has so much spectacular natural beauty that all of it could not possibly be contained within these parks.
We recently asked a cross section of NANPA members whether Instagram and its social media cousins had changed anything about their nature photograph and, if so, how. Did it change their approach to photography, to sharing images, to marketing their business? Did it change the type of images they created or the way they processed images? We’ll be posting the answers in a series of blogs over the next few weeks.
Fall foliage reflecting in lake, Twin Lakes area, New York Botanical Garden, Bronx, NY. f/9.5 @ 70mm, 5-image HDR compilation.
Story & Photography by F.M. Kearney
The final curtain is about to rise. A cast of billions is in place. Throughout their entire performance, they’ve all been restricted to the same regulation green outfits. For their finale, they now have a chance to break free – a chance to dazzle onlookers with stunning new yellow, red and orange wardrobes. A few glory-hounds will attempt to upstage the others with magnificent, multi-colored garb. Sit back and relax… The Autumn Show is about to begin.
I’m sure most nature photographers look forward to this show every year. But, it can be a challenge to come up with something different than the usual “trees and leaves” photo. Try looking for compositions beyond the obvious – compositions where the subject isn’t immediately evident.
Photographers choose workshops and photo trips months, sometimes years, in advance. Whether you already have a fabulous fall photo experience lined up for this autumn or never got around to planning one, it’s not too early to start thinking about fall 2019. Next October, Hank Erdmann and Richard Day will be leading a NANPA Regional Event in Michigan’s Upper Peninsula. In this article, Hank reveals his thoughts about fall photography, why he loves autumn in the upper Midwest, and the photographic opportunities that come with the changing colors of leaves. He also includes tips that will help you find and take advantage of the fall photo possibilities in your region. Details about this NANPA Regional Event, including costs, registration and other information are posted on the NANPA website, at http://www.nanpa.org/event/nanpa-regional-workshop-up-mi/ .
One subject I always look forward to photographing during the summer months is the water lily. Native to the temperate and tropical parts of the world, there are over 50 species of these freshwater plants. However, it isn’t always easy to shoot them creatively. Unless you have access to a natural lake or pond (and are willing to get very wet), you will most likely have to shoot from the sidelines of a reflecting pool in a local park or botanical garden. A long lens will allow you to zoom in for a tight close-up, but you certainly won’t have any options to create those dramatic macro or wide-angle perspectives that are commonly used on other types of more accessible flowers.