PHOTOGRAPHER PROJECT: Teaching Teens under Holiday Lights by Lynda Richardson

Students pose for me before we start shooting in the garden.

Students pose for me before we start shooting in the garden.

Teaching teenagers is both challenging and incredibly fulfilling. Challenging because you are competing against their unformed brains, their increased awareness, and the distraction of the opposite sex as well as today’s “must have” electronic devices. If teens aren’t fully engaged in what you are teaching, you can forget about it. I had worked with only adults for the past 30-plus years, so when I started working with teenagers four years ago, I had a lot to learn about teaching. (More on the fulfilling part later.)

One of my favorite workshops to give is photographing the winter holiday lights display at Lewis Ginter Botanical Garden in Richmond, Virginia. What seems like millions of lights are hung over the entire garden, and each year carries a different theme. What I love about this workshop is that you can throw caution to the wind and just have fun working with color and long exposures to create wild and exciting images that are always a surprise. There is a lot of laughing and sharing, and teenagers and adults alike enjoy the heck out of it.

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NATURE’S VIEW – Embracing Out-of-focus Photography, Story and photographs by Jim Clark

I tend to get stuck in my ways for photographing landscapes: sharp and focused. But I’ve started experimenting with another technique that I refer to as ambient light painting.

Ambient light painting may not be what you think. It is not using artificial light sources at night to paint light on a tree, old barn or other subject. Instead, ambient light painting uses both natural light and slow camera movements to create abstract compositions. The results can be something resembling a Monet painting.

When I discovered how much my students embraced this technique, I decided to include it in my workshop resources to help them develop their own vision of nature. Turns out, ambient light painting is fun for them, and that fits right in with my goal to get folks to love nature through their photography.

Autumn Forest, Canaan Valley National Wildlife Refuge, West Virginia. © Jim Clark

Autumn Forest, Canaan Valley National Wildlife Refuge, West Virginia. © Jim Clark

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Photography With a Purpose by David DesRochers

Painted Hills Unit, John Day Fossil Beds National Monument, Oregon. © David DesRochers

Painted Hills Unit, John Day Fossil Beds National Monument, Oregon. © David DesRochers

Text and images by David DesRochers

When I started getting serious about photography my goal was simple. Take pictures that my friends and family would ooh and aah over. We all want people to respond positively to our work and there are a number of photo critiquing web sites that cater to this desire. Camera clubs around the world hold photo competitions and there is no shortage of major competitions such as NANPA’s Showcase and Nature’s Best Photography Windland Smith Rice International. Displaying our photos on our web site or photo site like flickr is another way of putting our work in the public eye. Many of us display our work in local galleries and others try to gain recognition (and maybe a few dollars) through microstock agencies such as Dreamstime. Continue reading

PHOTOGRAPHER PROJECT: Mountaintop Removal – Story and photographs by Carl Galie

8 Billion Gallons

8 Billion Gallons

I thought I knew all there was to know about strip mining, since I grew up in coal country in a mining family and even spent some time selling truck parts to the mining industry early in my career. Then in 2009, I was invited by members of Kentuckians for the Commonwealth and St. Vincent’s Mission to go on a tour of a mountaintop removal (MTR) site in Floyd County, Kentucky, with a group of students from Berea College. I was not prepared for what I saw that morning.

Yes, it was a strip mine. But it was a strip mine on steroids. It went on for miles. At the end of the tour, I was asked by Sister Kathleen Weigand from St Vincent’s Mission if I would consider doing a book on MTR, and I immediately said yes.

New River 1

New River 1

Approximately 500 mountains and more than 2,000 miles of streams already had been destroyed by MTR throughout the southern Appalachians. My research revealed that MTR was not an isolated problem in Kentucky. It had affected all of coal country. Furthermore, legislation passed to accommodate the coal industry had the potential to affect water quality across the United States, making MTR a national problem.

A number of scientific papers were published in 2009 on the impact MTR was having on the waters of Appalachia and public health. President Obama had just taken office, and I expected that the EPA would finally be allowed to do its job and put an end to this mining practice. I was wrong, and six years later, MTR is still going strong.

Since the purpose of my project was to raise awareness and educate the public about MTR, I decided that a book—added to several books and powerful documentaries I knew were already in production—might not be the best way for me to get the story out. I decided to take my project in a slightly different direction: a fine art exhibit that would focus on the beauty of the region and what could be lost.

I reasoned that a traveling art exhibit could reach a different and broader audience and have a better chance to be viewed—not only by those against MTR, but also by those supportive of the mining industry. I partnered with Appalachian Voices and The New River Conservancy, two organizations working to protect the region, and with SouthWings—an NGO (nongovernmental organization) located in Asheville, North Carolina, which provided my flights. Funding for the exhibit came from grants provided by Art for Conservation and The Blessings Project Foundation.

Lost on the Road to Oblivion

Lost on the Road to Oblivion

In 2013, the exhibit, “Lost on the Road to Oblivion, the Vanishing Beauty of Coal Country,”opened at the Turchin Center for the Visual Arts at Appalachian State University. I collaborated with then-poet laureate of North Carolina, Joseph Bathanti, and the exhibit included 13 of Joseph’s poems in addition to 59 of my prints.

Joseph’s and my collaboration continues, and he has agreed to write poems about more of the prints in the exhibit. We are currently working on exhibit scheduling for 2015-2016. Oh, and remember the book that got the project going? We’re revisiting that idea as well.

Carl Galie is a North Carolina photographer who has worked on conservation issues for the past 19 years. Carl was awarded the first Art for Conservation Grant in August 2010 for his project “Lost on the Road to Oblivion, The Vanishing Beauty of Coal Country.” In March 2014, Carl received Wild South’s Roosevelt-Ashe conservation award for journalism for his work documenting mountaintop removal of coal in the Appalachians.

PHOTOGRAPHER PROJECT: Pantanal, Story and photograph by Daniel J. Cox/Natural Exposures.com

D440260We hear all the time that little things make a difference.Sometimes it’s hard to believe; other times, it couldn’t ring truer. Throughout my career I’ve combined photography with conservation, since a concern for our planet and its inhabitants has always been important to me. For the past few years, the Natural Exposures Invitational Photo Tours has taken guests to the Pantanal in the wilds of Brazil. Here, we do our best to incorporate the same philosophy of integrating photography and conservation, much like any of our travel destinations. Continue reading

Photographer Project: Saving Serengeti, Story and photographs by Boyd Norton

NortonSerengeti-1331Serengeti—it’s one of the most famous names in the world, an icon of wild places.

The Serengeti ecosystem, almost 10,000 square miles in area, includes Serengeti National Park, Ngorongoro Crater, and adjacent reserves such as Loliondo, Maswa, Ikorongo, Grumeti and Kenya’s Masai Mara. It is one of the few large, protected ecosystems left on earth. Each year, more than two million animals—wildebeest, zebras and other herbivores—migrate from the eastern plains through central Serengeti and northward to Masai Mara and back, in a search for water and fresh grasses. It is the largest land mammal migration on earth.

NortonSerengeti-1333I’ve been traveling to the Serengeti ecosystem annually for 30 years, leading photo tours, and working on book and magazine assignments. I always assumed that national park and World Heritage Site designations would protect this ecosystem. I was wrong.

In May 2010 I learned from Masai friends that the Tanzanian government planned a major commercial highway that would cut across the northern part of the park like a knife wound. Hundreds of trucks would speed daily from Lake Victoria in the west to the Indian Ocean coast. In addition to cutting off the migration route, the highway would become an avenue for poachers.

Zebras in Ngorongoro Crater, TanzaniaWithin days of my discovery, I contacted a handful of other frequent Serengeti travelers and we started a Facebook page, Stop the Serengeti Highway. Word spread, and today that page has more than 60,000 followers worldwide. In addition, ecotourism consultant Dave Blanton and I started a tax-deductible non-profit called Serengeti Watch to rally support to save Serengeti and to inform select news media around the globe about the threat. Click the link to join and/or make a donation.

In December 2010, Richard Engel of NBC News traveled to Serengeti. He uncovered the culprit funding the highway: China. Engel asserted that China was after coltan, an important mineral in cell phones, and certain rare-earth minerals.

NortonSerengeti-1339The situation has grown more complex because of oil in Uganda and South Sudan. Plans are now being discussed by the Tanzanian government for a “transportation corridor” that might include a railroad as well as a highway. Either would mark the end of the migration and the total unravelling of the Serengeti ecosystem.

Serengeti Watch has proposed an alternate southern route, one that bypasses Serengeti entirely. Parts of this road already exist and are being upgraded for major transport. The Tanzanian government has ignored funding offers for a southern route, and to date the Serengeti Highway remains a threat.

Dawn, wildebeest and acacia tree, Masai Mara Game Reserve, Kenya.Building local support is vital. Through donations, Serengeti Watch has made educational grants locally to raise awareness about the importance of preserving Serengeti. The overall aim is to fund projects in media and education that encourage young Tanzanians to become involved in conservation. Through photography, journalism, video and social media, Serengeti Watch will give local people the ability to communicate the importance of protecting their reserves and parks.

This may be the best way to protect Serengeti for the future.

Boyd Norton is the author/photographer of 16 books. His most recent, Serengeti: The Eternal Beginning, has received accolades from primatologist and researcher Jane Goodall and Richard Engel of NBC News, among others. For more than 45 years Boyd has used his photography and writing to save and protect wilderness and wildlife worldwide, testifying at numerous congressional hearings. He has served on the Board of Trustees for the Dian Fossey Gorilla Fund. He is a Fellow of NANPA, a former NANPA board member, charter Fellow of the International League of Conservation Photographers, and founder and Fellow of the International League of Conservation Writers. His next photo safari to Serengeti will be in February, 2015. www.boydnorton.com; www.wildernessphotography.com. See a recent legal development: http://newsle.com/article/0/162431923/

In Our Yard by Amy Shutt

Alstroemeria psittacina 'Parrot Lily'

Alstroemeria psittacina ‘Parrot Lily’

Images and Text by Amy Shutt

We live on 7.5 acres of land in a little town in Louisiana. Although I’ve only been here for a few years, my husband, an ornithologist, has been living here for quite some time. It’s 95% woods. He gardens the area around the house exclusively for hummingbirds and the rest is untouched. Yep, we are the eccentric neighbors with the overgrown yard with signs designating the ditch in the front as a ‘Wildflower Area’ so the city won’t cut or spray.

I see swamp rabbits almost daily. We have deer…and deer ticks. I have heard foxes in the darkness just off the driveway in the woods. We have enjoyed listening to coyotes howling in unison. Barred owls belt out their crazy calls nightly. Prothonotary Warblers nest in boxes we make for them around the house and in the woods.  Point is, it’s pretty cool out here and we share this land with a lot of critters and plants.  Continue reading

Be ALIVE on Nature Photography Day!

How does nature photography awaken 23 top pros to the experience of being ALIVE?

By Paul Hassell, Founder of ALIVE Photo and Owner of Light Finds

ALIVE Photo – preview from Light Finds on Vimeo.

 

Nine years ago my life was irreversibly altered when I attended the NANPA Summit in Charlotte as a college scholarship recipient. My quiet dream was given breath and fanned into flame. It is the friendships I’ve formed with other NANPA photographers that have most influenced me on my path to becoming a pro nature photographer. In this community I have found continual inspiration, and I created ALIVE Photo to offer the public a taste of these rich friendships.

In a world of 24/7 social chatter via glowing screens we cradle with care, it is easier than ever to be distracted from total immersion in the solitude and power of wilderness. It’s easier than ever to lose focus on why we are even living this wild dream as nature photographers in the first place. In light of that, my interviews with these 23+ pro outdoor photographers explore the “why.” “Why do you do it?” “In what ways does photography personally affect your life?” “How does photography awaken you to the experience of being alive?”

For me, it was important to start with why. I could have asked these talented pros how they do the work they do. I could have asked what gear they use or what their secrets are for success. But I would not have touched the heart. ALIVE Photo is a celebration-song exploding from the hearts of those whose lives are captivated by the unquenchable pursuit of great light.

Some of the amazing photographers featured on ALIVE Photo!

Some of the amazing photographers featured on ALIVE Photo!

We need not incessantly contemplate our navels. It’s okay simply to play. But we would be wise to pause occasionally and reflect on what a life-changing gift it is to be one who photographs nature.

I hope that these simple interviews serve as a reminder to each of us about why we do this. It’s a radical gift to live in this present age, to have a camera, to have wilderness and to have a space where we can be transformed. Let’s celebrate Nature Photography Day on June 15th and give thanks for the experience of being alive. ALIVE.photography

Listen in as Rob Sheppard speaks on connection, Clay Bolt on seeing with fresh eyes, Carl Battreall on yearning to be remote and wild, and Amy Gulick on her life-long passion for storytelling. Next week you’ll hear from the ever-hilarious Joe and Mary Ann McDonald, and the week after that the beloved and contemplative Dewitt Jones. Sign up with your email address on the right column of the blog and be the first to know about our next pro.

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PHOTOGRAPHER PROJECT: Headhunt Revisited by Michele Westmorland

Painting by Caroline Mytinger. A young girl in dance costume, sorceress named Kori Toboro, wearing a net bag. Motuan village of Hanuabada, Port Moresby, Papua New Guinea. Courtesy of Phoebe Hearst Museum of Anthropology, University of California at Berkeley.

Painting by Caroline Mytinger. A young girl in dance costume, sorceress named Kori Toboro, wearing a net bag. Motuan village of Hanuabada, Port Moresby, Papua New Guinea. Courtesy of Phoebe Hearst Museum of Anthropology, University of California at Berkeley.

In 1926, painter Caroline Mytinger and her friend, Margaret Warner, set out from San Francisco for a four-year adventure in the Solomon Islands and Papua New Guinea. With little more than $400, a few art supplies, and a trunk of clothing, they made their way through what was then known as the land of headhunters, with the goal of painting Melanesia’s inhabitants. Their journey was nothing short of amazing and, at times, fraught with danger. Mosquitoes engorged with blood had to be snipped off with scissors; cockroaches the size of hummingbirds chewed on their toes. They ran into male explorers who assumed they were the first to delve into the remote Fly River Territory—and who were shocked to find two very petite young women from America in this seemingly hostile environment. A storm almost washed away all of Caroline’s painting supplies, and a volcanic eruption threatened to destroy the artwork. Upon the women’s return to the United States in 1930, Caroline’s paintings were exhibited in notable museums such as the American Museum of Natural History in New York. After 1935, the paintings were crated away, not to be seen until 2004, when they were discovered at UC Berkeley’s Phoebe Hearst Museum of Anthropology by NANPA photographer Michele Westmorland. Continue reading

An Editor’s Perspective: Photography by Benjamin Olson

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Images by Benjamin Olson

Story and Gallery Edit by Miriam Stein

 

This winter proved an exciting time for birdwatchers and wildlife enthusiasts as the cold months in 2013-2014 brought a snowy owl irruption to the United States.  The beautiful birds were seen as far south as Florida and Bermuda.  Benjamin Olson spent a few months following a snowy owl that took up residence near his home in Minnesota.  I greatly appreciate the time and dedication Benjamin showed in tracking this owl and making beautiful photographs without the use of bait, an all-too common practice among owl photographers.  I love the natural blue and white backgrounds of Benjamin’s photographs and the artistic composition he employed in making his images. To see more of Benjamin’s work, visit www.benjamin-olson.com. Continue reading