Just one of Canada’s innumerable peaks, the last light of day shows this one to its best advantage.
Story and Photos by Jerry Ginsberg
Our American West is sprinkled with many spectacular national parks. Even a quick glance at the map will reveal that these preserves of nature are just islands in a sea of a burgeoning population surrounded by spreading towns and cities that often press against many of the parks’ very borders.
In sharp contrast, our Canadian neighbors have a nation of almost exactly the same size as the U.S., but with only about one tenth of our population. As a result, they enjoy roughly ten times more elbow room. With the exception of relatively small pockets of people, western Canada enjoys lots of wide open spaces. As long as we bring our passports along, those fine folks will let us share their pristine parks and vast wilderness.
Grand view of ancient Machu Picchu, last refuge of the vanished Inca civilization in the Andes Mountains, Peru.
Story and Photos by Jerry Ginsberg
Peru is perhaps the most fascinating country in all of South America. Considering the many wonderful sights, both natural and cultural, to be found on this vast continent, that’s saying a whole lot. You will find a great deal of diversity here. From the arid lands of its long Pacific Coastal area to the snow-capped summits of the sharply carved Andes, there is something here for everyone.
In a November 2018 post, we asked if photographers should stop sharing location information. Popular spots are being overrun with Instagrammers, seeking to duplicate iconic images. The landscape is being damaged, vegetation trampled, trash and human waste left behind and people are risking life and limb for the next epic selfie.
It’s been a topic of conversation across the nature photography community. Now, the Jackson Hole Travel and Tourism Board has entered the debate with a campaign they’re calling “Tag Responsibly. Keep Jackson Hole Wild.”
Along with a video (above), the Jackson Hole Travel and Tourism Board released posters and shareable social media graphics aimed at getting photographers of all levels to refrain from posting specific location information with their photos. This story even made the New York Times.
Anyone who’s been to Jackson Hole and tried to photograph Schwabacher Landing, Moulton Barn, or Oxbow Bend can attest to the fact that these locations are getting too much traffic. It’s easy to find the popular photo spots: there are long stretches of hard-packed bare earth, tamped down by thousands of feet and tripods. On any given sunrise, a photographer might have to deal with several photo tours and random cell-phone-toting tourists walking into their shots, parking in fields and leaving litter behind.
The new campaign urges people to “Post the photo. Trash the tag.” It’s not like Moulton Barn is hard to find, and there’s a big sign for Schwabacher Landing right on the highway but, when the very businesses that depend on tourism start getting behind a movement like this, they have the potential to change the conversation. As one of the Travel and Tourism Board posters asks, “How many likes is a patch of dead wildflowers worth?”
In my many columns for NANPA, I have never repeated a particular location. Until now. As a result of events described below, it seems fitting to add a new insight on a familiar location.
Being a National Park Artist in Residence
Last year, I had the privilege of being chosen by Badlands National Park in South Dakota as their Artist in Residence for the fall season. Many units of the National Park Service offer these opportunities, which appear on https://www.nps.gov/subjects/arts/air.htm. In addition to National Parks, many other units (National Monuments, Scenic Trails, Historical Parks, Battlefields and more) in the system offer such opportunities. The process is very competitive with many artists across a wide spectrum of disciplines—visual, writing, performance, etc.—submitting applications. And the actual judging criteria remains unknowable.
Art Wolfe is reputed to have said you can celebrate something to death. In a similar vein, Secretary of the Interior Ryan Zinke and Senator Lamar Alexander penned a May 2018 editorial for CNN in which they bluntly stated that “our parks are being loved to death” through a combination of record-breaking crowds and severe maintenance backlogs. All over the world, precious, unique natural areas are under stress from human visitors. In some places, it’s simply a case of too many people coming to too small a space. In others, it’s not just the crowds, it’s also bad behavior.
In order to protect beautiful but fragile areas, many photographers have stopped sharing location information. No GPS data. No clues about where the spot is or how to get there. Why? Because, once a really cool photo location is out there on Instagram, Facebook or other platforms, the crowds inevitably follow.
Is withholding locations arrogance? Selfishness? Respect for nature? You be the judge. Continue reading →
Fantastic lunar landscape of the Wave, in the Vermillion Cliffs National Monument, located in both Utah and Arizona.
Story & Photography by Jerry Ginsberg
Exploring the Southwest
Although the four states that comprise the great Southwest (New Mexico, Arizona, Colorado and Utah) contain a combined total of thirteen national parks, this vast area has so much spectacular natural beauty that all of it could not possibly be contained within these parks.
The photographer at the end of the rainbow, Bandon Beach, Oregon.
This photo of a rainbow on the beach at Bandon, Oregon, is pretty much the perfect picture of me. My image is small enough to be totally unrecognizable, and it captures the way I feel about myself—the treasure at the end of the rainbow. Unenlightened photographers tend to see me as a distracting picture element, but that’s another story. One thing is certain. Putting a person at the end of the rainbow makes the image different, and making images look different may be important to you.
Fall foliage reflecting in lake, Twin Lakes area, New York Botanical Garden, Bronx, NY. f/9.5 @ 70mm, 5-image HDR compilation.
Story & Photography by F.M. Kearney
The final curtain is about to rise. A cast of billions is in place. Throughout their entire performance, they’ve all been restricted to the same regulation green outfits. For their finale, they now have a chance to break free – a chance to dazzle onlookers with stunning new yellow, red and orange wardrobes. A few glory-hounds will attempt to upstage the others with magnificent, multi-colored garb. Sit back and relax… The Autumn Show is about to begin.
I’m sure most nature photographers look forward to this show every year. But, it can be a challenge to come up with something different than the usual “trees and leaves” photo. Try looking for compositions beyond the obvious – compositions where the subject isn’t immediately evident.
Photographers choose workshops and photo trips months, sometimes years, in advance. Whether you already have a fabulous fall photo experience lined up for this autumn or never got around to planning one, it’s not too early to start thinking about fall 2019. Next October, Hank Erdmann and Richard Day will be leading a NANPA Regional Event in Michigan’s Upper Peninsula. In this article, Hank reveals his thoughts about fall photography, why he loves autumn in the upper Midwest, and the photographic opportunities that come with the changing colors of leaves. He also includes tips that will help you find and take advantage of the fall photo possibilities in your region. Details about this NANPA Regional Event, including costs, registration and other information are posted on the NANPA website, at http://www.nanpa.org/event/nanpa-regional-workshop-up-mi/ .