Join Denver Audubon, HawkQuest, and award-winning photographer Cheryl Opperman to master bird photography in this unique photo workshop that supports wildlife conservation and education. Photograph 10 different species in a variety of settings and attend photography classes daily. Small class size with individual critique sessions included.
What you will learn:
How to evaluate and modify light for bird photography including the use of flash when appropriate
The best camera settings to stop or intentionally blur action, ensure adequate depth of field, and tips to speed your response time so you are always ready to capture the action.
In depth exposure selection including the exposure triangle, best exposure modes for different lighting situations, and evaluating the histogram.
Customizable settings most useful in bird photography
Choosing effective compositions that direct your viewer through the image and eliminate distractions.
Anticipating bird behavior
Finding and photographing birds in the wild
Digital processing techniques to optimize your images.
Equipment needed (a more detailed list will be provided after sign-up):
Camera body with mostly telephoto lenses (Anything from 200mm to 600mm will work well as the birds are very close)
Tripod with panning head
Laptop computer with image processing software
Join award-winning photographer Cheryl Opperman for a new 2019 fall workshop designed to help you improve your digital processing skills and expand your creativity in the digital darkroom. Designed for intermediate digital photographers, we will explore the tools and techniques that optimize your output and allow you to construct brand new works of photographic art. In addition to hands-on classroom sessions behind your computer, we will spend time in the field photographing the Crane Trust’s genetically pure bison herd, a variety of raptors from a local raptor education and rehabilitation organization, and prairie scenery.
Once upon a time, a lot of photographers did very well with film photography. 35mm slides, the old reliable, did a more than adequate job for us and the great majority of book and magazine publishers. We sent out a couple of vinyl pages of 20 mounted 2×2” slides and usually scored a hit.
Then came the digital revolution. And make no mistake; this has been a true technological revolution. Kodak and Nikon may initially have been on the cutting edge of the seismic shift as it pertains to photography, but such subsequent changes as smartphones, social media and cloud computing are all facets of the very same upheaval.
Around 1990, a group of very bright people created Photoshop. Overcoming a few less robust competitors, Photoshop quickly became the standard for processing digitally captured and scanned images in the new world of the digital darkroom.
Adobe’s ancillary program Bridge was born soon after. After several years and great advances in the feature sets, depth and breadth of these software tools, some streamlining seemed to fit a market niche. Enter Lightroom.
The Pool frozen over at sunrise, Central Park, New York, NY (HDR compilation of 5 images).
Story & photography by F.M. Kearney
That time is quickly approaching. That time of year when many photographers will pack away their gear and patiently wait for the first colorful blooms next spring. Yet, winter isn’t completely devoid of color, as some might assume. In fact, if you carefully plan what you shoot and when you shoot, you may be surprised at the amount of color you can coax out of this often-overlooked season.
One subject I always look forward to photographing during the summer months is the water lily. Native to the temperate and tropical parts of the world, there are over 50 species of these freshwater plants. However, it isn’t always easy to shoot them creatively. Unless you have access to a natural lake or pond (and are willing to get very wet), you will most likely have to shoot from the sidelines of a reflecting pool in a local park or botanical garden. A long lens will allow you to zoom in for a tight close-up, but you certainly won’t have any options to create those dramatic macro or wide-angle perspectives that are commonly used on other types of more accessible flowers.