Have you ever had your day ruined by an update to an app or to your operating system that was automatically installed, without you even being aware? It happens, and sometimes it’s not pretty.
Picture this: You fire up your computer and suddenly learn that all the work you did on over 4,000 images—key wording and some preliminary editing—will have to be redone, from the beginning, because those precocious technicians at the software company have automatically updated your image-processing program, and the update will not accommodate the preliminary editing you have already completed. Frustrated? Well, that’s not the whole of it.
During this crucial time, we nature photographers who feel so at home wandering around the great outdoors seeking great images suddenly find ourselves uncharacteristically spending as much time as possible in our homes. While it is certainly necessary that we do this as a means of avoiding the scourge of the deadly Corona virus, it still feels a bit unnatural to most of us.
So let’s make the most of this unexpected downtime by honing our skills in the ever-evolving digital darkroom.
Once upon a time, a lot of photographers did very well with film photography. 35mm slides, the old reliable, did a more than adequate job for us and the great majority of book and magazine publishers. We sent out a couple of vinyl pages of 20 mounted 2×2” slides and usually scored a hit.
Then came the digital revolution. And make no mistake; this has been a true technological revolution. Kodak and Nikon may initially have been on the cutting edge of the seismic shift as it pertains to photography, but such subsequent changes as smartphones, social media and cloud computing are all facets of the very same upheaval.
Around 1990, a group of very bright people created Photoshop. Overcoming a few less robust competitors, Photoshop quickly became the standard for processing digitally captured and scanned images in the new world of the digital darkroom.
Adobe’s ancillary program Bridge was born soon after. After several years and great advances in the feature sets, depth and breadth of these software tools, some streamlining seemed to fit a market niche. Enter Lightroom.
The Pool frozen over at sunrise, Central Park, New York, NY (HDR compilation of 5 images).
Story & photography by F.M. Kearney
That time is quickly approaching. That time of year when many photographers will pack away their gear and patiently wait for the first colorful blooms next spring. Yet, winter isn’t completely devoid of color, as some might assume. In fact, if you carefully plan what you shoot and when you shoot, you may be surprised at the amount of color you can coax out of this often-overlooked season.
One subject I always look forward to photographing during the summer months is the water lily. Native to the temperate and tropical parts of the world, there are over 50 species of these freshwater plants. However, it isn’t always easy to shoot them creatively. Unless you have access to a natural lake or pond (and are willing to get very wet), you will most likely have to shoot from the sidelines of a reflecting pool in a local park or botanical garden. A long lens will allow you to zoom in for a tight close-up, but you certainly won’t have any options to create those dramatic macro or wide-angle perspectives that are commonly used on other types of more accessible flowers.