Small American Alligator (Alligator mississippiensis) laying in vegetation on edge of water.
This is the third entry in the From Photography to Filmmaking monthly column by Drew Fulton. To see the previous posts, visit the archives.
Photography is primarily the pursuit of a single sensory experience that of vision. We talk about composition, exposure, and focus. As we start to think more about using the moving image to tell stories, this all encompassing pursuit of vision all of a sudden must also include another sense. We have to start to listen!
During this busy holiday season, I challenge you to take a few minutes to close your eyes and just listen. I think too few of us really listen to the world around us. Take a moment and sit on a bench in the mall while doing your holiday shopping and just listen. What does the laughter of a child or the wail of a tired infant tell you about the scene? What about the distant rumble of a vacuum or the swish of an opening and closing automatic door? What sounds add to the story? What distracts you?
A Snowy Plover sits among the dunes on a Florida beach in front of one of many condominiums.
This is the second entry in the From Photography to Filmmaking monthly column by Drew Fulton. To see the previous posts, visit the archives.
When I first started to dabble in the world of the moving image, I didn’t think much about the storytelling side of things. I simply started shooting what was essentially a moving photograph rather than a video clip. What do I mean? Basically, I took all of my experience as a photographer and applied that to making video. I didn’t make any changes to the way I composed or created images. I simply did what I had always done except now I was making videos! I won’t say that this was totally wrong, but it sure was far from right. Let’s take a few minutes to really think about how our audience watches video and the fundamental differences between watching video and looking at a photograph.
Instagram and camera phone photos have inspired a lot of debate in the photography community. Why take a low quality image? You can’t print it large, you can’t sell it for stock, and it doesn’t showcase your skill with a camera. However, none of that is actually true anymore. As the popularity of iPhoneography and mobile phone photography rises alongside the capabilities of camera phones, not only are these points moot, but arguments supporting the use of mobile devices in professional photography are gaining ground. Camera phones and the social media platforms that allow us to quickly and easily share those images provide a greater freedom in story-telling, for bringing viewers along for the ride on a shoot, for engaging in conversation with viewers, and for showing more of the photographer’s personality. And now, all of this can be done without sacrificing much in quality.
In 2012 I took a trip to Midway Atoll and Instagram was a wonderful way to share the experience as it unfolded. My iPhone gave me the freedom to take snapshots on a whim, and uploading them to Instagram let me share what was happening as it happened. It was so easy, relaxing and fun to snap a photo in the moment, edit it and share it all with a single device. Those snapshots became my own diary of the trip and a way to remember the trip in a more personal way. I wouldn’t have had this diary if I’d stayed behind my DSLRs the whole time trying to get only polished, high-quality shots. And I could share what was going on with my followers on social media and generate excitement about the upcoming photo essays I was working on with the deliberate, high quality DSLR photos I was creating. Thus, my iPhone photos and Instagram held both a personal and professional purpose. It was the first time I’d really tried this approach, and it changed the way I have approached every photography trip since. Continue reading →
I’m often amazed at just how much subconscious thought and planning goes into the creation of a “simple” photograph.
A couple of years ago I was in the Thain Family Forest of the New York Botanical Garden. Located in the center of the 250-acre garden, this forest is the last remaining tract of original forest that once covered most of New York City.
I was initially attracted to a rustic log fence at the entrance to one of the forest trails. Seeing it as the perfect foreground element to lead a viewer’s eye into the photo, I positioned my tripod in the center of the trail and leveled it to the height of the fence. This was the best perspective to show the lines converging as they disappeared around the bend in the distance. Continue reading →