NANPA’s members are in for a rare treat next week! On October 10th, at 6 PM Eastern Time, award-winning wildlife photographer and Greenpeace ambassador Roie Galitz will share breathtaking stories and footage from his wild expeditions and will teach us how to get incredible shots in the most extreme conditions. This special event will not be recorded, so make your plans now to attend the live webcast! NANPA members can register through nanpa.org/webinars. Not yet a member? nanpa.org/joinContinue reading
Story & photos by Krista Schlyer
In 2010, as part of the International League of Conservation Photographers’ Chesapeake Bay RAVE (Rapid Assessment Visual Expedition), I found myself on the Anacostia River in Washington DC. The Anacostia is one of the most imperiled watersheds within the Chesapeake Bay watershed, a sprawling eco-region spanning most of the Mid-Atlantic. The Anacostia is also my home watershed, where the water that drains off my house and yard ends up.Continue reading
Story and photos by Haley R. Pope
It was 4:30 a.m. on a Saturday in May—the wind was biting cold and the sky a deep royal blue. All bundled up, I hoist my heavy camera case into the truck and my husband and I head straight west out of the small town of Meeker, Colorado. The sun wouldn’t rise until 5:50 a.m., so we had plenty of time to get into position. But first, we had to find them.Continue reading
Carol Grenier’s interest in nature photography really took off with her first full-time job, a seasonal appointment as a surveyor in Yellowstone National Park which she calls, “the best job I ever had: working outdoors in a beautiful setting with abundant opportunities for recreation and nature photography.” Exposure to the stunning landscapes and wildlife of the western United States inspired a passion to capture the beauty of nature ever since. In recent years her images have been recognized in NANPA’s Expressions, Nature’s Best magazine, Audubon, and Denver Audubon.
Story & photo by Frank Gallagher
Where do you draw the line between access and preservation? At what point does introducing a larger number of visitors to the wonders of nature start to endanger that very nature? It’s a tough call and one that land owners, government agencies and photographers are facing every day.
This is my last blog as NANPA president, the end of a year of maundering over the past, present and future of nature photography. It turns out my fear that the organization would suffer under my leadership, or lack thereof, was unfounded, just as many of my fears are. Not only is NANPA doing well, but its membership has reached a new high point. It’s tempting for me to take credit for our success, but the truth is I’m riding on the coattails of an incredible herd/school/pride/pod of talented and hard-working staff and volunteers. Without them I would have been president of nothing, and I’m extremely grateful for my addiction to nature photography if for no other reason than it introduced me to these wonderful people who have guided and supported me.
Laura M. Eppig is a mostly self taught Nature Photographer who learned on slide film in the late ’80’s. She was invited to join a Camera Club in order to learn Bird Photography and was mentored by 3 of the founding members. While Laura shoots the majority of her images close to home, she has been known to travel far afield in search of certain elusive subjects, specifically Owls.
Laura finds that she can combine most of her interests through photography. Hiking and bird watching are two of her passions that nature photography encompasses. Macro photography is one of her special interests, especially shooting insects and spiders. Library Exhibits, as well as other types of displays, and Photography Classes keep her busy in addition to photographing whenever possible.
Bob Schamerhorn was propelled into nature photography as a result of the digital age. In 2006, a once-in-a-lifetime encounter with a Peregrine Falcon on a beach in Cabo San Lucas sparked the transition from a point-and-shoot to a semi-pro camera. Within two years he began presenting programs at bird clubs, wildlife festivals and Audubon groups. He now keeps a full speaker schedule and displays at thirty art shows a year. Occasional publishing opportunities for book and magazine covers, plus photography contests have provided recognition and, in 2015, nature photography became a full time vocation.
Charles Gangas became interested in nature photography as an aviator in the U.S. Marine Corps. During his career he had the opportunity to travel to distant lands and found he enjoyed taking photographs of the many “natural critters” he encountered. After retiring in 2013 from a career as a pilot for a major U.S. airline, he has gone from an avid hobbyist to a full-time professional photographer and guide. He has been a NANPA member for three years, and this is his first Showcase recognition.
Cathy and I just returned from our last photo tour, a week of pointing lenses at colorful birds and ancient reptiles in some of Florida’s remaining wetlands. Just about every location we visited was outstanding, so crammed with photographic possibilities it was sometimes difficult to choose which subject to put in the viewfinder. A viewer, judging from the images we came home with, would assume all is right with this sub-tropical environment. What the photos don’t show is that each wonderful site was separated from the others by a couple of hours of driving on some very busy roads. It’s perfectly true that there are still some great venues for those who enjoy photographing wild things and the places they live, but these venues are becoming more and more isolated, islands of biodiversity in a growing sea of concrete, asphalt and golf courses.