Travel by luxurious ship from island to island, wandering among animals that have no fear of people. We’ll photograph albatross, penguins, flamingos, blue-footed boobies, frigatebirds, giant tortoises, marine iguanas, and more. Snorkel in emerald waters with playful sea lions, sea turtles, and brilliantly colored tropical fish.
While most tours offer only one-week at sea, this tour offers a full two weeks. Suzi has teamed up with legendary Galapagos photographer and expert, Tui De Roy to offer a unique experience that will put us on shore with wildlife at first and last light, when most other tour groups are noticeably absent.
We have chosen the coolest time of year in Galapagos, when the seas are most productive and many species are nurturing cute babies.
Life in the African bush is hard for prey animals and apex predators (those at the top of the food chain) alike. Ungulates (hooved animals) such as zebras, gazelles and wildebeest are constantly wary and keeping watch to ensure they don’t fall victim as food for one of the countless predators that share their territory. Predators fight among themselves over that same territory. Lions will fight to take control of existing prides. They will also fight to drive off other predators, like cheetahs, sharing the same space. Very often these battles have grim results for the victims.
During my recent trip to Ndutu in northern Tanzania (eastern Africa) we saw many cheetah families living in the Makao plains. Among them were two bachelor brothers that we had hoped to encounter during our journeys. With a top speed approaching 70 miles per hour, cheetahs are the fastest land animals in the world. They can maintain this speed for approximately 500 yards. As a singular animal a cheetah is capable of chasing down and capturing smaller prey, a favorite being a Thomson’s gazelle. Adult male cheetahs often form coalitions with siblings. When teamed up they are capable of bringing down much larger prey, like wildebeest. We wanted to see this two-male coalition in action.
On January 31, during our morning game drive we happened upon a lone cheetah that had climbed onto a fallen tree. It started calling and before we identified the gender we suspected a female calling for her young. As we looked more closely we realized it was a male and that it was injured. His mouth was wounded and his elbows rubbed raw. This was one of the brothers, only his sibling was nowhere in sight. Our best guess was that the two cheetahs had been victims of a lion attack during the night. Either the second male had been killed or severely injured, or he escaped and ran in another direction.
Injured cheetah searching for his brother.
A closer look at his mouth injury.
The wounded cheetah wandered from tree to tree, sniffing for signs of his brother and then sending a stream of his own urine toward the tree. Like all cats, cheetahs have a keen sense of smell and can identify an individual by its unique scent. During this time he called continuously with a forlorn cry, presumably with the hope of vocally contacting his sibling. Occasionally he would leap onto a fallen tree to search and call from a higher vantage point. Allowing enough distance to avoid interference we followed the lone male for over an hour. During that time his pace was constant, his conviction never faltered. Continue reading →
We were deep in the Great Bear Rainforest of British Columbia, Canada (about 500 miles northwest of Seattle), the home of the white spirit bear. Before us was what we had hoped for. The bear had accepted our presence and was now perched on a rock mid-stream scanning the creek for salmon. Her white fur was wet from overnight rain and steam rose from her back in the morning sun. It was like a scene from National Geographic television – only this was live.
Our group of photographers and nature buffs was thrilled. Between snapping photos we glanced at each other – smiling widely, giving each other the thumbs up. We never could have imagined this exact scene beforehand, but the hope of being part of something like this was why we had come. Continue reading →
I admit it…I am spoiled by where I live. Northwest Wyoming, with its easy access to the Greater Yellowstone Ecosystem, is a nature photographer’s paradise. In the summer months I can be in Lamar Valley within two hours. In early winter, an hour’s drive south puts me in range to capture that magnificent moment when two bighorn rams collide with incredible force and in spring I have the joy of photographing young pronghorn and elk literally in my backyard.
But even in this amazing environment, there are those months when the photo doldrums set in and I wonder if I will ever get another opportunity to shoot something that makes my heart beat a little bit faster. That is why, every January 1, I try to come up with a personal photo project instead of the typical New Year’s resolution. I started this practice a couple years ago when I felt the need for a challenge to get me through the long cold months that stretched to spring. Continue reading →
The brisk spring air was punctuated by a gusty wind as I stood in breathless anticipation beside the main gates. Once inside, we stealthily crept up the steps of the permanent wooden blind where we could see silhouettes of thousands of birds blanketing the riverbed’s shallow channels and naked sandbars.
The world’s oldest surviving bird species, the sandhill crane still appears curiously archaic. With legs dangling and bent in an awkward landing posture, and neck and wings extended, it is reminiscent of the ancient pterodactyl, the extinct flying reptile. Fossilized remains of the sandhill have been found in Nebraska sediments dating from the Lower Pliocene, some nine million years ago. This has led scientists to theorize that today’s sandhill crane has remained unchanged since that long-ago epoch. Continue reading →
Enjoy this Interview with Melissa Groo who will be judging NANPA’s View Bug photo contest- Birds Of A Feather Photo Contest-open now for submissions. Melissa is an award-winning wildlife photographer, writer, teacher and speaker. She writes a regular column on wildlife photography for Outdoor Photographer magazine, and her photos have been published in many magazines, including Smithsonian, Audubon, and National Wildlife. Issues of conservation and ethics in photography are passions for her, but more than anything, she loves revealing the soul of her wild subjects and sharing that with others. Continue reading →
When I attended NANPA’s High School Scholarship Program (NHSSP) in 2004 in Portland, my eyes opened to exploring wildlife photography as a medium. I greatly benefited from the one-on-one instruction and support of fellow photographers, both peers and mentors. Before attending this program, I never knew all this support existed; I felt that I was exploring nature and my camera by myself. Being a scholarship winner gave me the opportunity to harness my potential. Being surrounding by world-class photographers that shared their knowledge and experience opened my eyes to the possibilities that awaited me in our magnificent world.
I live in Wyoming. Anyone who has visited the state knows it has a lot of open space. What many people don’t realize is that the area in which I live – the northwest part of Wyoming – is almost always drier and more temperate than that to the south. So when I finished several days of meetings in Casper a couple years ago, I was anxious to make the 5-hour drive home to my own bed despite the dire warnings of an incoming snow storm. I knew that if I could make it the hundred miles across the sagebrush plains and then north through Wind River Canyon, I would probably leave the worst of the winter weather behind me. Before leaving the city, I consciously packed my camera gear in the back of the car, not wanting the temptation to stop along the way.
When I presented my project on rewilding at the recent San Diego NANPA Summit, it was a Lightning Talk, so I only had six minutes to address the audience. I did not have time to explain a bit more about why I started a photo project about releasing animals back into the wild. It stems in part from spending years working on another project, which deals with less fortunate animals living in captivity. After photographing animals who had lost all freedom, I felt the need to experience animals returning to nature. But still, the project I call “Captive” is a quest I feel passionate about, especially as I have seen my photos play an integral role in the current public discourse over reforming and rethinking zoos.
Photographing hummingbirds in flight in countries like Ecuador and Costa Rica with natural light or with just one flash can be very difficult. The reason – most of these birds live in the cloud forest where there isn’t much light due to both shade from trees and cloud cover. One solution for this, which creates beautiful flight shots, is a multi-flash hummingbird setup. By setting up several slave flashes set to 1/32 or 1/16 power around a hummingbird feeder or flower you can produce stunning images of hummingbirds in flight. The reason is that the flashes are actually synching at speeds of 1/8000 to 1/12,000 of a second changing the effective shutter speed from what is on your camera – let’s say 1/200 sec to the lightning fast speed of the flashes synching. The key to this is having the flashes produce all of the light, otherwise you will be mixing ambient light and flash lighting. In that case the 1/200 sec shutter speed will affect the image by causing blurring in parts of it. So you need to have your camera’s exposure set to at least -3 or -4 stops below the ambient lighting.Another helpful component is to have an artificial background – often a large printed photograph held a few yards behind the mutli-flash setup. Continue reading →