As a nature photographer I feel very fortunate to own forestland. I regularly visit one of our properties on the border of the Renous River in Northern New Brunswick, about 35 minutes from where I live. This is quite a wild area, dominated by forest with few people.
There are many nature photo opportunities here, including several species of mammals such as Moose, White-tailed Deer, Coyotes, Black Bear, Red Fox, Weasel, and Bobcat, just to name a few. However, because they often avoid humans, it’s a challenge to get good photos of some of these species.
My small trailcam has allowed me to capture some photos and see what is around, but the quality of the photos is not great, especially when compared to a high-resolution DSLR. That’s when I got the idea of building a DSLR camera trap based on discussions with colleagues and a bit of research.
For 10 years, I have been traveling to Yellowstone National Park to pursue my love for wildlife photography. Every year the park has given me special scenes to photograph and animals to see in their natural environment.
One of the most coveted species to see in this national park are wolves. I have seen them many times in and around the park but usually it’s at great distances, similar to the above photograph, or on a late night drive. However, this year my guide, Christopher Daniel, and I were able to track them closely for 3 days, until we were gifted with a rare close encounter.
A reddish egret dances across the water while pursuing a fish.
Story and Photos by Budd Titlow
If you are a bird photography aficionado, I have some great news!
The proliferation of “Rails-to-Trails” conversion projects throughout our nation has created a fantastic new modus operandi for practicing your passion. Plus, it also benefits your health by providing daily exercise. I call this activity bicycle birding and here’s how it works for me.
The Pew Bertarelli Ocean Legacy Project interviews NANPA member Cindy Miller Hopkins.
What’s so special about a photo of five penguins? You could get that at a local zoo. Certainly, during NANPA member and travel and photographer Cindy Miller Hopkin’s trip last year to the far reaches of the South Atlantic, she had plenty of photos of penguins. But one shot, from off the South Sandwich Islands, turned out to be unique.
As she was editing and captioning her shots, Cindy noticed that there were five different species of penguins in one frame. That seemed unusual and she brought it to the attention of an ornithologist on the tour who told her he’d never seen an image with five species in the same place, at the same time. Further research revealed that no one else had either.
Early morning, when the roads were still frosted over and there were more deer than people awake, I rolled out my warm hotel on the eastern coast of Hokkaido to visit a place I had never been. This is par for the course with me, but this was a bit of a different situation as I was heading for a relatively unheard of location that a new friend told me about. She had promised there would be Steller’s sea eagles and White-tailed eagles feeding on the leftover fish guts that ice fishermen discard on a frozen lake. Too good a potential photography opportunity for me to pass up, so I made the hour-long drive along the coast on a cold, wintery morning. It could not have been a better choice!
Volunteers are the life blood of membership organizations. At NANPA and the NANPA Foundation, volunteers serve on committees, help plan conferences, present webinars, judge competitions and evaluate grant applications. Volunteers serve on the Board of Directors and play other key roles in keeping NANPA vibrant, relevant and growing.
This is the second of an occasional series of volunteer profiles, saluting those whose hard work, ideas, passion and commitment benefit NANPA and its members.
NANPA recently had the opportunity to ask NANPA volunteer John E. Marriott a few questions about his volunteer experiences.
Outstanding Photographer of the Year Florian Schulz.
The Outstanding Photographer of the Year Award goes to an individual who has demonstrated unquestioned skill and excellence as a nature photographer through his or her past work and who has produced extraordinary recent work of significance to the industry. That would be a pretty good description of the career of Florian Schulz, the 2019 Outstanding Photographer of the Year.
Schulz is a photographer, filmmaker, speaker and teacher, specializing in wildlife and conservation photojournalism. He is a Senior Founding Fellow of the International League of Conservation Photographers and serves on the iLCS board. He’s been published in publications like National Geographic magazine and is an in-demand speaker.
I was a participant in the 2017 NANPA High School Scholarship Program and spent a week in the Great Smoky Mountains working with some incredible mentors, broadening my interests in photography and learning from some very talented kids my age as well.
This program was a turning point for me–it showed me just how much I want to inspire the younger generation to learn more about conservation and photography. Working with and learning from 9 other students from across the country was not what I expected it to be. I had assumed we would all stick to the certain aspects of photography we were comfortable with, but instead we all motivated each other to try a little bit of everything.
During that week in the Smokies, I got to experiment with flash and night photography and use some of the cameras, lenses, and flashes that Canon sent to as loaners. I now have knowledge of the settings to use for star and night photography, something that will definitely come in handy for me in the future. We also hiked out to a waterfall and attempted slow motion waterfall photos to capture the blur of the water. Using the loaner flashes, we also found little salamanders and toads and used white backgrounds for the “Meet Your Neighbors” technique that Andrew Snyder, one of the mentors, taught us. Some of the kids were so in love with this new technique, it was all they did!
Do you know a talented young nature photographer? NANPA’s High School Scholarship Program is seeking 10 high school student photographers to attend a five-day field event where they can learn from the industry’s top shooters. Apply now for this immersive, hands-on education program to be held in the Great Smoky Mountains National Park July 1–6, 2019. Combining classroom and field-based instruction, students will have the chance to improve their nature photography skills, learn about NANPA, meet industry professionals, and gain an appreciation of the Smoky Mountains’ rich natural history. The last day to apply is January 31, 2019, so don’t wait. Apply now!
White-cheeked gibbon (Nomascus leucogenys) seen through bars, dangles from the door frame of his enclosure evoking a sense of frustration, boredom, loneliness at the Cheyenne Mountain Zoo in Colorado Springs, Colorado.
Story & photo by Haley R. Pope
Most of what makes a wildlife photograph great is the photographer’s ability to get inside the head of the animal and show the world through their eyes. What are they thinking? How do they see their environment? How do they see us? What is their story? In other words, a photographer needs to create an emotional connection to the subject or elicit an emotional response in the viewer. Emotion creates a layer of dimensionality that help us suspend judgments and see honestly.
The rest of what makes a great photograph is the photographer’s ability to correctly, and technically, control the camera so as to represent the scene as one saw and felt it. How am I going to tell the story? What landscape elements should I include? Do I need a shallow or wide depth of field? Should I over or underexpose the shot? How fast should I set my shutter speed? Do I have enough lighting? Where should I physically be positioned? These questions should be in your mind as you think about how to communicate your message and how to set yourself up to create your photo.
The two questions I ask myself before and during every photo shoot is: 1) what story do I want to tell and 2) how am I going to craft my image so the story is clear to viewers?
A Day at the Zoo
I have never been a fan of zoos, but on a warm day in June I decided to go. After I arrived, it wasn’t difficult to decide what story to tell. I wanted to tell the story of what it’s like to be locked up against one’s will. I wanted us to put ourselves in the animal’s shoes, so to speak, so I needed the emotional connection to be strong and our similarities to be obvious. I wanted us to consider what role we should play in other animals’ lives and whether or not there is even a need for animal exhibits like zoos.
As I passed through each exhibit and looked at the faces and body language of the animals inside, I was overcome with emotions of loneliness, sadness, boredom, and frustration; emotions I felt emanating from the animals themselves. Emerging from the kangaroo exhibit, I crossed the paved walkway and entered the primate center. No animal that day seemed to express the story so noticeably or poignantly than the white-cheeked gibbon. I knew this is where I would find my shot.
I watched the male gibbon for several minutes without picking up my camera and took note of his environment and behavior. I noticed whether the gibbon made eye contact with me and how he moved around the space. Then I circled the enclosure while thinking about how I’d like to compose the shot. What elements will help drive home my message and how I should represent the being inside?
I decided to include the metal bars of the enclosure as a frame for my subject since that’s exactly what they are. I also wanted to include both man-made and natural elements to provide context and juxtaposition. Focusing on the gibbon’s body language would illustrate both how similar our bodies are and how misplaced his own seems in contrast to the surrounding concrete and metal.
At one point, the gibbon stood up from where he sat and walked towards the interior door. With his back to me, he dangled from the door by its hinges and swayed back in forth in the characteristic way of under-stimulated animals. This was it. I raised my camera and snapped the shot. But I felt guilty as I turned and left him, embarrassed that I could just walk away while he stayed there, hanging and swaying.
Nature photographers don’t typically strive to capture disturbing situations. We want to show how beautiful the natural world is, in its raw form, and how we are all connected. But that is only half the story. If we never represent the other side of reality, we can become passive and complacent. I wanted to capture the other side of reality during my zoo visit. Because all animals are part of nature and zoos are not filled with happy carefree animals. They are filled with captives.
Haley R. Pope is a zoologist and conservationist with a passion for photography and writing. She uses those mediums to explore wildlife conservation topics and share biological knowledge in a visual story-like format to inspire awe of our planet’s inherent beauty and encourage the responsible treatment of nature. As the president and owner of TerraLens Photography LLC, she offers freelance photography, writing, and photo archiving services to other companies.
Haley is also a trip leader for Habitat for Humanity’s Global Village program, which operates in more than 40 countries and builds houses for those in need. In the future, she’d like to lead ecological and photography focused trips. Connect with her below!
Sebastian Kennerknecht photographing on coast, Skomer Island National Nature Reserve, Skomer Island, Pembrokeshire, Wales, United Kingdom
Conservation photographer and iLCP Associate Fellow Sebastian Kennerknecht will receive NANPA’s 2019 Emerging Photographer Award at the 2019 Nature Photography Summit and Trade Show, February 21-23 in Las Vegas, NV. This award (formerly the NANPA Vision Award) is “given to an emerging photographer in “recognition of excellence and serves to encourage continuation of vision and inspiration to others in nature photography, conservation, and education.”
Among the criteria for this award are “a commitment to achieving a positive impact upon nature photography, and the conservation and protection of the natural world; plus the education of the general public about conservation and nature issues.” The awards committee noted that Kennerknecht is “emerging as an important wildlife photographer, especially in the area of wild cats, and species that have not been widely documented. His focus on ethical field practices and species conservation is a model that many other photographers should follow. His frequent and smart use of social media to share his imagery and message are constantly growing in popularity, ensuring that he is truly advocating for the power and need of high quality nature photography.”
Kennerknecht’s work in photographing and documenting wild cats, both well- and little-known species, and his work with scientists, conservationists and social media to educate the public, make him an ideal recipient for this award. We were fortunate to ask Sebastian a few questions in between his travels.