During this crucial time, we nature photographers who feel so at home wandering around the great outdoors seeking great images suddenly find ourselves uncharacteristically spending as much time as possible in our homes. While it is certainly necessary that we do this as a means of avoiding the scourge of the deadly Corona virus, it still feels a bit unnatural to most of us.
So let’s make the most of this unexpected downtime by honing our skills in the ever-evolving digital darkroom.
Once upon a time, a lot of photographers did very well with film photography. 35mm slides, the old reliable, did a more than adequate job for us and the great majority of book and magazine publishers. We sent out a couple of vinyl pages of 20 mounted 2×2” slides and usually scored a hit.
Then came the digital revolution. And make no mistake; this has been a true technological revolution. Kodak and Nikon may initially have been on the cutting edge of the seismic shift as it pertains to photography, but such subsequent changes as smartphones, social media and cloud computing are all facets of the very same upheaval.
Around 1990, a group of very bright people created Photoshop. Overcoming a few less robust competitors, Photoshop quickly became the standard for processing digitally captured and scanned images in the new world of the digital darkroom.
Adobe’s ancillary program Bridge was born soon after. After several years and great advances in the feature sets, depth and breadth of these software tools, some streamlining seemed to fit a market niche. Enter Lightroom.