NANPA Foundation Offers Online Portfolio Reviews

Ad for photo reviews

By Frank Gallagher, NANPA Blog Coordinator

Collecting Instagram likes and compliments from mom and aunt Betty might feel good, but probably won’t make you a better photographer. You can take a class or go on a workshop, but those can be expensive and you may not get much one-on-one time with an instructor. Instead, one of the best ways to learn where you are and how you can improve is to have a portfolio review. In a review, a professional photographer, editor, or agent examines a selection of your images and provides critique, feedback, and advice. Portfolio reviews are often expensive, though many photo conferences include portfolio reviews as options. You, however, can get one at a very reasonable cost, without the time, travel, and expenses of a conference through the NANPA Foundation.

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2017 NANPA Award Winners

We are pleased to formally announce the 2017 NANPA Award Winners. NANPA Awards fit two broad categories: recognition and service. The NANPA Awards Committee accepts nominations, selects and evaluates candidates for each award and makes recommendations to the NANPA Board of Directors. The 2017 NANPA Awards will be presented at the 2017 Nature Photography Summit in Jacksonville, FL, March 2-4. Continue reading

NANPA Volunteer: Cindy Miller Hopkins

Cindy Miller Hopkins is a full-time travel and wildlife photographer. Her images can be seen on the pages of hundreds of textbooks, travel brochures, calendars and other consumer products, as well as U.S. and international magazines. Her freelance, workshop and assignment career has taken her to seven continents and more than 140 countries. Cindy is a long-time member of the American Society of Picture Professionals and, currently, co-president of the NANPA Foundation Board. When she’s not traveling (which isn’t often) she lives in Colorado Springs, Colorado.

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© Cindy Miller Hopkins

What is your “day” job?
I’m a full- time stock and assignment photographer specializing in travel, nature and cultural imagery. An average year for me includes over 175 days of travel with about 60 percent assignment work and 40 percent freelance. I also teach photo workshops on small expedition-style cruise ships, and I’ve led a few photo tours for the NANPA Foundation. Continue reading