This 7-day workshop teaches you the skills necessary to pull off a project and get your work in front of publishers. An ideal workshop for anyone passionate about conservation issues, storytelling, and making a difference with your photography!
The focus for this workshop is sea otters! Beyond being an unbelievably cute subject subject to photograph, sea otters are also a keystone species in coastal ecology.
During this week-long workshop, you’ll meet with people who are involved in various ways with the story of sea otters. You’ll create a story angle, develop a shot list, build your skills in photographing wildlife, landscapes and portraits of human subjects to tell your story, refine your images into a polished portfolio, and learn how to create a well-crafted pitch for an editor.
In addition to working with our nonprofit partners, you’ll also spend a full day on the water photographing sea otters. No one wants to miss that!
Your instructors are professional photographers with over 25 years of combined experience in wildlife photography, photojournalism and working in the editorial and publishing fields. They will walk you through the steps of a conservation photojournalism project from concept to completion.
You’ll learn skills in working with a nonprofit partner, storyboarding, shooting, processing and editing your story, and developing a pitch for publication. You’ll also receive a printed portfolio of your top images from the week to take home.
The workshop is limited to just 6 participants, so you’ll have plenty of opportunity for one-on-one time with instructors.
Not all conservation photographs are taken for the same reasons and purposes. Your particular goal will determine what sort of approach you use for each shot.
Story and photos by Dave Huth
When people learn I’m a “conservation photographer,” they may form many different ideas about what my pictures look like.
No matter what they’re thinking, they’re probably right!
Photography can support the work of conservation in many different ways. Each makes good use of a certain kind of photograph. When I’m in the field, I try to keep in mind the particular ways my pictures might meet a conservation goal — and I set up my shots accordingly.
The Pew Bertarelli Ocean Legacy Project interviews NANPA member Cindy Miller Hopkins.
What’s so special about a photo of five penguins? You could get that at a local zoo. Certainly, during NANPA member and travel and photographer Cindy Miller Hopkin’s trip last year to the far reaches of the South Atlantic, she had plenty of photos of penguins. But one shot, from off the South Sandwich Islands, turned out to be unique.
As she was editing and captioning her shots, Cindy noticed that there were five different species of penguins in one frame. That seemed unusual and she brought it to the attention of an ornithologist on the tour who told her he’d never seen an image with five species in the same place, at the same time. Further research revealed that no one else had either.
Volunteers are the life blood of membership organizations. At NANPA and the NANPA Foundation, volunteers serve on committees, help plan conferences, present webinars, judge competitions and evaluate grant applications. Volunteers serve on the Board of Directors and play other key roles in keeping NANPA vibrant, relevant and growing.
This is the second of an occasional series of volunteer profiles, saluting those whose hard work, ideas, passion and commitment benefit NANPA and its members.
NANPA recently had the opportunity to ask NANPA volunteer John E. Marriott a few questions about his volunteer experiences.
Outstanding Photographer of the Year Florian Schulz.
The Outstanding Photographer of the Year Award goes to an individual who has demonstrated unquestioned skill and excellence as a nature photographer through his or her past work and who has produced extraordinary recent work of significance to the industry. That would be a pretty good description of the career of Florian Schulz, the 2019 Outstanding Photographer of the Year.
Schulz is a photographer, filmmaker, speaker and teacher, specializing in wildlife and conservation photojournalism. He is a Senior Founding Fellow of the International League of Conservation Photographers and serves on the iLCS board. He’s been published in publications like National Geographic magazine and is an in-demand speaker.
“Still round the corner there may wait
A new road or a secret gate,
And though we pass them by today,
Tomorrow we may come this way
And take the hidden paths that run
Towards the Moon or to the Sun.”
– J.R.R. Tolkien The Fellowship of the Ring
When we think of outstanding sites for nature photography, most of us tend to think of places like Tanzania, the Pantanal, Costa Rica…you know, places that cost a fortune to visit. And these locations do indeed have wonderful photo opportunities, but some of the best images are captured by people who never wander far from home. Yes, there are wild things right in our neighborhoods, hiding secrets that are just begging to be photographed. Keep in mind my livelihood is dependent upon photographers traveling to distant destinations, but I feel it’s important not to lose sight of the fact that there is beauty everywhere. Even without money to travel, there are photographable worlds available to you.
2019 NANPA Lifetime Achievement Award winner John Shaw
Professional nature photographer John Shaw was the recipient of NANPA’s first Outstanding Photographer Award in 1997. This year, he’s being honored with NANPA’s Lifetime Achievement Award and will also become a NANPA Fellow. Registered for the 2019 NANPA Nature Photography Summit? You can see John Shaw interviewed by Kathy Adams Smith on Saturday, February 23, at 10:30 AM.
He’s written seven books and ten ebooks and his work has been featured in numerous books and magazines. He’s photographed on every continent and has been recognized by Nikon as a Legend Behind the Lens, as an Icon of Imaging by Microsoft and, since 2001, has been part of Epson’s Stylus Pro fine art print makers group. Last month we had the opportunity to ask him a few questions.
It’s holiday time! That special season when we wish for Christmas miracles, Hanukah miracles, Saturnalia miracles…basically we’re looking for miracles. Grant us another year of health, livelihood, friends, family, and as nature photographers, the continued existence of the things we like to take pictures of. Grant us another year of not just rattlesnakes on dirt roads, but an abundance of wildlife of all kinds, as well as scenic vistas with a capital S and a capital V. We’re talking landscapes like those that greeted the first humans. That’s all we want.
Sebastian Kennerknecht photographing on coast, Skomer Island National Nature Reserve, Skomer Island, Pembrokeshire, Wales, United Kingdom
Conservation photographer and iLCP Associate Fellow Sebastian Kennerknecht will receive NANPA’s 2019 Emerging Photographer Award at the 2019 Nature Photography Summit and Trade Show, February 21-23 in Las Vegas, NV. This award (formerly the NANPA Vision Award) is “given to an emerging photographer in “recognition of excellence and serves to encourage continuation of vision and inspiration to others in nature photography, conservation, and education.”
Among the criteria for this award are “a commitment to achieving a positive impact upon nature photography, and the conservation and protection of the natural world; plus the education of the general public about conservation and nature issues.” The awards committee noted that Kennerknecht is “emerging as an important wildlife photographer, especially in the area of wild cats, and species that have not been widely documented. His focus on ethical field practices and species conservation is a model that many other photographers should follow. His frequent and smart use of social media to share his imagery and message are constantly growing in popularity, ensuring that he is truly advocating for the power and need of high quality nature photography.”
Kennerknecht’s work in photographing and documenting wild cats, both well- and little-known species, and his work with scientists, conservationists and social media to educate the public, make him an ideal recipient for this award. We were fortunate to ask Sebastian a few questions in between his travels.
Screen shot of The Times (UK) article about a film crew intervening in nature.
If you saw an animal in the wild that appeared to be in distress, would you try to help? Would you report it to the authorities? Would you leave it alone, since it’s just nature being nature? As nature photographers, we are interested in conservation and generally love the animals we photograph. Is it our responsibility to let nature take its course, even if an animal dies? Is it our responsibility to save the animal? Or, does it depend on the specific situation?