Crowds of tourists and photographers start to gather by Delicate Arch hours before sunset.
Story & photo by Frank Gallagher
Where do you draw the line between access and preservation? At what point does introducing a larger number of visitors to the wonders of nature start to endanger that very nature? It’s a tough call and one that land owners, government agencies and photographers are facing every day.
This is my last blog as NANPA president, the end of a year of maundering over the past, present and future of nature photography. It turns out my fear that the organization would suffer under my leadership, or lack thereof, was unfounded, just as many of my fears are. Not only is NANPA doing well, but its membership has reached a new high point. It’s tempting for me to take credit for our success, but the truth is I’m riding on the coattails of an incredible herd/school/pride/pod of talented and hard-working staff and volunteers. Without them I would have been president of nothing, and I’m extremely grateful for my addiction to nature photography if for no other reason than it introduced me to these wonderful people who have guided and supported me.
Cathy and I just returned from our last photo tour, a week of pointing lenses at colorful birds and ancient reptiles in some of Florida’s remaining wetlands. Just about every location we visited was outstanding, so crammed with photographic possibilities it was sometimes difficult to choose which subject to put in the viewfinder. A viewer, judging from the images we came home with, would assume all is right with this sub-tropical environment. What the photos don’t show is that each wonderful site was separated from the others by a couple of hours of driving on some very busy roads. It’s perfectly true that there are still some great venues for those who enjoy photographing wild things and the places they live, but these venues are becoming more and more isolated, islands of biodiversity in a growing sea of concrete, asphalt and golf courses.
As a nature photographer I feel very fortunate to own forestland. I regularly visit one of our properties on the border of the Renous River in Northern New Brunswick, about 35 minutes from where I live. This is quite a wild area, dominated by forest with few people.
There are many nature photo opportunities here, including several species of mammals such as Moose, White-tailed Deer, Coyotes, Black Bear, Red Fox, Weasel, and Bobcat, just to name a few. However, because they often avoid humans, it’s a challenge to get good photos of some of these species.
My small trailcam has allowed me to capture some photos and see what is around, but the quality of the photos is not great, especially when compared to a high-resolution DSLR. That’s when I got the idea of building a DSLR camera trap based on discussions with colleagues and a bit of research.
Mormon Row Pano: Tamron SP24-70mm G2 – 6 images at 52mm, 1/60 sec, f/16 @ ISO 400
Editors Note: Membership organizations like NANPA are able to keep the costs of membership and conference registration low and to develop new resources thanks to the support of companies like Tamron, a key sponsor of NANPA’s 2019 Nature Photography Summit in Las Vegas and long-time NANPA supporter. In addition to its full lineup of lenses and accessories, Tamron also regularly publishes informative articles (like the one below), “how to” tips and other useful information on its website and e-newsletters, and supports a number of photo contests.
Story & photos by Ken Hubbard
Encompassing about 310,000 acres in northwest Wyoming, Grand Teton National Park includes most of the area of Jackson Hole and the Teton Mountain Range. The mountain range got its name from French trappers in the early 19th century, calling them Les Trois tetons. Preservation of the area started in the late 19th century, culminating in the designation of National Park in 1929. The park was named for the tallest peak in the range, Grand Teton, which rises to an elevation of 13,775 feet. With Yellowstone National Park to the north and the John D. Rockefeller Parkway connecting the two, this area is one of the largest mid-latitude temperate ecosystems in the world. Today, Grand Teton National Park, Jackson Hole and the surrounding areas are a playground for outdoor enthusiasts, from skiing to photography.
Stories of hordes of Instagrammers descending on the super bloom attracted world-wide attention, including The Guardian from the UK. (Screen grab.)
California is in the midst of a wildflower super bloom and, along with vast fields of poppies come unruly hordes of people. The small town of Lake Elsinore was overwhelmed by “Disneyland size crowds” of up to 50,000 tourists last weekend, resulting in traffic jams, accidents and unruly behavior. “#poppynightmare” as one town official put it. This kind of chaos risks placing these locations off limits to everyone, including photographers.
George Lepp reflecting on his career in a keynote at the 2019 Nature Photography Summit.
Last month’s Nature Photography Summit is over. Images from the trip have been processed. Gear and clothes have been cleaned and suitcases put away. Fortunately, there’s always something exciting we can look forward to. So, what’s next on NANPA’s hit parade?
At the Summit, NANPA announced that the next Nature Photography Celebration will be in Asheville, NC, April 19 – 22, 2020. The previous Celebration, in Jackson, WY, in 2018, featured location shoots, workshops, informative presentations, gear demonstrations and much more. Circle the dates on your calendar. More information will be coming.
NANPA celebrates Nature Photography Day on June 15th with a variety of events, from a photo contest to local workshops. This annual event encourages people to explore with a camera the natural world around them, whether that’s their own backyard, a local stream or a national park. Nature Photography Day promotes the enjoyment of nature photography and shows a wider public all over the world how images can be used to advance the conservation and protection of plants, wildlife and landscapes close to home and far away. Stay tuned for more information.
This year’s Showcase Competition kicks off August 1st. Exclusively for NANPA members, Showcase is your opportunity to win prizes, get your photos featured on NANPA’s website, blog and printed in Expressions, NANPA’s annual publication. You can see the top 250 images from last year’s competition, browse back issues of Expressions, or order your copy of this year’s Expressions. Get inspired and get out there shooting!
Throughout the year, NANPA offers several Regional Events, two- to four-day field tours led by outstanding photographers with intimate knowledge of the area and photographic opportunities. Attendance is limited. The June astrophotography in Arches National Park workshop is already sold out but you can still register for October’s workshop in Michigan’s Upper Peninsula.
NANPA also hosts a webinar series, open to members. The next webinar, VisionQuest Photography presented by Shane McDermott, will be on March 29th. Registration is free. You can also visit the webinar archives and view past recordings that cover a wide array of subjects. Have a nature photography topic you’re passionate about? Maybe you should contact us to present a future webinar!
NANPA’s Ethics Committee recently released guide to Ethical Field Practices. You can download a pdf of the guidelines or request cards pre-printed with the guidelines. In addition to helping us ensure we follow the best ethical practices, these documents make great handouts for camera clubs, Meetup groups and at other opportunities to spread the word about ethical nature photography. NANPA also has statements on Access to Public Lands and Truth in Captioning.
NANPA’s Conservation Committee has been busy, too. They recently launched the NANPA Citizen Science initiative, a database of science and conservation projects that welcome and can use the help of a nature photographer. Check it out. You, too, could be a citizen scientist! Know of a local citizen science project? Let us know so we can add it to the database. Coming soon is a Conservation Handbook.
NANPA sponsors a number of Meetup groups which bring people in the same area together to photograph nature. Check for one in your area and follow NANPA on the social media platforms of your choice.
As you can see, there’s always a lot going on at NANPA, and we haven’t even scratched the surface of NANPA’s member benefits. Are you taking advantage of all NANPA has to offer? One way to be sure is to check the New Member Resource Center, for an up-to-date listing of all the benefits and opportunities that come with your NANPA membership.
Joel Sartore receives NANPA’s Lifetime Achievement Award from NANPA President Gordon Illg at the 2019 Nature Photography Summit. Photo by Frank Gallagher.
If you attended NANPA’s 2019 Nature Photography Summit and Trade Show in Las Vegas, you had the pleasure of seeing Joel Sartore receive NANPA’s Lifetime Achievement Award and deliver an informative, amusing, inspiring presentation about his life, family and his long-term project, the National Geographic Photo Ark. The Photo Ark seeks to document more than 12,000 species of mammals, insects, birds, reptiles, amphibians and fish. With more than half of all species on the path towards extinction during this century, the project could not be timelier. After the Summit, we had a chance to ask Sartore a few questions.
For several years now we’ve been hearing about problems with bees. Mass die offs. Colony collapse disorder. Potential shortages of hives for commercial pollination. In 2013, after hearing about the troubles bees were having, Clay Bolt started photographing bees around his South Carolina home. After posting photos of two tiny bees online, and finding people (even entomologists) couldn’t identify them, a new project was born, which led to Clay Bolt receiving this year’s Environmental Impact Award.
Not all conservation photographs are taken for the same reasons and purposes. Your particular goal will determine what sort of approach you use for each shot.
Story and photos by Dave Huth
When people learn I’m a “conservation photographer,” they may form many different ideas about what my pictures look like.
No matter what they’re thinking, they’re probably right!
Photography can support the work of conservation in many different ways. Each makes good use of a certain kind of photograph. When I’m in the field, I try to keep in mind the particular ways my pictures might meet a conservation goal — and I set up my shots accordingly.