Lily-flowered tulips beginning to “show their age”
Story & photos by F. M. Kearney
Timing is everything. As nature photographers, we’re constantly trying to schedule our shoots during times when our subjects will be seen at their best. For landscapes, this is generally during the “Magic Hours” of the day – the hour just before sunrise or after sunset. Flowers can benefit from the warm light at this time of day as well, but more important than that is catching them at the peak period in their blooming cycle. It’s an absolute obsession for some photographers. A field of tulips in pristine condition is truly breathtaking. The photo below is one such example.
Small waterfall in a creek in Olympic National Park.
Story & photos by John Pedersen
Sometimes we just have to make lemonade from lemons. We don’t control the weather, the sun or clouds, or even the subjects we like to shoot. There are those occasional days when we show up on location and the variables beyond our control just don’t seem to want to cooperate. So, what do we do? Turn around and go home and wait for better conditions? No! We stay, adjust our expectations and dig into our bag of photographic skills to make the best of the situation, making the best lemonade we can from the lemons that are given to us.
Riley was an undergraduate student majoring in digital media and photography at Eastern Mennonite University when he applied for the 2019 NANPA College Scholarship Program. “I had an interest in creating videos all through elementary, middle, and high school and knew quickly that I wanted to pursue a career that involved using a camera,” he says. But the first time he picked up a DSLR camera wasn’t until college, during which he went to Guatemala and Colombia. “This challenged me in what I could do with my photography. I found an immense amount of enjoyment experimenting and finding creative ways of telling the story I wanted to tell.”
Shirley Nuhn, the Godmother of Nature Photography Day.
On June 15th, photographers the world over will mark Nature Photography Day with photo walks, camera club outings, photography exhibitions, competitions and a host of other activities. This will bring attention to the enjoyment of nature photography and its role in conservation and protecting our natural world.
But how did that occasion start? Whose idea was it? And what’s this about a godmother?
NANPA’s year-long 25th birthday celebrations kicked off at the Nature Photography Summit.
The world has changed a lot in the twenty-five years since NANPA was formed. Back in 1994, the first commercially-successful web browser, Netscape Navigator, was released. “Jerry’s Guide to the World Wide Web” was renamed Yahoo. Google was four years away and Facebook wouldn’t launch until 2004. If you had internet access, it was probably dial-up at 56kbps through Compuserv or AOL. Photoshop 3.0 had just come out and introduced layers. Microsoft Windows was new but your Pentium computer probably ran MS-DOS and had 4 MB RAM. Mobile phones didn’t have cameras and certainly weren’t smart.
I am a fourth-year undergraduate at Ryerson University in Toronto, majoring in media production. Since getting my first camera at about age nine, I’ve seldom been without one. I spent much of my early years chasing everything from butterflies to squirrels; determined to capture the perfect shot. In high school my life changed forever when I watched the documentary, Sharkwater. It opened my eyes to the plethora of environmental issues facing our planet and I was terrified – but also inspired. In that moment, I realized that media could be used as a catalyst for positive change and I knew that there was nothing else I wanted to dedicate my life to doing
This past year I directed, shot, and am now in the process of editing my first documentary, Saving Barrie’s Lake, about the loss of wetland ecosystems in southern Ontario. These experiences shaped me into who I am today – an artist, environmentalist, and self-proclaimed adventurer – and I can genuinely not wait to see what opportunities the future has in store.
Cherry Esplanade, “Kwanzan” Prunus Serrulata, Brooklyn Botanic Garden, Brooklyn, NY
Story & photos by F. M. Kearney
To celebrate the nations’ growing friendship, Japan gifted the United States with a little over 3,000 cherry blossom trees in 1912. Considered the national flower of Japan, these trees were planted in New York City and Washington, DC. Since then, thousands of other trees have been planted in several other cities – delighting millions of admirers in annual Cherry Blossom Festivals across the country.
The enormous continent to our south has a mind boggling array of natural and cultural beauty. Here we can marvel at the wonders of the rugged Andes Mountains, wild Patagonia, towering Iguaçu Falls, the sprawling Amazon basin and several historic Spanish colonial cities spread throughout many nations.
Easily overlooked among the behemoth nations of South America is tiny Uruguay. That is precisely the point. Throughout its two century history since achieving independence from Spain, this small country has perfected the art of hiding in plain sight. Sandwiched between mighty Spanish Argentina and even mightier Portuguese Brazil, little Uruguay, smaller than Missouri, has perfected the art of staying out of the way.
The bustling capital, Montevideo, with a metro population of almost two million, boasts the majority of the country’s three and a half million total souls. This leaves plenty of room for open spaces out in the countryside.
Often overlooked as a tourist destination, today’s Uruguay is still a land of ranches and gauchos, very similar to the pampas of neighboring Argentina, authentic seventeenth century Spanish towns, crashing ocean surf and quaint seaside villages.
Your exploration of Uruguay might well include these highlights:
Uruguay’s imposing capitol showcases a classic symmetrical design.
This modern capital is a really appealing city with some charming architecture. Don’t miss the soft sand beach on the Rio de la Plata, the very imposing Capitol building and the lovely old (vieja) town.
Fine wine ages in huge 100 year old oaken casks in a cool wine cellar.
Uruguayans do love their wines. The country is liberally sprinkled with numerous picturesque vineyards and wineries. Many offer tours and tastings. This can be a fun way to spend a couple of hours on a sunny afternoon when the light is too strong for landscape photography. Keep your eyes open for signs as you drive.
The small fishing fleet of Punta del Este exudes a very laidback attitude for a commercial operation.
Punta del Este
A great little resort town. Poised right on the corner of the Rio de la Plata and Atlantic Ocean, beaches wrap around Punta del Este. Strolling the charming streets, you’ll want to take in the lighthouse, the harbor with its little fishing fleet and sociable harbor seals and the shoreline itself.
Rocha is just one of many lovely protected natural preserves throughout Uruguay.
One of many natural preserves, Laguna Rocha is a tract with a calming, laid back feel and lots of subtle beauty.
Once out in the countryside, ranches and mounted gauchos (paisanos) are common sights.
As the name of both a department (province) and its largest town, Florida is largely a rural area featuring ranches, cattle and horses. With patience you should be able to locate some gauchos (often called ‘paisanos’) working with the livestock. These colorful cowboys on their small and hardy criollo horses make great subjects.
The charming cobblestone streets of the historic neighborhood of Colonia del Sacramento hark back to the days of Spanish colonialism.
Colonia del Sacramento
The historic 17th century colonial Spanish village portion of Colonia is one of my very favorite spots in all of South America. Reminiscent of Colonial Williamsburg, VA, these authentic buildings have been lovingly restored and maintained. Even the cobblestones that now pave the streets arrived here as ballast in the holds of Spanish galleons. Walking this compact neighborhood very early in the morning should allow you to capture the charm and romance without hordes of tourists.
Typical example of the historic buildings found all over the well preserved area of Colonia el Sacramento.
Flights to Montevideo’s international airport are available from several US gateways including Miami and Dallas.
Once in country, you will find a wide variety of accommodations. The cities offer modern hotels ranging from about two to five stars with three often being quite adequate. A buffet breakfast is almost always included.
Out in the countryside staying on a ranch (estancia) is an excellent way to quickly become immersed in the ambiance of the culture. It’s an ideal choice for equestrians!
Uruguayan roads are pretty good so renting a standard passenger car will prove adequate. To reach some of the roadless seaside villages, just hop on one of the shuttle-trucks that make the short run through the sand surrounding these little hamlets.
With its relatively long coastlines, the need for such lighthouses to protect navigation emerged early on.
Note: While it is possible to get along without speaking Spanish, Uruguayans probably speak less English than residents of most other South American countries. Even in Montevideo, the last ATMs that I saw had no option for English instructions. A pocket dictionary or phrase book can be very helpful.
Jerry Ginsberg is a widely published photographer whose landscape, Nature and travel images have graced the covers pages of hundreds of books, magazines and travel catalogs. He is the only person to have photographed each and every one of America’s National Parks with medium format cameras. (Newly created Indiana Dunes N.P. coming soon!) Jerry has been awarded Artist Residencies in several National Parks. This October, he will be in residence in Shenandoah National Park in VA. His works have been exhibited from coast to coast and have received numerous awards in competition. Jerry’s photographic archive spans virtually all of both North and South America.
As a nature photographer I feel very fortunate to own forestland. I regularly visit one of our properties on the border of the Renous River in Northern New Brunswick, about 35 minutes from where I live. This is quite a wild area, dominated by forest with few people.
There are many nature photo opportunities here, including several species of mammals such as Moose, White-tailed Deer, Coyotes, Black Bear, Red Fox, Weasel, and Bobcat, just to name a few. However, because they often avoid humans, it’s a challenge to get good photos of some of these species.
My small trailcam has allowed me to capture some photos and see what is around, but the quality of the photos is not great, especially when compared to a high-resolution DSLR. That’s when I got the idea of building a DSLR camera trap based on discussions with colleagues and a bit of research.
From the Editor: An increasing number of photographers are also printing their images in books. While we might know a lot about printing our images, most of us aren’t going to know much about what considerations go into printing books. Friesens, a sponsor of NANPA’s 2019 Nature Photography Summit, is Canada’s largest printer of hardcover books. Founded in 1907, Friesens is an employee-owned company that also operates Friesens Press, a self-publishing subsidiary. In this article, Friesens give us a primer on paper choices and high-fidelity art books. Their website and blog contain a lot more information.
We continue to see a growing number of high-fidelity art books, photography books, cookbooks, etc., on uncoated papers. While every job is treated with the same care, expertise, and attention to detail, we do know that certain markets/projects and customers have different needs and expectations.
In general, the term “high-fidelity” colour describes a variety of techniques used to make printed pieces look better. If you are willing to spend extra money on special papers and print techniques, we know that your needs, expectations, and requirements are more than just having colour ink on paper.