Flip Nicklin is one of the featured keynote speakers at the 2015 NANPA Summit taking place in San Diego, California from February 19th – 22nd. Flip will also lead of one of the Pre-Summit Boot Camp sessions. To learn more about the Summit and to register for this exciting and inspirational event, please visit www.naturephotographysummit.com. Early bird registration ends on October 31st!
Forty feet below me she hovers quietly. She’s 45 feet long and 80,000 pounds, and her bulk hides her 15-foot-long calf. The calf makes his way out from under her chin to take a few breaths at the surface. On his way back to his mother, the young humpback spots me near the research boat and gives me a good look. After 35 years of photographing cetaceans professionally, situations like this still bring a smile to my face.
The lives of whales aren’t always serene, though. Only a few days after I spot the mother with her calf, our research team finds a dozen male humpbacks fighting over a female. The battle is brutal; many of the whales have open bloody scrapes on the tops of their bodies. Despite whales’ occasional reputation as “gentle giants,” I would never use the word “gentle” to describe these violent, occasionally fatal encounters in the winter breeding grounds off the coast of Hawaii. Continue reading →
I thought I knew all there was to know about strip mining, since I grew up in coal country in a mining family and even spent some time selling truck parts to the mining industry early in my career. Then in 2009, I was invited by members of Kentuckians for the Commonwealth and St. Vincent’s Mission to go on a tour of a mountaintop removal (MTR) site in Floyd County, Kentucky, with a group of students from Berea College. I was not prepared for what I saw that morning.
Yes, it was a strip mine. But it was a strip mine on steroids. It went on for miles. At the end of the tour, I was asked by Sister Kathleen Weigand from St Vincent’s Mission if I would consider doing a book on MTR, and I immediately said yes.
New River 1
Approximately 500 mountains and more than 2,000 miles of streams already had been destroyed by MTR throughout the southern Appalachians. My research revealed that MTR was not an isolated problem in Kentucky. It had affected all of coal country. Furthermore, legislation passed to accommodate the coal industry had the potential to affect water quality across the United States, making MTR a national problem.
A number of scientific papers were published in 2009 on the impact MTR was having on the waters of Appalachia and public health. President Obama had just taken office, and I expected that the EPA would finally be allowed to do its job and put an end to this mining practice. I was wrong, and six years later, MTR is still going strong.
Since the purpose of my project was to raise awareness and educate the public about MTR, I decided that a book—added to several books and powerful documentaries I knew were already in production—might not be the best way for me to get the story out. I decided to take my project in a slightly different direction: a fine art exhibit that would focus on the beauty of the region and what could be lost.
I reasoned that a traveling art exhibit could reach a different and broader audience and have a better chance to be viewed—not only by those against MTR, but also by those supportive of the mining industry. I partnered with Appalachian Voices and The New River Conservancy, two organizations working to protect the region, and with SouthWings—an NGO (nongovernmental organization) located in Asheville, North Carolina, which provided my flights. Funding for the exhibit came from grants provided by Art for Conservation and The Blessings Project Foundation.
Joseph’s and my collaboration continues, and he has agreed to write poems about more of the prints in the exhibit. We are currently working on exhibit scheduling for 2015-2016. Oh, and remember the book that got the project going? We’re revisiting that idea as well.
Carl Galie is a North Carolina photographer who has worked on conservation issues for the past 19 years. Carl was awarded the first Art for Conservation Grant in August 2010 for his project “Lost on the Road to Oblivion, The Vanishing Beauty of Coal Country.” In March 2014, Carl received Wild South’s Roosevelt-Ashe conservation award for journalism for his work documenting mountaintop removal of coal in the Appalachians.
“There are no rules for Technique, only solutions. Today’s Darkrooms may soon be replaced with electronic consoles. Yet after thirty years, Steiglitz’s advice to me remains constant: ‘The only thing that matters is the finished photograph.’ “
Arnold Newman, 1965
As a teacher of photography, I often quote Arnold Newman because he is speaking about the essence of creating a meaningful photograph.
My background is in the traditional, large-format, black and white school of photography of Edward Weston in the 1920s, and later of Ansel Adams. I worked with a camera similar to that used by Weston and Adams, an 8”x10” view camera, so called so because the film was 8×10 inches. My camera, ten film holders, and tripod together weighed 40 pounds. Cumbersome equipment, but that was just the way it was if you wanted to make high quality images. Back in the 60’s and 70’s it was called fine art photography.
Many years have passed but the basic principals are the same. In the dark room we could crop the image, increase or decrease exposure, increase or decrease contrast, burn and dodge areas to lighten or darken those areas selectively. We can do all this and more now with more ease than ever before. Continue reading →
The 2015 NANPA Summit is shaping up to be a great event.
A star-studded group of keynote speakers include
and Dewitt Jones
The breakout speakers vary from familiar names as well as new and emerging talent and plenty of viewpoints.
serious, hard-core Lightroom techniques
preparing work for fine art exhibits (including a look at the “before and after”)
how-to topics galore, such as landscape, birds and multimedia
plus conservation topics and personal projects.
The pre-Summit Boot Camp will be back and filled with how-to and inspiration. For the working professionals, a Pro Day on Sunday will be packed with meaty business topics and discussion. The tradeshow gives a chance to visit vendors offering products, tours and services. More details are being worked out. But for now, put February 19-22, 2015 on your calendar. The 2015 NANPA Summit is an event not to be missed.
With the professional bird photographers hot on my trail, I’m going to reveal, right now, the top secrets of bird photography. I’m ready to sacrifice myself for the betterment of every one of you who want to photograph birds. All are welcome, but if anyone asks, I had nothing to do with this.
Jim Clark, uh, I mean Ansel Wolfe Lepp.
P.S. You never heard this from me.
From Alaska to North Carolina, Mexico to South Africa, and everywhere in between, government leaders, indigenous peoples, scientists, oceanographers, writers, artists, and youth convened together in Salamanca, Spain for the 10th World Wilderness Congress (WILD10). The conference was held from the 4th – 10th of October and I was lucky enough to attend.
Launched by The Wild Foundation in 1977, the World Wilderness Congress is the world’s longest-running, international public conservation program and forum. Conservationists and environmentalists from around the world come together every four years to educate, train, network and share ideas on how to create a wilder world.
During the last week of May of this year, an interesting question from NANPA appeared on my Facebook timeline asking, “Is anyone interested in a local NANPA Nature Photography Group?” to which I replied as quickly as I could, “Yes, in East Central Florida!” A few hours later, I was asked if I would like to be a NANPA Meetup Organizer for my area. It took me all of three seconds to say yes. Thus, on June 10, 2013, the second NANPA Nature Photography Group was launched here in East Central Florida (aka, The Space Coast).
Over the past year and a half, I experienced two long drives home from NANPA gatherings, first from the Great Smoky Mountains Regional Event and then again from the 2013 NANPA Summit. During both of those drives, the same thought played out in my mind: “Now what?”. It seemed that I would have to wait until NANPA offered another opportunity somewhere across the vast USA to gather and shoot with other NANPA members again. I didn’t know any NANPA Members near my home, or how to easily get in touch with members in my area. The NANPA Meetup Group Program solved this problem. And, the program also presents the valuable opportunity to introduce non-members to NANPA.
Organizing and hosting our nature photography group has been both easy and richly rewarding. Since June, we’ve held seven outings in differing settings and environments, focusing on close-up, landscape, flower, wildlife, and conservation photography. Attending members are enthusiastic and eagerly RSVP yes for upcoming Meetups. And, since our start in June, two of our regular attendees have become new NANPA members. That is really exciting!
Two outings that I particularly enjoyed include a trip to the Pelican Island National Wildlife Refuge, America’s first wildlife refuge established in 1903 by President Theodore Roosevelt, and a trip into a section of the Florida Wildlife Corridor. Of all of our outings, I most enjoyed leading folks into this special, historic corridor. There, we explored the ranchlands, sod farms, lakes and wildlife management areas that immediately adjoin the eastern boundaries of the Florida Wildlife Corridor. Members were introduced to conservation photography, while recognizing and celebrating Florida’s ranchers and sod farmers who are helping to preserve vestiges of wild Florida environments.
A few closing thoughts:
– If you plan to visit central Florida and you’d enjoy participating in one of our outings, please contact me at email@example.com. I’d be pleased to include you as my guest. You can check out the group website here.
– If you have a passion for nature photography, a passion for NANPA, and an interest in connecting with other members (and non-members) in your area, I urge you to become a local NANPA Nature Photography Meetup Group Organizer. You can email me at firstname.lastname@example.org to learn more!
Meetup members at Pelican Island National Wildlife Refuge.
Bio Blitzes appeal to citizen scientists of all ages
Story and Photographs by Kevin Fitz Patrick
I remember coming to my first NANPA Summit in Corpus Christi and being overwhelmed by the Art Wolfes and the Robert Ketchums. Although I had been a nature photographer for more than 25 years, I had been working in a small part of the Appalachians most of the time. I had not been to Africa or South America. I hadn’t even been outside North Carolina, so how could I say I was a real nature photographer? Then I met Susan and Richard Day, nature photographers from Illinois who, at the time, shot mostly on a 63-acre property. It was then I realized that it was not about how much of the world you covered but how much you loved the place you photographed. I remember Susan telling me that it was about your niche. Finally, as I start my 70th year—my 46th as a photographer—I can name my niche!
I am a conservation and Bio Blitz photographer. The All Taxa Biodiversity Inventory (ATBI) is an attempt to document and identify all biological species living in a defined area. The effort in the Smokies has become the prototype for species inventories worldwide and has inspired the Bio Blitz; 24-hour species inventories conducted by professional scientists in collaboration with public volunteers. The volunteers can include school children, their instructors, families and even their grandparents. Continue reading →