2019 NANPA Lifetime Achievement Award winner John Shaw
Professional nature photographer John Shaw was the recipient of NANPA’s first Outstanding Photographer Award in 1997. This year, he’s being honored with NANPA’s Lifetime Achievement Award and will also become a NANPA Fellow. Registered for the 2019 NANPA Nature Photography Summit? You can see John Shaw interviewed by Kathy Adams Smith on Saturday, February 23, at 10:30 AM.
He’s written seven books and ten ebooks and his work has been featured in numerous books and magazines. He’s photographed on every continent and has been recognized by Nikon as a Legend Behind the Lens, as an Icon of Imaging by Microsoft and, since 2001, has been part of Epson’s Stylus Pro fine art print makers group. Last month we had the opportunity to ask him a few questions.
Danae Wolfe shows how you can do “Macro on a Budget” in an upcoming NANPA webinar.
Have you made your resolutions for 2019? What will you be doing to grow as a photographer and improve the quality of your work?
We all can find ourselves in a rut. Maybe you’re shooting the same subjects, in the same way, at the same places. Maybe your inspiration or creativity feels tapped out. Maybe you’ve hit a plateau and your photography isn’t improving like it used to.
January is a purely arbitrary time to reassess your photography, but it’s something we should all do every so often. So, why not a set of New Year’s resolutions?
Sebastian Kennerknecht photographing on coast, Skomer Island National Nature Reserve, Skomer Island, Pembrokeshire, Wales, United Kingdom
Conservation photographer and iLCP Associate Fellow Sebastian Kennerknecht will receive NANPA’s 2019 Emerging Photographer Award at the 2019 Nature Photography Summit and Trade Show, February 21-23 in Las Vegas, NV. This award (formerly the NANPA Vision Award) is “given to an emerging photographer in “recognition of excellence and serves to encourage continuation of vision and inspiration to others in nature photography, conservation, and education.”
Among the criteria for this award are “a commitment to achieving a positive impact upon nature photography, and the conservation and protection of the natural world; plus the education of the general public about conservation and nature issues.” The awards committee noted that Kennerknecht is “emerging as an important wildlife photographer, especially in the area of wild cats, and species that have not been widely documented. His focus on ethical field practices and species conservation is a model that many other photographers should follow. His frequent and smart use of social media to share his imagery and message are constantly growing in popularity, ensuring that he is truly advocating for the power and need of high quality nature photography.”
Kennerknecht’s work in photographing and documenting wild cats, both well- and little-known species, and his work with scientists, conservationists and social media to educate the public, make him an ideal recipient for this award. We were fortunate to ask Sebastian a few questions in between his travels.
In a November 2018 post, we asked if photographers should stop sharing location information. Popular spots are being overrun with Instagrammers, seeking to duplicate iconic images. The landscape is being damaged, vegetation trampled, trash and human waste left behind and people are risking life and limb for the next epic selfie.
It’s been a topic of conversation across the nature photography community. Now, the Jackson Hole Travel and Tourism Board has entered the debate with a campaign they’re calling “Tag Responsibly. Keep Jackson Hole Wild.”
Along with a video (above), the Jackson Hole Travel and Tourism Board released posters and shareable social media graphics aimed at getting photographers of all levels to refrain from posting specific location information with their photos. This story even made the New York Times.
Anyone who’s been to Jackson Hole and tried to photograph Schwabacher Landing, Moulton Barn, or Oxbow Bend can attest to the fact that these locations are getting too much traffic. It’s easy to find the popular photo spots: there are long stretches of hard-packed bare earth, tamped down by thousands of feet and tripods. On any given sunrise, a photographer might have to deal with several photo tours and random cell-phone-toting tourists walking into their shots, parking in fields and leaving litter behind.
The new campaign urges people to “Post the photo. Trash the tag.” It’s not like Moulton Barn is hard to find, and there’s a big sign for Schwabacher Landing right on the highway but, when the very businesses that depend on tourism start getting behind a movement like this, they have the potential to change the conversation. As one of the Travel and Tourism Board posters asks, “How many likes is a patch of dead wildflowers worth?”
In my many columns for NANPA, I have never repeated a particular location. Until now. As a result of events described below, it seems fitting to add a new insight on a familiar location.
Being a National Park Artist in Residence
Last year, I had the privilege of being chosen by Badlands National Park in South Dakota as their Artist in Residence for the fall season. Many units of the National Park Service offer these opportunities, which appear on https://www.nps.gov/subjects/arts/air.htm. In addition to National Parks, many other units (National Monuments, Scenic Trails, Historical Parks, Battlefields and more) in the system offer such opportunities. The process is very competitive with many artists across a wide spectrum of disciplines—visual, writing, performance, etc.—submitting applications. And the actual judging criteria remains unknowable.
Dewdrops quivered under my breath as I knelt down, my face but a couple inches away. Like sapphires, emeralds, and canary diamond they glistened, reflecting the vibrant organisms beneath. Like tiny, round mirrors, or tiny magnifying glasses, each micro detail was brought to prominence. Upon closer inspection, even my face, upside down, reflected back at me in as many copies as there were dewdrops. They jiggled and jostled, yet resisted the force of my breath and persisted in perfect cupola-shapes held together by cohesion.
As mesmerizing as the water drops were, I was here to photograph what lay beneath the transparent molecules. I drew a breath and blew. The water bubbles rolled away and revealed my intended subject. Tortuous as brain tissue, crusty as a scab, yet as significant as any other organism: lichen.
Art Wolfe is reputed to have said you can celebrate something to death. In a similar vein, Secretary of the Interior Ryan Zinke and Senator Lamar Alexander penned a May 2018 editorial for CNN in which they bluntly stated that “our parks are being loved to death” through a combination of record-breaking crowds and severe maintenance backlogs. All over the world, precious, unique natural areas are under stress from human visitors. In some places, it’s simply a case of too many people coming to too small a space. In others, it’s not just the crowds, it’s also bad behavior.
In order to protect beautiful but fragile areas, many photographers have stopped sharing location information. No GPS data. No clues about where the spot is or how to get there. Why? Because, once a really cool photo location is out there on Instagram, Facebook or other platforms, the crowds inevitably follow.
Is withholding locations arrogance? Selfishness? Respect for nature? You be the judge. Continue reading →
How do you live safely around bears? Ask the Black Bear Project.
Something interesting is happening in the wooded hills of northern Georgia. Thanks to the Black Bear Project, people and bears are learning to peacefully live together and avoid dangerous situations. NANPA member Mary Jo Cox has been involved in this project and gave us the story.
Cullinan Ranch levee breach – The 1500 acre Cullinan Ranch was purchased by the US Fish and Wildlife Service as part of San Pablo Bay National Wildlife Refuge in 1991. It was diked off from tidal action and drained in the 1800’s to grow oat hay. It is now being restored for endangered species and other wildlife.
Story and photographs by Beth Huning, 2011 Philip Hyde Grant Recipient
As photographers, many of us are good at telling our conservation stories through imagery. We use our photos to support projects that protect or restore the earth, its ecosystems, and inhabitants. Philip Hyde was a pioneer in using photographs for conservation and I have long admired his achievements. A native Californian, he was passionate about protecting the American West, and his photographs were influential in many conservation campaigns.
From the Editor: Applications for the 2018 Philip Hyde Grant and the 2018 Janie Moore Greene Grant are encouraged and will be accepted through midnight, October 31st. Details are at the end of the article.
The National Wildlife Refuges were created to manage, conserve and restore fish, wildlife and plants and the ecosystems that sustain them.
Story and photographs by Jeff Parker
The National Parks have famously been called “America’s best idea”. I have visited many of our National Parks and they ARE awesome. However, I tend to think that our National Wildlife Refuges are “America’s Better Idea”.