You might have seen headlines about an “insect apocalypse,” a dramatic and alarming decline in the numbers of insects, collapsing bee colonies, once-common species becoming increasingly rare. Should we be worried? And what has this got to do with photography?
One of the highlights of NANPA’s 2019 Nature Photography Summit & Trade Show was seeing the work of NANPA’s College Scholarship Program participants. Now that the event is over, it’s a good time to learn a little more about them and their experiences at Summit. Today, we meet Geena Hill, who recently graduated with her master’s degree from the University of Florida, with a focus in wildlife ecology and conservation.
“My interest in nature, biology, and photography predates my time as a biology student and photographer” says Geena. “As a child exploring in the woods with my sisters in northwest Pennsylvania, I always found myself taking pictures of various animals we found with a disposable camera. I wasn’t sure of the reason why I needed to take a photo of everything, but I felt the persistent urge to document our discoveries. Eventually, I was able to take a photography class in high school and finally fulfilled my aspiration of taking photos by learning the technicalities of film photography. While I did not study photography for my undergraduate degree, the constant impulse to always have my camera in my bag persists to this day.
Please allow me to introduce myself. My name is Tom Haxby, and for the next year I will be the President of the Board of Directors of NANPA. I’ve been a member of NANPA for over 10 years and have been on the Board of Directors for the last two. I have always enjoyed photography, but several years ago, after a career of almost 30 years as a natural resource manager, it was time to leave behind the 10 x 10 cubicle, endless meetings, toxic office politics and administrative tedium. So, I dove into nature photography full time and have not regretted for one minute the photographic adventures and time spent behind my camera. Along the way, there have been a few photos that have made the Showcase top 250 and a few other award winners as well as six weeks as an Artist-in-Residence in 2016 in the Great Smoky Mountains National Park. There have been so many trips to the Smokies, that some thought that I am local to there. Not yet! I currently reside in the Traverse City area of Northern Michigan.
Story & photo by Frank Gallagher
When we think of conservation photography, we often have in mind images of the grand and majestic: elephants, whales and tigers; the Grand Canyon, glaciers and coral reefs. You don’t have to be a well-known photographer like Joel Sartore or Florian Schulz, or work with National Geographic or the Sierra Club to have an impact. Those are all important, to be sure, but not everything has to be charismatic megafauna, epic landscapes, famous names or mass media. There are also many opportunities for conservation photography in the small, in the local and in the mundane. Sometimes, opportunity is knocking in places you’ve come to take for granted.
I was thinking about that recently, during a project for Nature Photography Day.
Story & photo by Frank Gallagher
Where do you draw the line between access and preservation? At what point does introducing a larger number of visitors to the wonders of nature start to endanger that very nature? It’s a tough call and one that land owners, government agencies and photographers are facing every day.
Barney Koszalka is a nature photographer based in Chapel Hill, NC, and Jackson, WY. Originally trained as a scientist, he’s been photographing across Europe, South Africa, Tanzania, Botswana, Namibia and Australia as well as throughout the western US. His work has been featured by the Sierra Club, recognized with numerous Explorer designations by Flickr, Member Choice awards in both Landscape and Plant Life by the Carolina Nature Photographers Association (CNPA), and named as a finalist in the 2018 Comedy Wildlife Awards competition. Koszalka is also a contributor to CNPA’s Camera in The Wild quarterly magazine and his studio art photography has appeared in a variety of advertising venues and craft books.
Story & photos by John Pedersen
Sometimes we just have to make lemonade from lemons. We don’t control the weather, the sun or clouds, or even the subjects we like to shoot. There are those occasional days when we show up on location and the variables beyond our control just don’t seem to want to cooperate. So, what do we do? Turn around and go home and wait for better conditions? No! We stay, adjust our expectations and dig into our bag of photographic skills to make the best of the situation, making the best lemonade we can from the lemons that are given to us.
Arabella Dane is an accredited photography judge, a member of two camera clubs in New England, 2 Photography Society of America study groups ,as well as a serving as an emeritus Garden Club of America photography judge and instructor. She is the founder of the GCA Photography Study Group, and is the coordinator for the photography initiatives of the National Garden Clubs, working with Charlie Burke, PSA past president, to develop online photography programs and competitions for the NGC membership (250,000 members).
She regularly competes in photography competitions and takes courses in photography. She shares with her husband Nat a love for nature, gardening, conservation, fishing, bird shooting, traveling, and photography. Arabella is an avid horticulture student – working most recently on the correlations between our native plants and their pollinators. Her online www.plantipedia.com web site includes more than 150,000 plants and 25,000 plant photographs as well as photos of many of our native butterflies and is a favorite resource for plant huggers.
This is my last blog as NANPA president, the end of a year of maundering over the past, present and future of nature photography. It turns out my fear that the organization would suffer under my leadership, or lack thereof, was unfounded, just as many of my fears are. Not only is NANPA doing well, but its membership has reached a new high point. It’s tempting for me to take credit for our success, but the truth is I’m riding on the coattails of an incredible herd/school/pride/pod of talented and hard-working staff and volunteers. Without them I would have been president of nothing, and I’m extremely grateful for my addiction to nature photography if for no other reason than it introduced me to these wonderful people who have guided and supported me.
Laura M. Eppig is a mostly self taught Nature Photographer who learned on slide film in the late ’80’s. She was invited to join a Camera Club in order to learn Bird Photography and was mentored by 3 of the founding members. While Laura shoots the majority of her images close to home, she has been known to travel far afield in search of certain elusive subjects, specifically Owls.
Laura finds that she can combine most of her interests through photography. Hiking and bird watching are two of her passions that nature photography encompasses. Macro photography is one of her special interests, especially shooting insects and spiders. Library Exhibits, as well as other types of displays, and Photography Classes keep her busy in addition to photographing whenever possible.