Learn practical field, compositional, and technical tips that will Raise the Level of your image creation. In this 5 hour seminar we will discuss dozens (more than 40) specific ways you can improve the technical, and artistic level of your photography.
While designed primarily for outdoor and nature photographers, many of these ideas can be applied to your image making regardless of your area of photographic interest.
• Maximize image sharpness
• Avoid common stumbling blocks to good photography
• Leave locations with more and better compositions
• Bring more art, style, and technical quality to your images
Learn the basics of photography and start yourself down the path toward great photographs.
1. Learn how your camera “sees” and how you can use this knowledge to improve your images.
2. Learn what all those dials do and which ones “really matter”.
3. Learn fundamentals of aperture, shutter speed and depth of field.
4. Learn fundamentals of composition.
5. Learn what camera and lenses are best for you.
6. Learn to develop your eye.
7. Learn how to get the best exposure in every situation.
8. Learn how to recognize beautiful light.
If you think you’ve “seen” Glacier Bay from the deck of a cruise ship, be prepared to be pleasantly surprised and amazed by the things you’ll see on this trip. Glacier Bay is one of the largest national parks in the United States and yes, it does feature a lot of ice. However, there’s so much more. Traveling on a 50-foot boat that we use for our sleeping and eating, we take up to eight passengers. You’ll get closeup photos of humpback whales, sea lions, sea otters and often, brown and black bears as they forage along the ocean shoreline. Although we can get many amazing photos right from the deck of the boat, we’ll also kayak and do short hikes. I’m partnering yet again on this trip with Juneau resident and photographer extraordinaire Mark Kelley. Mark is a NANPA member who has been a Showcase winner many times. He has produced numerous coffee table books and calendars on Alaska and is an all-around nice guy. This will be my seventh trip to Glacier Bay. Our parent company, Dolphin Charters, has been traveling Glacier Bay for some 40 years. The captain knows the area intimately, and as a former whale biologist, intimately understands the behaviors of these magnificent marine mammals.
Ed. Note: Today, we offer another blog post from our archives. Hank Erdmann prepared a good discussion on how to choose a lens when headed out for a photography session in the field, and it’s nicely illustrated with his photographs. This post originally appeared about two years ago. DL
“What lens should I bring (into the field) with me?” This is a question I hear many, many times a year while conducting tours, classes, and workshops. While I joke about this, often saying: “well, all of them.” To an experienced photographer, the question on the surface seems silly. To be truthful however it is a very valid question, on more than one front. While I usually address the issue up front in classes before we hit the field, I and other experienced photographers should be more aware that this is not as obvious as we think it is. Continue reading →
After the last snows have melted and the winds have subsided, it’s once again, a time for rebirth. Much like autumn, spring is the time of year when even people who don’t normally give much thought to nature or photography, suddenly become “nature photographers.” Sometimes, it seems as though there are almost as many photographers out in the fields as there are blooming flowers. But, who can blame them? An endless sea of brilliant red, yellow, pink and green hues can be quite intoxicating.
Methods for tracking down Lepidopterans to explore through photography
Story and photographs by Dave Huth
I photograph creatures and their environments as a way of exploring and understanding the beauty and complexity of the living world. I began photographing moths and caterpillars after explaining to my then-7-year-old daughter how her grandfather first got me interested in nature. My Dad is an amateur Lepidopterist who introduced me to these weird and secretive creatures when I was about her age.
Most nature photographers go out of their way to avoid the harsh, unforgiving contrast of direct sunlight. The resulting blown highlights and blocked up shadows have ruined many potentially great photos. This type of lighting may work for certain landscape images, but for floral portraits, the soft, even light of an overcast day is generally preferred.
Situated along the Rio Grande River, Bosque del Apache National Wildlife Refuge covers more than 57,000 acres and is a major wintering ground for cranes and waterfowl. Refuge personnel manage the water levels of its wetlands and impoundments to simulate what was once the seasonal flow of water from the Rio Grande before the river was damned and the flow altered. To feed the huge number of birds visiting the refuge each year, nearby fields are planted with corn, winter wheat, millet, and other grains. Loop roads transect the refuge marshes and fields and provide prime sites for wildlife viewing and photography. Species that may be seen include shovelers, buffleheads, pintails, teal and other ducks; bald and golden eagles; kestrels and other hawks; turkey; meadowlarks; quail; roadrunners; coyotes; mule deer; and more. In November, large flocks of snow geese and sandhill cranes will be present. At night to escape predators, the birds flock to the marshes and shallow pools. With dawn, the snow geese and other waterfowl rise in mass from the wetlands and sweep overhead on their way to nearby fields to feed. Each day we will spend the early morning and late afternoon hours at the refuge photographing birds and many other species of wildlife which are present at the sanctuary.
Many years ago, I was walking through a lovely old-growth stand of northern hardwoods on a glacial moraine hillside in northeastern Connecticut, conducting a bird survey for a proposed residential subdivision. With each step, my mind slipped deeper into despair over sacrificing this beautiful woodland habitat for human housing. Continue reading →
When spring/summer rolls around, I always start to think about the songbird migration – especially my experiences with warblers on Monhegan Island, Maine. The first time I set foot on Monhegan Island, I needed a pinch to make sure I hadn’t died and gone to heaven. Walking up the hill from the ferry into the village was like going back fifty years in time: dirt roads, handmade signs, and wooden buildings. It was like a Winslow Homer painting had suddenly sprung to life before my eyes. If this wasn’t enough—flocks of colorful songbirds flitted about all over the place, perching on trees, rooftops, fences, anything that was standing upright. The only things for visitors to do on the island are paint (Monhegan supports a summer art colony, including many famous artists like Jamie Wyeth), photograph (every well-known bird photographer visits Monhegan from time to time), and watch birds—lots and lots of birds! Continue reading →