Bordered by the Chesapeake Bay on the west and the Atlantic Ocean on the east, the Eastern Shore is a land of coastal wetlands and seashores, diverse wildlife, and seasons that bring character to its golden marshes and wide open bays, perfumed piney woodlands, and sandy coastal beaches. Come capture images of pristine field sites throughout the Delmarva Peninsula and learn from our expert instructors. Small class sizes allow for one-on-one instruction in the field creating a truly unique experience. Housing provided on site. Instructors include NANPA members Jim Clark, Nikhil Bahl, Brian Zwit, and Jamie Konarski Davidson, along with Michael Traubel. Held in Wallops Island, VA.
Story & Photography by F.M. Kearney
The final curtain is about to rise. A cast of billions is in place. Throughout their entire performance, they’ve all been restricted to the same regulation green outfits. For their finale, they now have a chance to break free – a chance to dazzle onlookers with stunning new yellow, red and orange wardrobes. A few glory-hounds will attempt to upstage the others with magnificent, multi-colored garb. Sit back and relax… The Autumn Show is about to begin.
I’m sure most nature photographers look forward to this show every year. But, it can be a challenge to come up with something different than the usual “trees and leaves” photo. Try looking for compositions beyond the obvious – compositions where the subject isn’t immediately evident.
Story & Photography by Jerry Ginsberg
High on the list of the most photogenic landscapes anywhere is the Beehive State, Utah. With five spectacular national parks, each one special in its own right, Utah is simply not to be missed.
While in the past, I have written tips for a photo trip to Moab, Utah, Arches National Park is such a singularly important place for nature photography that adding an article focused specifically about it seems both necessary and worthwhile.
Story and Photography by F.M. Kearney
One subject I always look forward to photographing during the summer months is the water lily. Native to the temperate and tropical parts of the world, there are over 50 species of these freshwater plants. However, it isn’t always easy to shoot them creatively. Unless you have access to a natural lake or pond (and are willing to get very wet), you will most likely have to shoot from the sidelines of a reflecting pool in a local park or botanical garden. A long lens will allow you to zoom in for a tight close-up, but you certainly won’t have any options to create those dramatic macro or wide-angle perspectives that are commonly used on other types of more accessible flowers.
From the Editor: Award-winning landscape and nature photographer Carl Johnson has been living in Alaska for almost 20 years and is an expert on shooting auroras. On Friday, August 17th, at 2 PM EDT, he will present a NANPA Webinar, “Chasing & Photographing the Aurora Borealis.” This webinar covers the science behind the aurora, the tools available to predict and plan for it (including websites and apps that provide real-time and forecasting information), tips on when and where to photograph it, and what gear and techniques to use. For more information or to sign up, click here.
Ed. Note: Today, we offer another blog post from our archives. Hank Erdmann prepared a good discussion on how to choose a lens when headed out for a photography session in the field, and it’s nicely illustrated with his photographs. This post originally appeared about two years ago. DL
Story and Photos by Hank Erdmann
“What lens should I bring (into the field) with me?” This is a question I hear many, many times a year while conducting tours, classes, and workshops. While I joke about this, often saying: “well, all of them.” To an experienced photographer, the question on the surface seems silly. To be truthful however it is a very valid question, on more than one front. While I usually address the issue up front in classes before we hit the field, I and other experienced photographers should be more aware that this is not as obvious as we think it is. Continue reading
Story and Photographs by Franklin Kearney
After the last snows have melted and the winds have subsided, it’s once again, a time for rebirth. Much like autumn, spring is the time of year when even people who don’t normally give much thought to nature or photography, suddenly become “nature photographers.” Sometimes, it seems as though there are almost as many photographers out in the fields as there are blooming flowers. But, who can blame them? An endless sea of brilliant red, yellow, pink and green hues can be quite intoxicating.
Methods for tracking down Lepidopterans to explore through photography
Story and photographs by Dave Huth
I photograph creatures and their environments as a way of exploring and understanding the beauty and complexity of the living world. I began photographing moths and caterpillars after explaining to my then-7-year-old daughter how her grandfather first got me interested in nature. My Dad is an amateur Lepidopterist who introduced me to these weird and secretive creatures when I was about her age.
Story and Photography by F.M. Kearney
Most nature photographers go out of their way to avoid the harsh, unforgiving contrast of direct sunlight. The resulting blown highlights and blocked up shadows have ruined many potentially great photos. This type of lighting may work for certain landscape images, but for floral portraits, the soft, even light of an overcast day is generally preferred.