At the time of this writing, most of the country is tentatively beginning to open up. Although more and more people are slowly starting to venture out, things are nowhere near normal. Millions, however, are still living under “stay-at-home” restrictions, and only venturing out for essentials – which does not often include outdoor nature photography. It makes for very long days that seem to blur together. That gave me another idea on how to alter existing images. My past couple of articles have dealt with creative ways to pass the time if you’re unable (or unwilling) to spend too much time outside. Last month, I discussed ways to use texture to enhance your images. In this article, I’ll illustrate how the various blur filters in Photoshop can dramatically alter an image (including texture, as well).
Flowers have long been a subject of study within the art world and many photographers feature them in their images. Landscapers look for floral details to bring pops of color to their grand landscape images. Portrait photographers often use flowers to set the seasonal tone. Wildlife photographers understand that flowers also provide a food source for insects and birds while providing a nice background for their subjects.
But when was the last time you took a flower, in and of itself, as the full subject of your frame? When did you spend time approaching that flower as you would a landscape or animal subject when looking for compositions? When was the last time you took an hour with a flower?
If you can’t easily answer that question, now is the perfect time to try this photography challenge. Not only will it provide you with something to photograph, but it will have you thinking outside the box in ways that can be used with other subjects. If your pre-COVID-19 compositions were mostly wide angle or telephoto images, this exercise can help you focus on seeing all the details.
Life is unpredictable. One day, it can be business as usual, and the next day everything can be turned upside down. The Coronavirus, or COVID-19, outbreak has effectively done just that. Whether only slightly, or dramatically, all of our lives have been changed. At the time of this writing, only a few major US cities have been placed under total lockdown. Here in New York City, although still open, for all intents and purposes, it’s basically shut down. Walking around town is like being on the set of an apocalyptic movie. Many people are working from home and most businesses are shuttered – replacing the normal hustle and bustle with an eerie stillness and silence. The New York Botanical Garden – my oasis for nature photography – has been closed until further notice. I was looking forward to trying out some new techniques on their spring collection, but that will obviously have to be put on hold. It occurred to me that as more places are put on lockdown, many people may not be able to leave their homes for the luxury of engaging in nature photography. I was in the process of putting together an article about photographing spring flowers. But, due to the current situation, I decided to set it aside for now and write something a bit more poignant.
The rose garden inside the Colonial Park in Somerset, New Jersey, is named in honor of Rudolf W. van der Goot, the first horticulturist with the County Park Commission, as a tribute to his efforts in designing and developing the garden. It is only one acre in size but contains more than 3,000 roses covering 325 varieties. From late spring through fall, these roses present an unending variety of colors, fragrances and, above all, appearances.
Photographing roses also presents unending opportunities, especially after a rainy night or while it is drizzling. The park being very close to my home, I visit often. Recently, I went once while it was drizzling and again on a bright sunny day.
Imagine a child’s frustration in trying to see a passing parade while peering through a forest of gargantuan adult legs. I suppose it’s human nature to always want an unobstructed view of whatever it is we’re trying to see. This is especially true of press photographers, and of course… the paparazzi. How many times have you seen them on the evening news jostling and elbowing each other out the way in order to get the “best” shot? In nature, however, the best shot isn’t always necessarily the cleanest shot. If used correctly, certain “distractions” can provide a creative frame or bokeh around your subjects.