Nature Photography Day: We need it now more than ever

Backlit baby bird at dawn. Nature Photography Day: Reconnecting with nature near home. 2019 second place image: "First Sunset"  © Teri Franzen.
Nature Photography Day: Reconnecting with nature near home. 2019 second place image: “First Sunset” © Teri Franzen.

NANPA has been celebrating Nature Photography Day on June 15 every year for 15 years, to promote the enjoyment of nature photography and increase awareness of the role images play in promoting conservation and protecting plants, wildlife, and landscapes. Enthusiasm for Nature Photography Day continues to grow worldwide.

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An Hour With A Flower: A Creative Challenge

California poppy photographed with Tamron 18-400mm at 185mm.
California poppy photographed with Tamron 18-400mm at 185mm.

Story & photos by Alyce Bender

Flowers have long been a subject of study within the art world and many photographers feature them in their images. Landscapers look for floral details to bring pops of color to their grand landscape images. Portrait photographers often use flowers to set the seasonal tone. Wildlife photographers understand that flowers also provide a food source for insects and birds while providing a nice background for their subjects.

But when was the last time you took a flower, in and of itself, as the full subject of your frame? When did you spend time approaching that flower as you would a landscape or animal subject when looking for compositions? When was the last time you took an hour with a flower?

If you can’t easily answer that question, now is the perfect time to try this photography challenge. Not only will it provide you with something to photograph, but it will have you thinking outside the box in ways that can be used with other subjects. If your pre-COVID-19 compositions were mostly wide angle or telephoto images, this exercise can help you focus on seeing all the details.

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Seven Tips for a Successful Meetup Photography Group

Group of photographers spread out on a flower-covered hillside.

Story & photos by Donald Quintana

Our headlights cut through the darkness as we wind down the Blue Star Memorial Highway through the Lapanza Range of mountains. Just before nautical twilight ascends onto the earth, we pull into the parking area marked with an old vintage American water pump windmill. It’s good to have a landmark for our location. Out of the blackness, barely visible to the naked eye, carpets of Gold Fields speckled with Tidy Tips and patches of Baby Blue Eyes, glisten with the newly-dropped dew. Arriving 30 minutes before the scheduled meet up time, Bob and I set up and prepare to greet the members of our 367 strong NANPA Meetup Group of the Central Coast of California. Usually we have about 40 people RSVP, around 30 will actually make an event. Goodness knows what we would do if all 367 members showed up. Today we are gathering to photograph the wildflowers along Highway 58 and Carrizo Plain super bloom. Distant headlights begin to appear down Highway 58 coming in our direction. Members are beginning to show, and soon our meet up will begin.

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Dealing With Adversity: Staying Creative During the Coronavirus Outbreak

Stargazer lily with blue sidelight
Stargazer lily with blue sidelight

Story & photos by F. M. Kearney

Life is unpredictable. One day, it can be business as usual, and the next day everything can be turned upside down. The Coronavirus, or COVID-19, outbreak has effectively done just that. Whether only slightly, or dramatically, all of our lives have been changed. At the time of this writing, only a few major US cities have been placed under total lockdown. Here in New York City, although still open, for all intents and purposes, it’s basically shut down. Walking around town is like being on the set of an apocalyptic movie. Many people are working from home and most businesses are shuttered – replacing the normal hustle and bustle with an eerie stillness and silence. The New York Botanical Garden – my oasis for nature photography – has been closed until further notice. I was looking forward to trying out some new techniques on their spring collection, but that will obviously have to be put on hold. It occurred to me that as more places are put on lockdown, many people may not be able to leave their homes for the luxury of engaging in nature photography. I was in the process of putting together an article about photographing spring flowers. But, due to the current situation, I decided to set it aside for now and write something a bit more poignant.

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Join in the Celebration: Spring event offers something for every nature photographer

View of Smokey Mountains from Foothills Parkway
Foothills Parkway

Story and photos by Tom Haxby, NANPA Board President

In my opinion there is nothing more wonderful for a nature photographer than to welcome spring in the southern Appalachian Mountains. Local and migrating birds are singing, blooming wildflowers are everywhere, waterfalls abound, and night skies on the Blue Ridge Parkway are amazing.

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Carefully Selected “Field Trips” Make Celebration Unique

Blue-gray Tanager photographed in the Talamanca Mountains of Costa Rica.  © Kathy Adams Clark.
Blue-gray Tanager photographed in the Talamanca Mountains of Costa Rica. © Kathy Adams Clark.

Story by Kathy Adams Clark

An unprecedented number of field events—combined with the kind of classroom sessions and vendor demonstrations you’ve come to expect of NANPA’s big signature events—are what make the 2020 Nature Photography Celebration in Asheville, North Carolina, special. 

As you may already know, this year’s Celebration features six distinct educational tracks: night photography, birds, landscapes/scenics, flowers, fine art, and conservation. You can attend all of the workshops and field events in one track for deeper understanding of that area, or mix and mingle between tracks for a broader, more general experience of nature photography. 

But what I’m most excited about is the field trips. If you’re like me and learn best when the camera’s actually in your hands, then Celebration is for you. 

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True Affects: Using Special Effects to Realistically Affect Reality

Daylilies with Radial blur filter (spin method) applied
Daylilies with Radial Blur filter (spin method) applied

Story and Photos by F. M. Kearney

A friend of mine once showed me a movie trailer on Youtube for a foreign-made film called “B-14.” It’s about rival drug gangs, featuring an assassin with superhuman powers. To say that the special effects are ridiculously over-the-top would be an extreme understatement! This movie wasn’t meant to be funny, but I laughed more during this 1-minute trailer than I have during some 2-hour actual comedies. It seemed as though the producers just discovered special effects the night before and were determined to use all of them in this film – no matter how poorly executed, or whether the scene called for them or not.

Personally, I think special effects work best when they enhance existing attributes within a photo. If you can discern a distinctive pattern within a subject’s color or shape, or the overall composition of the scene, chances are there’s an effect that will accentuate it. 

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Photographing Roses in Colonial Park

A single rose with water droplets.
Rudolf W. van der Goot Rose Garden, Colonial Park, Somerset, NJ.

Story and photos by Sastry Karra

The rose garden inside the Colonial Park in Somerset, New Jersey, is named in honor of Rudolf W. van der Goot, the first horticulturist with the County Park Commission, as a tribute to his efforts in designing and developing the garden. It is only one acre in size but contains more than 3,000 roses covering 325 varieties. From late spring through fall, these roses present an unending variety of colors, fragrances and, above all, appearances.

Photographing roses also presents unending opportunities, especially after a rainy night or while it is drizzling. The park being very close to my home, I visit often.  Recently, I went once while it was drizzling and again on a bright sunny day.

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Shooting Through “Distractions”: Using Natural Elements to Frame Your Subjects

Blue spruce pine needles (200mm, f/4, ISO 400, 1/90 sec.)
Blue spruce pine needles (200mm, f/4, ISO 400, 1/90 sec.)

Story & photos by F. M. Kearney

Imagine a child’s frustration in trying to see a passing parade while peering through a forest of gargantuan adult legs. I suppose it’s human nature to always want an unobstructed view of whatever it is we’re trying to see. This is especially true of press photographers, and of course… the paparazzi. How many times have you seen them on the evening news jostling and elbowing each other out the way in order to get the “best” shot? In nature, however, the best shot isn’t always necessarily the cleanest shot. If used correctly, certain “distractions” can provide a creative frame or bokeh around your subjects.

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From the President: Come to Asheville in the Springtime

Foothills Sunrise view.
Foothills Sunrise

Story & photos by Tom Haxby

Winter will soon be upon us and while many photographers revel in the unique opportunities for winter photography, I always look forward to spring in the southern Appalachian Mountains with my camera in hand. My annual visits there quite literally put a spring in my step. Birds sing for mates from the newly green trees, waterfalls flow from spring rains, flowers bloom in profusion and it seems that the whole world is new again.

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