Gourmet Photography: Making Memorable Images of Forgettable Subjects

Close up photo of a few holly leaves with a splash of yellow color in the background. "Holly leaves with a bit of color." © F.M. Kearney
Holly leaves with a bit of color. © F.M. Kearney

By F. M. Kearney

Besides photography, one of my other passions is cooking and baking. To satisfy my sweet tooth, I’m always baking some type of cookies or cakes. I use baker’s tools like piping bags and scrapers to make them look like they were purchased from a bakery. People often tell me I should bake professionally, but I have little interest in doing that. I don’t think I would enjoy it as much if I knew I had to do it. I also have an extensive collection of cookbooks and a filing cabinet full of recipes, categorized with folders devoted to specific meats, vegetables, and of course, sweets. However, I would never consider myself a chef. A cook, perhaps, but never a chef. Unless I’m intimately familiar with a dish, I have to follow a recipe. True chefs don’t “cook by numbers.” They instinctively know how to combine obscure ingredients to produce the most spectacular dishes. I love watching cooking competition shows on the Food Network. I always marvel at how chefs are able to take an odd-ball collection of ingredients like a banana, a pork chop and a cup of cashews, and combine them into award-winning, gourmet masterpieces.

I started to wonder how I could apply that same concept to photography. It’s really not that difficult to create an amazing photo of a great subject in the perfect light. But, what if your subject is less than stellar and your lighting is awful? As a personal challenge, I set out to find the most unremarkable subject and to shoot it in the worst possible light.

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Coaxing Out the Color: Another Pandemic-Induced, Boredom-Busting Technique

Enhanced Version of Photo of Snow-Covered Waterfall in The Loch © F.M. Kearney
Enhanced Version of Photo of Snow-Covered Waterfall in The Loch © F.M. Kearney

Story and photos by F. M. Kearney

Photography in the winter can be tough. Exposures can be tricky; your equipment needs to be handled differently and if you’re not dressed appropriately, your main concern is usually getting inside as quickly as possible. Another common issue is finding color. Many winter photos almost look like they were shot in black and white. I’ve written articles in the past about finding color in the winter, but they were primarily geared towards finding it the natural way. This article is more about thinking “out of the box” and creating whimsical, fantasy-like images, purely for artistic purposes.

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A Day at a Lake: Exploring the Hidden Gems of a Common Subject

By F.M. Kearney

There was nothing particularly special about it, and it was completely hidden from view. In order to reach it, you had to walk to the rear of the property and go down a short trail leading to a clearing. The only reason I knew about it was because I Googled the location beforehand. It was just a small lake… so small it didn’t even have a name. Nevertheless, I couldn’t wait to explore it.

Several years ago, my wife and I went on a short, weekend getaway to The Poconos. We stayed at a vacation resort in the town of Bushkill, PA. The resort was best known for its golf course, but I was only interested in one thing… the lake.

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The Color of Winter: Techniques to Enhance Winter Photos

The Pool frozen over at sunrise Central Park New York, NY

The Pool frozen over at sunrise, Central Park, New York, NY (HDR compilation of 5 images).

Story & photography by F.M. Kearney

That time is quickly approaching. That time of year when many photographers will pack away their gear and patiently wait for the first colorful blooms next spring. Yet, winter isn’t completely devoid of color, as some might assume. In fact, if you carefully plan what you shoot and when you shoot, you may be surprised at the amount of color you can coax out of this often-overlooked season.

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