There’s no shortage of ideas for great nature photography and conservation projects. And there are certainly many problems to address. What’s often lacking is funding, especially in a pandemic. If you have a peer-reviewed environmental project, the NANPA Foundation’s Philip Hyde Conservation Grant might be right up your alley.
I have been a NANPA member for a year and a half. Even in that short time, NANPA and its supportive community have influenced me in many meaningful ways. Life seems to be full of wonderful flukes, and my introduction to NANPA was one such instance. One morning in November of 2012, when I was a high school senior, I received word from a fellow photographer of a great photographic opportunity that existed for high school students. Though just three days away from the deadline of NANPA’s High School Scholarship Program application, I immediately jumped at the opportunity. I quite honestly remember thinking it looked too good to be true – a chance to spend a week in the field and at the NANPA Annual Summit, all the while learning and being inspired. I wondered to myself a little incredulously, How could I not have heard of NANPA before?It looks awesome!
Among many important projects, the NANPA Foundation offers two grants each year: the Philip Hyde Conservation Grant and the Janie Moore Greene Scholarship Grant. The deadline for both grants is 11 PM Eastern Time tomorrow, October 31st, 2019. Although that’s not a lot of time, the grant application forms are not onerous and can be completed with a few hours effort. So, if you are a student studying photography in college or are either planning or in the midst of a conservation photography project, this is your chance for some financial assistance that can have a real impact on what you’re doing!
Editor’s Note: Mac Stone received NANPA’s 2018 Philip Hyde Conservation Grant for his project, “Old Growth: Ancient Swamps of the South.” In this project he explores three old growth bottomland hardwood swamps (Beidler Forest, Congaree Swamp and Corkscrew Swamp) that are the last vestiges of unique ecosystems that once dominated the American South. He recently gave us an exciting update.
Homestead, Florida USA. Burrowing owls (Athene cunicularia floridana) are diurnal birds that make their home in the ground. Photographing these birds was a difficult task. I wanted a close perspective with a wide angle to show their habitat which is rarely showcased in owl photography. I failed many times while trying to find a way to disguise my camera and leave the birds undisturbed. Luckily, their burrows had been marked with road cones. For 6 months I visited the owls and placed my camera inside the cone and using an intervalometer, I took an exposure every 5 seconds. Setting my camera to beep before each exposure ensured the owls would be looking my direction. I used a polarizer to bring out the blues in the sky and soften the light on the grass. Photo by Mac Stone.
Text and Photos by Mac Stone
Many people are calloused by social media and I have to admit that I am too. Our audience is so distracted by the constant onslaught of content from all around the world that the photography market has turned into a fast food drive through line. Images that have taken us months to make are quickly posted, commented on, liked, shared and then forgotten about. It seems like a black hole, but we aren’t the only ones facing this problem and there are lessons to be learned.
Consider National Public Radio (NPR) for a moment. All year, they offer incredible content—some of the best podcasts and radio shows around—for free. In turn, they build a large loyal audience and when the time comes for support or premium content, their audience shows up in droves with money in hand. To me, that sounds like the same model of a photographer’s Facebook page.
The photography market has changed so much in the last ten years. Today, it’s not just the agencies that have access to large markets. With social media, we’re able to reach a very specific or a broad range of demographics, potential customers or future enthusiasts for our work. Continue reading →
I run a non-profit conservation organization called Naturaland Trust, www.naturalandtrust.org. We protect ecologically important areas in Upstate South Carolina through land conservation.
What NANPA committees have you served on, when and what positions?
I currently serve on the High School Scholarship Committee as the chair.
What was it about this committee that interested you?
My first introduction to NANPA was through the scholarship program. I was an 18-year-old student, and it forever changed my career goals. Now, leading the committee, I’m able to develop a program that leverages the knowledge of its members and gives the students an experience they’ll never forget. I love teaching, and this is a perfect outlet.
What are the responsibilities you assumed?
We develop a week-long program for students at the NANPA summit.
What are your greatest accomplishments or the highlights thus far of what you have done for NANPA?
Leading the last High School Scholarship Program in Jacksonville was probably my most notable accomplishment.
Also, while teaching photography to kids in Honduras, I was able to help one of my students come to the 2008 NANPA Summit in Destin, Florida, where I served as his translator. Still today, he talks of this trip as a major milestone in his life.
How long have you been a NANPA member?
Do you have a goal as it pertains to the High School Scholarship Committee?
My goal is to train the next generation of photographers and provide them with the same network and skills that have contributed to my professional career.