Peace, beauty, balance and humor are what I hope my art expresses and how I would like it to affect others.
I feel that Morning Grasses fits my creative philosophy and my mission as a photographic artist and leaves room for the viewer’s interpretation and wonder. I’ve always been interested in alternative styles of creative photography, including hand painting silver prints, Polaroid SX-70 manipulations, digital multiple exposures, and currently, Creative iPhoneography.
I love capturing moments in time with my camera. I am drawn to whatever resonates with my creative soul. I think as much about the design, light, shadow, pattern, texture, or gesture in the image as I do about the subject itself. I search less and let my awareness draw me to what I can use as my canvas, and I often add layering of texture or color to my original image, as I have done with this one.
I started photographing burrowing owls in 2016. They’ve become one of my favorite subjects. I can’t resist these little characters with all their expressions. After a session, I can’t wait to get home to look through the images to see what I’ve captured. When I got to these three owls, their interactions with each other were amazing, but what really stood out was this little owl showing off his ability to levitate. The two things I strive to capture in an image are emotion and/or moments you wouldn’t be able to see with the naked eye.
While my intention that day was to photograph one of my favorite flowers, lotus blossoms, I like to keep my mind open to whatever opportunities arise. Lotus blossoms, buds, leaves, and spent seed pods are all things I had photographed many times. But this seed pod was in an in-between state I hadn’t ever noticed before. The surface of the seed head seemed like an alien landscape, or some sort of mythical multi-eyed creature. I was fascinated by the textures and shapes and just had to photograph it, even if it was outside my normal subject matter. By isolating just this portion of the seed pod, I’ve made an abstract interpretation of it, adding a sense of mystery about what it could be.
This photo is special to me because it evokes emotion. My goal as a photographer is to capture pictures in such a way that the viewer will feel the same thing I feel at the time of the photo. There are some pictures that I think are great as a photographer, but they don’t resonate with others. I could tell immediately after sharing this picture that it evoked the kind of emotion in others that would help facilitate positive change. It has been used by conservationists throughout Louisiana to help clean up our stormwater collection system and bring attention to our litter and pollution problems.
This experience was one of the most incredible spectacles of nature I have ever witnessed, in some ways fulfilling dreams I have had since I was a child. I have always been fascinated by the mystique of big cats—the more elusive the better. Some of my earliest artistic memories are drawing big cats out of the well-worn photography books I adored, which gave me my initial interest in pursuing wildlife photography. After what had been a slow winter for wildlife sightings, this mountain lion was such a gift to me as she spent about a week of her life in Jackson Hole, feeding on a mule deer she killed during the night. It was of crucial importance to me when I arrived on scene to capture an action shot of this sleek creature as it was a situation I had dreamed of my entire life.
Photographing STEVE was on my photo bucket list. Although I’ve seen the northern lights many times this was the first and only time, I’ve seen this rare astro-phenomena. It was bright at first then faded very quickly. I feel extremely fortunate to have squeezed off eight frames. This image of STEVE reflects my goal of capturing wildlife and wild lands few people see first-hand.
This photo is special to me thanks to the community involvement in removing burdock, a local invasive species, and the associated storytelling opportunities. I’m a nature photographer, but a conservationist first. As a committee member of the Sacajawea Audubon Society here in Bozeman, Montana, I wanted to shed light on our local conservation efforts. Our “Knock out Burdock” campaign has brought many volunteers from various backgrounds together to make change in our community. My vision in taking this photograph was to raise awareness on this issue in the hope that I would encourage others to get involved and start a larger discussion.
I have recently been learning more about meditation and am fascinated by the many ways one can choose to meditate. One ancient form of meditation is to focus on a mandala image. Mandalas, or circles, are a sacred form of meditation that allows the individual to focus on the image and in clinical trials has been shown to promote healthy living. With this image, I tried to combine an image of nature, which is naturally calming to me, with the idea of mandala art. This image reminds me of a warm tropical sunset with the color, trees, and circular motion. When looking at it, I can almost feel the warm sun, hear the waves and feel the salty air on my face, and it sends me into a relaxed state.
Through my photography I try to portray the character or spirit of a bird. Often that involves capturing behavior that represents some distinctive aspect of that particular bird’s lifestyle. It’s extra rewarding if I can achieve that vision in a unique or artistic way as with this black skimmer in flight. We see the astonishing blade-like bill with which it skims the water’s surface to capture fish, a bill so thin in cross-section that, seen from the front, almost disappears from view. The unusual head-on view, the symmetry and verticality of the wings, the shallow depth of field drawing attention to the bird’s eyes—factors that all came together to produce a compelling image. Framing a bird flying toward you at close range can be extremely difficult, but I love a challenge and in this case the reward totally outweighed the effort.
I feel at home on the coast, with a shutter release in my hand, and nowhere more so than the rugged coastline of the Basque Country around Barrika, which includes these stunning spine-like rock formations, known as flysch formations. “Chasing the Dragon” absolutely evokes features which motivate me creatively – energy, shape, perspective, and a little bit of drama. It’s a privilege to stand alone in near-complete darkness, senses heightened, with only the sound of waves, and see those components come to life in your viewfinder.