A friend of mine once showed me a movie trailer on Youtube for a foreign-made film called “B-14.” It’s about rival drug gangs, featuring an assassin with superhuman powers. To say that the special effects are ridiculously over-the-top would be an extreme understatement! This movie wasn’t meant to be funny, but I laughed more during this 1-minute trailer than I have during some 2-hour actual comedies. It seemed as though the producers just discovered special effects the night before and were determined to use all of them in this film – no matter how poorly executed, or whether the scene called for them or not.
Personally, I think special effects work best when they enhance existing attributes within a photo. If you can discern a distinctive pattern within a subject’s color or shape, or the overall composition of the scene, chances are there’s an effect that will accentuate it.
Fall foliage reflecting in lake, Twin Lakes area, New York Botanical Garden, Bronx, NY. f/9.5 @ 70mm, 5-image HDR compilation.
Story & Photography by F.M. Kearney
The final curtain is about to rise. A cast of billions is in place. Throughout their entire performance, they’ve all been restricted to the same regulation green outfits. For their finale, they now have a chance to break free – a chance to dazzle onlookers with stunning new yellow, red and orange wardrobes. A few glory-hounds will attempt to upstage the others with magnificent, multi-colored garb. Sit back and relax… The Autumn Show is about to begin.
I’m sure most nature photographers look forward to this show every year. But, it can be a challenge to come up with something different than the usual “trees and leaves” photo. Try looking for compositions beyond the obvious – compositions where the subject isn’t immediately evident.
One subject I always look forward to photographing during the summer months is the water lily. Native to the temperate and tropical parts of the world, there are over 50 species of these freshwater plants. However, it isn’t always easy to shoot them creatively. Unless you have access to a natural lake or pond (and are willing to get very wet), you will most likely have to shoot from the sidelines of a reflecting pool in a local park or botanical garden. A long lens will allow you to zoom in for a tight close-up, but you certainly won’t have any options to create those dramatic macro or wide-angle perspectives that are commonly used on other types of more accessible flowers.
It stood alone at the back of the fog-shrouded field. Situated far off the beaten path and dwarfed by its much taller neighbors, it was virtually invisible. Tram loads of visitors were invariably drawn to the flashier specimens along the roadside – giving nary a glance to their diminutive counterpart in the rear. It can be a losing battle for a tiny star magnolia tree to garner any attention under these conditions. However, unexpected gems might be found when you take a closer look at the “underdog.”
The beginning of a new year is a time when many of us make resolutions to end bad habits, or to start that special project we’ve been putting off for months. It’s a time to take stock of our lives and to reflect upon our accomplishments (or lack thereof).
That got me thinking about literal reflections in photography. A perfect mirror image of a subject in a body of water is a great way to add interest and creativity to a photo. The amount of water can be as small as a dew drop on a stem that magically encompasses a floral portrait, to a river that reflects a mighty landscape.
Some reflections are easy to spot. I shot the two waterlilies above at a botanical garden in a reflecting pool – making it practically impossible not to include their reflection. It did take a bit of time, however, to find a “clean” composition where the reflection wasn’t obscured by any of the surrounding lily pads.