Night shooting with flash setups–just bring your camera. Photography from blinds during the day. Reptiles too! We’ll keep you busy with many interesting denizens of the desert!
Nearly 60,000 acres of restored wetlands bordering the Rio Grande provide multitudes of wintering birds with refuge. Sandhill cranes and geese cover these waters and these skies in breathtaking abundance.
Other birds of note include: Gambel’s Quail, Pintails, American Widgeons, Mallards, Northern Harriers, Ross’s Goose, Roadrunners, and –if lucky– Bald Eagles. In addition, we hope to spot the endangered Aplomado Falcon, a species first re-introduced to the region in 2006 following a successful captive-breeding program. We’ll also keep our eyes peeled for Mule Deer, Bobcats, and gorgeous, winter-coated Coyotes.
In addition to our photo shoots at the Refuge, we’ll enjoy an off-site night shoot at a unique and picturesque canyon in the region. There we’ll enjoy light painting against the canyon walls as well as a warm and delicious homemade meal in the field.
We also do a mid-day shoot to focus on flight photography instruction. (It also gives us a chance to capture images of a couple waterfowl species that we don’t see on the refuge.)
Limited to six (6) photographers / $795.00
More info: http://exploreinfocus.com/joinme/bosque-del-apache-photo-tour/
If you look at a satellite photo taken at night of the United States, you’ll see a recognizable shape. The coastlines are outlined in light. Major cities are clearly defined. Yet, out in far West Texas, there is a dark area void of major manmade lighting.
This huge dark area is being preserved thanks to a major dark sky preservation movement by local entities.
by Roman Kurywczak
I have been photographing nighttime landscapes for about 20 years now, capturing images of star trails like the one pictured above with good success (even in the film days). The arrival of digital cameras and their high ISO capabilities has allowed me to push the boundaries of nighttime landscape photography and allowed me to capture the milky way and stars just as we see them. I released my e-book on that subject in February 2011 but wanted to revisit some of the images I had captured with the Sigma 12-24mm lens. The above image is the newest version of my cover shot, but this time the illumination you see is from just the moon. A rock solid tripod and ballhead are a must for this genre of photography. A wide-angle lens is also a must; the Sigma 12-24mm lens is now my lens of choice for my Canon 1D Mark III bodies. For those of you with crop sensors, the 10-20mm F3.5 EX DC HSM should be your go to lens, but keep in mind that any wide angle lens will work (Tip: you should be around 20mm max on a full frame sensor with the settings I will be providing). Continue reading
Story and photographs by Ralph A. Clevenger ©
Photographically painting with light has been around for about 100 years. It was made popular by distinguished photographers Man Ray and Barbara Morgan in the 1930s and 1940s. Photographer and inventor Aaron Jones was a master of the hosemaster light painting system and brought the technique into the commercial photography world in the 1980s (see http://aaronjonesphoto.com/). Personally, I’ve been fascinated by it ever since seeing O. Winston Link’s steam locomotive images from the 1950s. Continue reading