At one point or another, most photographers will embark on a personal project. These projects are ways to more deeply explore a personal passion using photography, whether that be documenting how a single location changes throughout a year, looking for variations on a theme, or recording the health and vitality of a species or habitat. Personal projects can be global or local, big or small, and most assuredly will provide a satisfying and challenging addition to your photography arsenal.
At NANPA’s Nature Photography Summit, February 21 – 23, in Las Vegas, you can take a deep dive into all aspects of personal projects. That’s one more reason to register and get yourself (and your gear) to Vegas this month. Sign up before preregistration closes at midnight, Eastern Time, on Monday, February 4th and take advantage of NANPA’s 25th birthday discount! Use promo code “Happy25” for $75 off a member, non-member, or student full Summit registration.
Outstanding Photographer of the Year Florian Schulz.
The Outstanding Photographer of the Year Award goes to an individual who has demonstrated unquestioned skill and excellence as a nature photographer through his or her past work and who has produced extraordinary recent work of significance to the industry. That would be a pretty good description of the career of Florian Schulz, the 2019 Outstanding Photographer of the Year.
Schulz is a photographer, filmmaker, speaker and teacher, specializing in wildlife and conservation photojournalism. He is a Senior Founding Fellow of the International League of Conservation Photographers and serves on the iLCS board. He’s been published in publications like National Geographic magazine and is an in-demand speaker.
Sebastian Kennerknecht photographing on coast, Skomer Island National Nature Reserve, Skomer Island, Pembrokeshire, Wales, United Kingdom
Conservation photographer and iLCP Associate Fellow Sebastian Kennerknecht will receive NANPA’s 2019 Emerging Photographer Award at the 2019 Nature Photography Summit and Trade Show, February 21-23 in Las Vegas, NV. This award (formerly the NANPA Vision Award) is “given to an emerging photographer in “recognition of excellence and serves to encourage continuation of vision and inspiration to others in nature photography, conservation, and education.”
Among the criteria for this award are “a commitment to achieving a positive impact upon nature photography, and the conservation and protection of the natural world; plus the education of the general public about conservation and nature issues.” The awards committee noted that Kennerknecht is “emerging as an important wildlife photographer, especially in the area of wild cats, and species that have not been widely documented. His focus on ethical field practices and species conservation is a model that many other photographers should follow. His frequent and smart use of social media to share his imagery and message are constantly growing in popularity, ensuring that he is truly advocating for the power and need of high quality nature photography.”
Kennerknecht’s work in photographing and documenting wild cats, both well- and little-known species, and his work with scientists, conservationists and social media to educate the public, make him an ideal recipient for this award. We were fortunate to ask Sebastian a few questions in between his travels.
Cullinan Ranch levee breach – The 1500 acre Cullinan Ranch was purchased by the US Fish and Wildlife Service as part of San Pablo Bay National Wildlife Refuge in 1991. It was diked off from tidal action and drained in the 1800’s to grow oat hay. It is now being restored for endangered species and other wildlife.
Story and photographs by Beth Huning, 2011 Philip Hyde Grant Recipient
As photographers, many of us are good at telling our conservation stories through imagery. We use our photos to support projects that protect or restore the earth, its ecosystems, and inhabitants. Philip Hyde was a pioneer in using photographs for conservation and I have long admired his achievements. A native Californian, he was passionate about protecting the American West, and his photographs were influential in many conservation campaigns.
From the Editor: Applications for the 2018 Philip Hyde Grant and the 2018 Janie Moore Greene Grant are encouraged and will be accepted through midnight, October 31st. Details are at the end of the article.
Editor’s Note: While spring 2018 is struggling to make its appearance through much of the United States, we can already look in our backyards and see the early signs that it’s on the way. Our backyards are always one of the best places to look for flowers, birds, and occasionally, something larger. This post by Amy Shutt appeared in 2014, and what she describes sounds like the ultimate back, front, and side yards for observing wildlife.
We live on 7.5 acres of land in a little town in Louisiana. Although I’ve only been here for a few years, my husband, an ornithologist, has been living here for quite some time. It’s 95% woods. He gardens the area around the house exclusively for hummingbirds and the rest is untouched. Yep, we are the eccentric neighbors with the overgrown yard with signs designating the ditch in the front as a ‘Wildflower Area’ so the city won’t cut or spray.
I see swamp rabbits almost daily. We have deer…and deer ticks. I have heard foxes in the darkness just off the driveway in the woods. We have enjoyed listening to coyotes howling in unison. Barred owls belt out their crazy calls nightly. Prothonotary Warblers nest in boxes we make for them around the house and in the woods. Point is, it’s pretty cool out here and we share this land with a lot of critters and plants. Continue reading →
Students pose for me before we start shooting in the garden.
Teaching teenagers is both challenging and incredibly fulfilling. Challenging because you are competing against their unformed brains, their increased awareness, and the distraction of the opposite sex as well as today’s “must have” electronic devices. If teens aren’t fully engaged in what you are teaching, you can forget about it. I had worked with only adults for the past 30-plus years, so when I started working with teenagers four years ago, I had a lot to learn about teaching. (More on the fulfilling part later.)
One of my favorite workshops to give is photographing the winter holiday lights display at Lewis Ginter Botanical Garden in Richmond, Virginia. What seems like millions of lights are hung over the entire garden, and each year carries a different theme. What I love about this workshop is that you can throw caution to the wind and just have fun working with color and long exposures to create wild and exciting images that are always a surprise. There is a lot of laughing and sharing, and teenagers and adults alike enjoy the heck out of it.
I tend to get stuck in my ways for photographing landscapes: sharp and focused. But I’ve started experimenting with another technique that I refer to as ambient light painting.
Ambient light painting may not be what you think. It is not using artificial light sources at night to paint light on a tree, old barn or other subject. Instead, ambient light painting uses both natural light and slow camera movements to create abstract compositions. The results can be something resembling a Monet painting.
When I discovered how much my students embraced this technique, I decided to include it in my workshop resources to help them develop their own vision of nature. Turns out, ambient light painting is fun for them, and that fits right in with my goal to get folks to love nature through their photography.
When I started getting serious about photography my goal was simple. Take pictures that my friends and family would ooh and aah over. We all want people to respond positively to our work and there are a number of photo critiquing web sites that cater to this desire. Camera clubs around the world hold photo competitions and there is no shortage of major competitions such as NANPA’s Showcase and Nature’s Best Photography Windland Smith Rice International. Displaying our photos on our web site or photo site like flickr is another way of putting our work in the public eye. Many of us display our work in local galleries and others try to gain recognition (and maybe a few dollars) through microstock agencies such as Dreamstime. Continue reading →
I thought I knew all there was to know about strip mining, since I grew up in coal country in a mining family and even spent some time selling truck parts to the mining industry early in my career. Then in 2009, I was invited by members of Kentuckians for the Commonwealth and St. Vincent’s Mission to go on a tour of a mountaintop removal (MTR) site in Floyd County, Kentucky, with a group of students from Berea College. I was not prepared for what I saw that morning.
Yes, it was a strip mine. But it was a strip mine on steroids. It went on for miles. At the end of the tour, I was asked by Sister Kathleen Weigand from St Vincent’s Mission if I would consider doing a book on MTR, and I immediately said yes.
New River 1
Approximately 500 mountains and more than 2,000 miles of streams already had been destroyed by MTR throughout the southern Appalachians. My research revealed that MTR was not an isolated problem in Kentucky. It had affected all of coal country. Furthermore, legislation passed to accommodate the coal industry had the potential to affect water quality across the United States, making MTR a national problem.
A number of scientific papers were published in 2009 on the impact MTR was having on the waters of Appalachia and public health. President Obama had just taken office, and I expected that the EPA would finally be allowed to do its job and put an end to this mining practice. I was wrong, and six years later, MTR is still going strong.
Since the purpose of my project was to raise awareness and educate the public about MTR, I decided that a book—added to several books and powerful documentaries I knew were already in production—might not be the best way for me to get the story out. I decided to take my project in a slightly different direction: a fine art exhibit that would focus on the beauty of the region and what could be lost.
I reasoned that a traveling art exhibit could reach a different and broader audience and have a better chance to be viewed—not only by those against MTR, but also by those supportive of the mining industry. I partnered with Appalachian Voices and The New River Conservancy, two organizations working to protect the region, and with SouthWings—an NGO (nongovernmental organization) located in Asheville, North Carolina, which provided my flights. Funding for the exhibit came from grants provided by Art for Conservation and The Blessings Project Foundation.
Joseph’s and my collaboration continues, and he has agreed to write poems about more of the prints in the exhibit. We are currently working on exhibit scheduling for 2015-2016. Oh, and remember the book that got the project going? We’re revisiting that idea as well.
Carl Galie is a North Carolina photographer who has worked on conservation issues for the past 19 years. Carl was awarded the first Art for Conservation Grant in August 2010 for his project “Lost on the Road to Oblivion, The Vanishing Beauty of Coal Country.” In March 2014, Carl received Wild South’s Roosevelt-Ashe conservation award for journalism for his work documenting mountaintop removal of coal in the Appalachians.