At the time of this writing, every state in the country has now either partially or completely reopened. Although we are far from being out of the woods with the COVID-19 crisis, more and more people are starting to venture out to enjoy what’s left of this summer. After last winter and the extended lockdown, I’m sure some photographers haven’t touched their cameras in months. I had originally planned to run this article at the beginning of spring, but I postponed it due to the lockdowns – and the unlikelihood that many people would be able to enjoy the outdoors. With things slowly beginning to return to a “new-normal,” I figured now would be a much better time for an article about photographing flowers outdoors.
The rose garden inside the Colonial Park in Somerset, New Jersey, is named in honor of Rudolf W. van der Goot, the first horticulturist with the County Park Commission, as a tribute to his efforts in designing and developing the garden. It is only one acre in size but contains more than 3,000 roses covering 325 varieties. From late spring through fall, these roses present an unending variety of colors, fragrances and, above all, appearances.
Photographing roses also presents unending opportunities, especially after a rainy night or while it is drizzling. The park being very close to my home, I visit often. Recently, I went once while it was drizzling and again on a bright sunny day.
Cumulus clouds over Dickenson Bay, St. John’s, Antigua, West Indies.
Story & photos by F. M. Kearney
I’m a late-comer. I didn’t make the switch to digital until 2014. As a film shooter, I relied heavily on filters. Everything from warming to ND grads to a vast array of special effect filters were permanent residents in my camera bag. Nowadays, digital imaging can replicate many of those filter effects – often much easier and with far more control. But, as good as digital technology is, it still can’t duplicate the effects of a polarizer filter. The photo above is a classic beach scene where a polarizer works most of its magic. By filtering out the glare and atmospheric haze, the true color of the sky comes forth revealing puffy, white cumulus clouds as far as the eye can see.