You have a long telephoto lens or you’re lusting after one. There’s nothing like that long reach to zoom in on birds and wildlife. But telephotos are not the easiest things to use and the longer the reach the more precise you have to be. Are you using your long glass to its full potential? Find out how you can squeeze all the possibilities (and then some) out of you long lenses in a NANPA webinar presented by Bob Coates on Thursday, February 13, at 6:00pm EST.Continue reading
Have you got a story to tell? Photography advice to share? Expertise in or a passion for some aspect of nature photography or the gear and technology we use? Nature photographers are pretty darn good behind the camera but not everyone is so good in front of a keyboard. That’s why we’re excited to announce that a professional ghostwriter has volunteered to help NANPA members craft their thoughts into articles for the NANPA Blog.Continue reading
Photographs are two dimensional representations of a three dimensional world. One of a photographers’ principal challenges, then, is to bring a sense of depth into that two dimensional image.Continue reading
Story and photos by Ashleigh Scully
I was a participant in the 2017 NANPA High School Scholarship Program and spent a week in the Great Smoky Mountains working with some incredible mentors, broadening my interests in photography and learning from some very talented kids my age as well.
This program was a turning point for me–it showed me just how much I want to inspire the younger generation to learn more about conservation and photography. Working with and learning from 9 other students from across the country was not what I expected it to be. I had assumed we would all stick to the certain aspects of photography we were comfortable with, but instead we all motivated each other to try a little bit of everything.
During that week in the Smokies, I got to experiment with flash and night photography and use some of the cameras, lenses, and flashes that Canon sent to as loaners. I now have knowledge of the settings to use for star and night photography, something that will definitely come in handy for me in the future. We also hiked out to a waterfall and attempted slow motion waterfall photos to capture the blur of the water. Using the loaner flashes, we also found little salamanders and toads and used white backgrounds for the “Meet Your Neighbors” technique that Andrew Snyder, one of the mentors, taught us. Some of the kids were so in love with this new technique, it was all they did!
Story and photos by Kika Tuff
The world of online education is a new frontier for nature photographers and one that can be quite lucrative. But making money isn’t as simple as building an amazing course and setting it free on the internet. Plenty of thoughtful, well-designed courses go undiscovered every day.
So, before you invest your time and energy into building a course, I wanted to offer some ideas on how to ensure you don’t get lost in the ocean of internet content.
First: know what you offer.
Lou Nettelhorst will receive one of NANPA’s 2019 Fellow Awards. This award is presented to members who have made significant contributions to the professional nature photography industry over a period of at least 20 years.
Nettelhorst is a widely-published nature and fine art photographer. The awards committee noted that, “for eight years, he led the NANPA’s high school scholarship committee, in essence establishing the efficient way the committee continues to work today. Lou shares his talent through community college courses, field trips, presentations and nationwide workshops and private instruction.”
A portfolio review is when a professional photographer, photo editor or agent examines and critiques your carefully-curated portfolio of top images. Reviews are often available at photo conferences, including NANPA’s 2019 Nature Photography Summit and Trade Show, where you can sign up for a portfolio review with one of more than 20 top-notch photography professionals. But, why would you want to do this?
Story and photos by F. M. Kearney
Webster defines serendipity as “the faculty of making providential discoveries by accident.” In photography, it’s more like capturing that once in a lifetime shot that could not be recreated again in a million years. The internet is full of these types of images, usually classified as “Photos Taken at the Perfect Moment,” or “Things You Have to See to Believe.” Of course, almost anything you see on the internet should be viewed with a certain degree of skepticism, and even more so when it comes to photos and videos. The old saying, “The Camera Never Lies,” has never been less true than in the digital age in which we live. However, assuming that even if a fraction of these photos are, in fact, real, they truly are serendipitous moments caught on camera.
I recently spent several days in Atlantic City, NJ shooting ocean views. Most of my visits in the past have been day trips lasting only a few hours – just enough time to grab a quick lunch, lose all my money and head back home. On this occasion, I had the luxury of time on my side – time to see the real beauty of this town, beyond the bells and buzzers, and the glitzy flashing lights within its casinos’ walls.
One morning, I took a walk along the beach to The Steel Pier – a 1,000-foot-long amusement park built on a pier of the boardwalk. Its latest attraction is a 227-foot tall Ferris wheel, known as The Wheel, which began operating in 2017. I arrived just as the sun was rising behind it. My main objective was to get the surf in the perfect position – far enough into frame to be a dominant foreground element, but not so far in that it covered up the sun’s reflection on the wet sand. I also wanted to get the rising sun directly between the spokes of The Wheel. The sun’s position changes quite rapidly when it’s this low on the horizon. I took several shots and the photo above was the only one where the sun and the surf lined up in the perfect positions. This was the result of careful timing (and a little bit of luck). However, the serendipitous aspects were the inclusion of the seagull and the woman – things I had absolutely no control over. I saw when the seagull walked into the reflection during the shoot, but I didn’t even notice the woman in the background until I was reviewing the images back home on my computer. She had walked into one of the openings of the pier directly beneath The Wheel at precisely the right moment.
Another serendipitous moment was the inclusion of the honeybees in the daylily image below. I was all set to shoot the flowers when I suddenly found myself surrounded by a small group of bees. Like little helicopters on a mission, they methodically visited each flower in the area – hovered for a few seconds, then landed to pollinate. Since I already had my camera locked down on a tripod and focused on one particular bloom, I decided to wait and see if they would pay it a visit. Eventually, two bees flew into the shot and hovered close enough for my flash to cast a catch-light in their eyes. When they landed, they went down too deep into the flower to be seen, so I was lucky to get this photo of their approach.
Serendipitous moments in photography are unplanned and often referred to as “lucky shots.” But you can increase your luck if you’re prepared, have a little patience and are aware of specific patterns of behavior – as in the case of the honeybees. Sometimes, however, you just get a pleasant surprise. Careful planning made the image of The Wheel a good shot. Serendipity made it one-of-a-kind.
Photographer, naturalist and teacher Kathy Adams Clark will receive NANPA’s Mission Award at the 2019 Nature Photography Summit and Trade Show, February 21-23 in Las Vegas, NV. The NANPA Mission Award (formerly NANPA Recognition Award) goes to someone who epitomizes NANPA’s principles. The selection criteria include promoting nature photography, giving back to the photo community, raising public awareness of “nature’s beauty and wonders,” and both adhering to and promoting NANPAs values and mission statement.
Based in the Houston metropolitan area, Kathy has been a professional nature photographer since 1995. Her photos have appeared in hundreds of paces including magazines, books, calendars and in the weekly “Nature” column in the Houston Chronicle, written by her husband, Gary Clark.
She teaches photography classes, leads workshops, and volunteers as a public speaker, always bringing messages about nature into her presentations. She helped write the NANPA Mission Statement, previously served as NANPA’s president (2007-8), on the board of directors, and on both the awards as well as the summit committees. Recently we had a chance to ask her a few questions
Photographer, educator, writer and mentor George D. Lepp will receive NANPA’s Lifetime Achievement Award at the 2019 Nature Photography Summit and Trade Show, February 21-23 in Las Vegas, NV.
To nature photographers and his long-time fans, Lepp needs no introduction. As the awards committee noted, he is “one of North America’s best-known contemporary outdoor and nature photographers. His passions for natural beauty, technical precision, cutting-edge technology, and environmental responsibility are revealed in his beautiful and compelling photographic images. He is also widely recognized for his unique dedication to sharing his photographic and biological knowledge with other photographers through his seminars and writing. In both realms, George Lepp is a leader in the rapidly advancing field of digital imaging.”