The Case for Bridge

Bridge Grid View is one of several user-selected layouts for viewing images. The Grid is modeled on a traditional lightbox.

Story and photos © Jerry Ginsberg

A little history

Once upon a time, a lot of photographers did very well with film photography. 35mm slides, the old reliable, did a more than adequate job for us and the great majority of book and magazine publishers. We sent out a couple of vinyl pages of 20 mounted 2×2” slides and usually scored a hit.

Then came the digital revolution. And make no mistake; this has been a true technological revolution. Kodak and Nikon may initially have been on the cutting edge of the seismic shift as it pertains to photography, but such subsequent changes as smartphones, social media and cloud computing are all facets of the very same upheaval.

Around 1990, a group of very bright people created Photoshop. Overcoming a few less robust competitors, Photoshop quickly became the standard for processing digitally captured and scanned images in the new world of the digital darkroom.

Adobe’s ancillary program Bridge was born soon after. After several years and great advances in the feature sets, depth and breadth of these software tools, some streamlining seemed to fit a market niche. Enter Lightroom.

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The Color of Winter: Techniques to Enhance Winter Photos

The Pool frozen over at sunrise Central Park New York, NY

The Pool frozen over at sunrise, Central Park, New York, NY (HDR compilation of 5 images).

Story & photography by F.M. Kearney

That time is quickly approaching. That time of year when many photographers will pack away their gear and patiently wait for the first colorful blooms next spring. Yet, winter isn’t completely devoid of color, as some might assume. In fact, if you carefully plan what you shoot and when you shoot, you may be surprised at the amount of color you can coax out of this often-overlooked season.

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The Wonders of Water Plants

Water lily with Cokin diffractor filter effect.

Water lily with Cokin diffractor filter effect.

 

Story and Photography by F.M. Kearney

One subject I always look forward to photographing during the summer months is the water lily. Native to the temperate and tropical parts of the world, there are over 50 species of these freshwater plants. However, it isn’t always easy to shoot them creatively. Unless you have access to a natural lake or pond (and are willing to get very wet), you will most likely have to shoot from the sidelines of a reflecting pool in a local park or botanical garden. A long lens will allow you to zoom in for a tight close-up, but you certainly won’t have any options to create those dramatic macro or wide-angle perspectives that are commonly used on other types of more accessible flowers.

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