Vermejo in the fall is famous for the incredible show of elk during their rut and large groves of aspen trees putting on their autumn display.
Join Sean Fitzgerald in September to photograph the elk and aspens, along with everything else Vermejo has to offer! This tour is especially unique, though, as many days we pair up two photographers with one of the Vermejo’s world class wildlife guides to help them get great photo opportunities to the bull elk as they bugle, display and fight each other. This is a rare and unique opportunity, done expertly and responsibly.
We are also staying in the newly refurbished, historic and spectacular Casa Grande lodge! Casa Grande is the home of Vermejo owner Ted Turner (and we are getting an amazing rate for this workshop).
Cost is $3500. Program rates include lodging , meals, professional guides and on-site transportation. Company Store purchases, alcoholic beverages, staff gratuity and New Mexico State sales tax are not included. More information on Vermejo Workshops and FAQ here.
Vermejo Park Ranch – Wildlife, Ghost Towns and Night Sky!
Vermejo Park Ranch features 585,000 acres of spectacular and relatively un-photographed wild country in New Mexico. It is a magnificent place, way too big to see in just one trip!
In August, we explore the our way from the mountains to the prairie at our August Photo Workshop where we chase wildlife, explore Vermejo’s amazing ghost towns and historic buildings and last, but not least, photograph amazing landscapes during the day and at night under Vermejo’s amazing night sky. This week we will have extremely dark skies, perfect for photographing the Milky Way! An extra two-day extension will give those folks the chance to go deeper into subjects of their choice.
Led by our expert guide and naturalist, James Reidy, we will search for and find unique wildlife and photographic opportunities, including bison in rut. If chasing wildflowers and newborn animals is more your style, check out our early summer “Babes and Blooms” Photo Workshop. (At the June Vermejo workshop, we focus on summer wildflowers and newborn wildlife. In late September, we photograph bull elk in rut and fall aspens).
Cost is $2200 for the 4 day August workshop, and $1100 for the two day Ghost Town addition. Dates are August 12-16 for the main workshop and August 16-18 for the optional two day extension.
Program rates include lodging , meals, professional guides and on-site transportation. Company Store purchases, alcoholic beverages, staff gratuity and New Mexico State sales tax are not included. More information about my Vermejo workshops.
He posted it to Facebook, the image went viral, and then the real fun started. Fox News called. The Associated Press called. Everyone wanted to use the image in news stories, but they all wanted it for free.
My, how time flies. I am coming to the end of my term as president of NANPA and it feels like I just started. It is thrilling to see how NANPA has evolved to adapt and thrive. Where many similar organizations are shrinking or dying, NANPA stands tall, and we are well-positioned for the future.
Do we still have challenges? Oh yes! We must reach new audiences and attract new members, including younger ones. We need to provide our diverse membership more relevant benefits. And we have to continue to adapt to today’s challenges while staying true to NANPA’s values. Continue reading →
It is easy for digital photographers to get lazy out in the field — “Oh, I can fix it digitally, later. . . .”
There is nothing necessarily wrong with that approach, but I like to try to get it right in the field, preferably all in one shot. And sometimes that takes a few tricks.
Take the image below I just photographed.
A long exposure can give a nice abstract feel to an image. Using a polarizer slows down your shutter speed about 2 stops helps give you that longer exposure. Combined with a small aperture and low ISO, I had a nice long 30 second exposure to really abstract the water on the lake.
But what about the sky? It is a lot brighter than the darker foreground here and will overexpose. I could shoot it in two different exposures and add in the properly exposed sky later, but I’d rather get it one shot.
So I pulled my 3 stop Graduated Neutral Density filter out of my bag and held it over the lens to bring down the light in the bright sky and equalize the exposure. Voila – you get the image all in one shot. A little more work up front, sure, but worth it to me. (And less work on the computer, later!).