All of this week’s Weekly Wow! images can be seen in the slideshow on the NANPA homepage at nanpa.org.
The following Showcase images have been selected to appear on the NANPA home page for the week beginning Monday, February 24, 2020. To view all of the top 250 photographs from NANPA’s 2020 Showcase competition, see the photo gallery on the NANPA website. The 2020 edition of Expressions contains all of the top 250 photos from the Showcase competition as well as interesting and insightful articles. Order your copy here!
Typically when I mention the Badlands of South Dakota, the National Park is the first place that’s comes to mind. That’s quickly followed by a comment that goes something like “I drove through there once.” But the term Badlands has a geological definition that extends far beyond the park boundaries. The Badlands National Park and surrounding Buffalo Gap National Grasslands cover approximately 925 square miles and make up the largest protected mixed grassland prairie in the United States. Although it would take a lifetime to explore all of this vast area, it if definitely worth getting off the main road to exploring some of the more remote areas of the Badlands National Parks South Unit, the surrounding Buffalo Gap National Grasslands, and some of the surrounding small towns.
It is easy for digital photographers to get lazy out in the field — “Oh, I can fix it digitally, later. . . .”
There is nothing necessarily wrong with that approach, but I like to try to get it right in the field, preferably all in one shot. And sometimes that takes a few tricks.
Take the image below I just photographed.
A long exposure can give a nice abstract feel to an image. Using a polarizer slows down your shutter speed about 2 stops helps give you that longer exposure. Combined with a small aperture and low ISO, I had a nice long 30 second exposure to really abstract the water on the lake.
But what about the sky? It is a lot brighter than the darker foreground here and will overexpose. I could shoot it in two different exposures and add in the properly exposed sky later, but I’d rather get it one shot.
So I pulled my 3 stop Graduated Neutral Density filter out of my bag and held it over the lens to bring down the light in the bright sky and equalize the exposure. Voila – you get the image all in one shot. A little more work up front, sure, but worth it to me. (And less work on the computer, later!).